The inventor of modernity Violently criticized during his lifetime for his supposedly provocative paintings, French painter Edouard Manet (1832-1883) is now considered a master of inestimable importance in the history of painting. His 1863 painting "D�jeuner sur l'herbe" depicting two clothed men picnicing with a nude woman--now considered one of the most memorable images of the 19th century--stirred up controversy for what many considered its vulgar audacity. It was famously rejected by the Paris Salon and exhibited in the Salon des Refus�s. Manet's bold style helped pave the way from Realism to Impressionism, and in doing so ushered in the age of modern art. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

"Richly detailed and informative, (this biography) exposes the character of an artist who maintained a sharply defined duality between his public and private personas" ("Philadelphia Inquirer" and "grants us a far deeper understanding of why (Manet's) paintings outraged so many of his peers" ("Booklist", starred review). 70 halftones.

Presents the still-life paintings of the great Impressionist master Edouard Manet, including a wide variety of oil paintings, watercolors, and prints, as well as an essay on the artist and his work.

Ill. on lining papers.

Manet Paints Monet focuses on an auspicious moment in the history of art. In the summer of 1874, Édouard Manet (1832–1883) and Claude Monet (1840–1926), two outstanding painters of the nascent Impressionist movement, spent their holidays together in Argenteuil on the Seine River. Their growing friendship is expressed in their artwork, culminating in Manet’s marvelous portrait of Monet painting on a boat. The boat was the ideal site for Monet to execute his new plein-air paintings, enabling him to depict nature, water, and the play of light. Similarly, Argenteuil was the perfect place for Manet, the great painter of contemporary life, to observe Parisian society at leisure. His portrait brings all the elements together— Manet’s own eye for the effect of social conventions and boredom on vacationers, and Monet’s eye for nature—but these qualities remain markedly distinct. With this book, esteemed art historian Willibald Sauerländer describes how Manet, in one instant, created a defining image of an entire epoch, capturing the artistic tendencies of the time in a masterpiece that is both graceful and profound.

In the winter of 1880 Edouard Manet, then 49, was dying. In the last months of his life he funnelled his waning energy into a series of remarkable still lifes - 16 small paintings of flowers - which are brought together in this book. An essay by Andrew Forge pays tribute to the artist's struggle and his legacy, and Robert Gordon's selections from Manet's letters add poignancy to this last glow of a brilliant artistic flame.

In a delightfully different account of art and politics during the Second Empire, Friedrich sketches a landscape that encompasses Napoleon III, Flaubert, Wagner, Proust, Degas, Zola, Monet, Hugo, Manet, and many others, both famous and infamous. Photographs.

"Fried put forward a highly original, beholder-centered account of the evolution of a central tradition in French painting from Chardin to Courbet."--P. [4] of cover.