The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.

A union list of serials commencing publication after Dec. 31, 1949.

Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the development of American literature. Unlike many of her contemporaries, Hale insisted on the power of women within both the public and private spheres. Throughout her long career, Hale helped popularize new ideas about reading and genre, and she made significant contributions to the development of professional authorship.Our Sister Editors also provides the first overview of the large and diverse group of nineteenth-century women editors. In her examination of the role of women as editors, owners, and publishers of periodicals and her use of Hale's career to exemplify and discuss a series of major issues related to women's writing and reading in Victorian America, Patricia Okker offers a provocative revisionist study.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.