Born in 1933 in a small village in Korea's North Cholla Province, Ko Un grew up in a Japanese-controlled land that was soon to experience the horrors of the Korean War. He became a Buddhist monk in 1952 and began writing in the late 1950s. This is his major, ongoing work which began during his imprisonment with a determination to describe every person he had ever met. Maninbo, as it is known in Korea is now in its 20th volume and he has plans for five more before its completion. Collected here is a selection from the first 10 volumes.

Ko Un has long been a living legend in Korea, both as a poet and as a person. Allen Ginsberg once wrote, 'Ko Un is a magnificent poet, combination of Buddhist cognoscente, passionate political libertarian, and naturalist historian.' Maninbo (Ten Thousand Lives) is the title of a remarkable collection of poems by Ko Un, filling thirty volumes, a total of 4001 poems containing the names of 5600 people, which took 30 years to complete. Ko Un first conceived the idea while confined in a solitary cell upon his arrest in May 1980, the first volumes appeared in 1986, and the project was completed 25 years after publication began, in 2010. Unsure whether he might be executed or not, he found his mind filling with memories of the people he had met or heard of during his life. Finally, he made a vow that, if he were released from prison, he would write poems about each of them. In part this would be a means of rescuing from oblivion countless lives that would otherwise be lost, and also it would serve to offer a vision of the history of Korea as it has been lived by its entire population through the centuries. A selection from the first 10 volumes of Maninbo relating to Ko Un's village childhood was published in the US in 2006 by Green Integer under the title Ten Thousand Lives. This edition is a selection from volumes 11 to 20, with the last half of the book focused on the sufferings of the Korean people during the Korean War. Essentially narrative, each poem offers a brief glimpse of an individual's life. Some span an entire existence, some relate a brief moment. Some are celebrations of remarkable lives, others recall terrible events and inhuman beings. Some poems are humorous, others are dark commemorations of unthinkable incidents. They span the whole of Korean history, from earliest pre-history to the present time.

This book presents one of the first systematic assessments of aesthetic insights into world politics. It examines the nature of aesthetic approaches and outlines how they differ from traditional analysis of politics. The book explores the potential and limits of aesthetics through a series of case studies on language and poetics.

Collection of writings from asian authors in particular China, Tibet, Japan, Korea, Philippines, Indonesia, Vietnam, Cambodia and Malaysia discussing their approaches to writing.

Enlightenment has never been easier than with this updated guide to Buddhism.432 pp.

In this long awaited full survey of the poetic writing of Korea's leading literary spokesperson, the translators have gathered poems from 42 years, representing numerous of the author's 135 books. As they note in their introduction, "Ko Un is ... like a force of nature."

Throughout his eventful life as a monk, poet, novelist, political dissident, husband, and father, Ko Un has remained a traveler on the Way. The poems in this collection, though strictly within the true Zen tradition, are as witty and down-to-earth as they are contemplative. Described by Allen Ginsberg as “thought-stopping Koan-like mental firecrackers,” the poems reflect both writer and reader. First published in 1997, the new edition features a more sympathetic translation and 11 original brush paintings by the author.

Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.

Ko Un has long been a living legend in Korea, both as a poet and as a person. When a writer has published as much as Ko Un has in the course of more than fifty years of writing, it is hard to know where to begin, what to translate. For this collection, his translators have selected poems from the five collections published since 2002. Nothing shows more clearly his stature as a writer than the variety of themes and emotions found in his most recent work; as he approaches his eightieth year, with his energy and originality unabated. "Un's poems take the ordinary world and peel the skin off, so that a gentle meditation on the passage of hours becomes something both beautiful and terrible as light shining through blood."-The Quarterly Conversation March 4, 2013