Exhibition of works from Keith Haring's early years in New York City during which time he developed his visual language and formed strategies to create "art for everybody" and the means to get that art to the general public.

Haring’s Manhattan Penis Drawings deliberately eschew eroticism in their repetitive, decorative patterning of male genitalia. The works, made in the late ’70s, interestingly foreshadow the political turn Haring’s work would take in response to the AIDS crisis. The sketches shed light on the concerns that preoccupied Haring during his formative years in the city that would so define his artistic practice—namely, the forging of a direct and immediate visual language and the translation of the personal and political into universal experience. One of the key figures in the New York art world of the 1980s, Keith Haring (1958–1990) created a signature style that blended street art, graffiti, a Pop sensibility, and cartoon elements to unique and memorable effect. With thick black outlines, bright colors, and kinetic figures, his public (and occasionally illegal) interventions, works on canvas, paper and sculptures have become instantly recognizable icons of 20th century visual culture.

From the ivory tower to the barricades! Radical intellectuals explore the relationship between research and resistance.

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

Hugh Dempsey recounts his interesting and varied careers as journalist, historian, archivist and museum administrator.