Saxophonist Carlos Garnett, despite being blind in his later years, was an integral part of Miles Davis' nonet. His pivotal roles extended beyond live performances to studio work during the "On the Corner" era in 1972. Though he was born in a community of laborers who worked for the Panama Canal Company, his talent and work ethic led him to perform with some of the world's most notable musicians. Garnett's upbringing had influences from various cultures, including Jamaica, Trinidad, and Barbados, which informed his later musical fusions. This autobiography traces Carlos Garnett's journey from his native, segregated town of Red Tank, now erased from modern maps. After establishing himself as a prominent musician in his homeland, Garnett left for Brooklyn, NY. There, he worked with Art Blakey, Freddie Hubbard, Charles Mingus, Andrew Hill, Mtume James, Norman Connors and of course, Miles Davis. Garnett's original albums for Muse Records showcased his musical fusions, highlighting his talents as a composer, arranger, and instrumentalist.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

I am here, in the rain, tied to the mango tree. The water leve rises, above my naked feet, past my ankles. I wait ... It has been this way since Sarina's family moved to Liberia from Boston eight months ago. Her mother ties her to the mango tree in their front yard, terrified of losing her. It's never for long, and Sarina knows her mother doesn't mean to hurt her. But things just seem to get harder the longer her family stays in this country so far from home. On good days, when Sarina's mother is feeling better, she sets her daughter free. On bad days, Sarina dangles her feet in the puddles and mud until dusk, waiting for someone to rescue her, wishing for the one thing her mother fears most: a friend. Then one day Sarina meets Boima, a Liberian boy, and he becomes Sarina's cherished secret. He takes her to places outside her dirty yard, and shows her the ocean, the trees, and the people of Liberia. Together they discover what friendship really means ... and that there is a world of joy, hunger, and hope waiting just beyond the mango tree. 2000-2001 Georgia's Picture Storybook Award & Georgia's Children's Book Award Masterlist

The enchanting autobiography of the seven-time James Beard Award-winning cookbook author and acclaimed actress who taught America how to cook Indian food. “Wistful, funny and tremendously satisfying.... Jaffrey's taste memories sparkle with enthusiasm, and her talent for conveying them makes the book relentlessly appetizing." —The New York Times Book Review Whether climbing the mango trees in her grandparents' orchard in Delhi or picnicking in the Himalayan foothills on meatballs stuffed with raisins and mint, tucked into freshly baked spiced pooris, Madhur Jaffrey’s life has been marked by food, and today these childhood pleasures evoke for her the tastes and textures of growing up. Following Jaffrey from India to Britain, this memoir is both an enormously appealing account of an unusual childhood and a testament to the power of food to prompt memory, vividly bringing to life a lost time and place. Also included here are recipes for more than thirty delicious dishes from Jaffrey’s childhood.

In this sweet story, The Mango Tree grows while discovering inspiration and development from somewhere within itself, but also from the surrounding world. The Mango Tree tells a story of growth and perspective; of love and fear; of strength and protection - all hidden within the perfect little body of one small seed. While The Mango Tree matures to reach its full potential, it learns lessons of gratitude and acceptance along the way. What will you discover while reading about The Mango Tree and its many transformations?

The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.

Case studies are combined with a broad theoretical approach to look at the relationship between policies governing the output of the music media and music activity in society.

This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. This book argues that the historical trajectory of these musicals has formed a canon of works that have reiterated, resisted or transformed experiences of trauma through linguistic, ritual, and geographic interventions. These traumas may be disaster-related, migrant-related, colonial or patriarchal. Bilingualism and translation, ritual action, and geographic space engage moments of trauma (natural disaster, incarceration, death) and healing (community celebration, grieving, emancipation) in these works. The musicals considered are West Side Story (1957, 2009, 2019), The Capeman (1998), In the Heights (2008), and Hamilton (2015). Central to this argument is that each of the musicals discussed is tied to Puerto Rico, either through the representation of Puerto Rican characters and stories, or through the Puerto Rican positionality of its creators. The author moves beyond the musicals to consider Lin-Manuel Miranda as an embodied site of healing, that has been met with controversy, as well as post-Hurricane Maria relief efforts led by Miranda on the island and from a distance. In each of the works discussed, acts of belonging shape notions of survivorship and witness. This book also opens a dialogue between these musicals and the work of island-based artists Y no había luz, that has served as sites of first response to disaster. This book will be of interest to students and scholars in Latinx Theatre, Musical Theatre and Translation studies.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

In Laura Fish's ambitious and captivating novel, three very different women struggle for freedom. While Elizabeth Barrett Browning is confined to bed, chafing against the restriction of her doctors and writing poetry and fretful letters, at her family's Jamaican estate Kaydia, the Creole housekeeper, tries to protect her daughter from their predatory master; and a recently freed black slave, Sheba, mourns the loss of her lover. As Elizabeth, a passionate abolitionist, struggles to come to terms with the source of her wealth and privilege both Sheba and Kydia fight to escape a tragic past which seems ever-present. The resulting novel is an extraordinary evocation of the dark side of the nineteenth-century that is both horrifying and ultimately redeeming.