Manchester and beyond is a compelation of poems from Manchester and all over the world, demonstrating a number of talents to be admired and praised.

Edwin Morgan's restless imagination moved easily between multiple worlds, voices and identities. His own life story, told here for the first time, also reveals a range of identities - as academic, cultural activist, radical writer, international traveller, gay man and national poet. These identities were sometimes in conflict, or kept hidden and apart. Beyond the Last Dragon, written with his full support, explores hitherto unknown archive resources and creative work. It recounts an amazing and sometimes troubled career, using the poet's own letters, poems and plays from the 1930s to the present day to uncover the origins of his remarkable - and life-long - inventiveness and flair. All this is set against Edwin Morgan's moving struggle against 'the last dragon' of cancer, and to remain creatively alive in the face of suffering in the final years of his life. This prize-winning biography was published just days after the poet's death. James McGonigal now adds a new chapter to describe subsequent events.

A study of how we should read one of America's most important poets. Ben Hickman argues that we must attend to Ashbery's radical conception of reading if we are to understand the originality of his writing. His study focuses on Ashbery's reading of English poets, including Andrew Marvell, John Donne, William Wordsworth, John Clare, T. S. Eliot and W. H. Auden, and examines Ashbery's writing in terms of an 'aesthetic of inattention'. Hickman critiques the Americanisation of Ashbery's work as well as common assumptions about his Romanticism, his avant-garde Modernism and his engagement with the historical present. He demonstrates that Ashbery's generosity as a writer is closely tied to his generosity, inattention and situatedness as a reader.

In a unique study of Anglo-Jewish writers in the post-war period, Dr. Sicher traces through their works the story of the rise of the Jewish community from slum poverty to suburban affluence. This period is one of crucial social change in Britain. At the same time, Dr. Sicher raises serious questions about the modern writer’s cultural and ethnic identity. In this process, Dr. Sicher advances the thesis that, under the impetus of the Holocaust, the more traditional conflict between Jewish roots and assimilation has been succeeded by a reassessment of identity and morality. Dr. Sicher’s perspective on this particular period of literature is a highly original one and it should provoke creative reconsideration of other contexts and times as well.

Publisher Description

First published in 1997. The International Institute for Asian Studies (lIAS) is pleased to introduce a new series 'Studies from the International Institute for Asian Studies'. This present volume, India and Beyond; Aspects of Literature Meaning, Ritual and Thought, contains more than 30 contributions from well-established scholars from different disciplinary backgrounds. These essays are in honour of one of the founding fathers of the lIAS, Frits Staal, Professor Emeritus of Philosophy and South Asian Languages, University of California at Berkeley. This volume is edited by Dick van der Meij, editor of the Indonesian-Netherlands Cooperation in Islamic Studies Programme at Leiden University.

Using new and cutting-edge perspectives, this book explores literary criticism and the reception of Aristotle's Poetics in early modern Italy. Written by leading international scholars, the chapters examine the current state of the field and set out new directions for future study. The reception of classical texts of literary criticism, such as Horace's Ars Poetica, Longinus's On the Sublime, and most importantly, Aristotle's Poetics was a crucial part of the intellectual culture of Renaissance Italy. Revisiting the translations, commentaries, lectures, and polemic treatises produced, the contributors apply new interdisciplinary methods from book history, translation studies, history of the emotions and classical reception to them. Placing several early modern Italian poetic texts in dialogue with twentieth-century literary theory for the first time, The Reception of Aristotle's Poetics in the Italian Renaissance and Beyond models contemporary practice and maps out avenues for future study.

Examining contested notions of indigeneity, and the positioning of the Indigenous subject before and beyond the law, this book focuses upon the animation of indigeneities within textual imaginaries, both literary and juridical. Engaging the philosophy of Jacques Derrida and Walter Benjamin, as well as other continental philosophy and critical legal theory, the book uniquely addresses the troubled juxtaposition of law and justice in the context of Indigenous legal claims and literary expressions, discourses of rights and recognition, postcolonialism and resistance in settler nation states, and the mutually constitutive relation between law and literature. Ultimately, the book suggests no less than a literary revolution, and the reassertion of Indigenous Law. To date, the oppressive specificity with which Indigenous peoples have been defined in international and domestic law has not been subject to the scrutiny undertaken in this book. As an interdisciplinary engagement with a variety of scholarly approaches, this book will appeal to a broad variety of legal and humanist scholars concerned with the intersections between Indigenous peoples and law, including those engaged in critical legal studies and legal philosophy, sociolegal studies, human rights and native title law.

This book asks what it means to write poetry in and about the Anthropocene, the name given to a geological epoch where humans have a global ecological impact. Combining critical approaches such as ecocriticism and posthumanism with close reading and archival research, it argues that the Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the metaphors and discourses of the sciences, and about the role of those processes and materials that confound humans’ attempts to control or even conceptualise them. Poetry and the Anthropocene draws on the work of a series of poets from across the political and poetic spectrum, analysing how understandings of technology shape literature about place, evolution and the tradition of writing about what still gets called Nature. The book explores how writers’ understanding of sciences such as climatology or biochemistry might shape their poetry’s form, and how literature can respond to environmental crises without descending into agitprop, self-righteousness or apocalyptic cynicism. In the face of the Anthropocene’s radical challenges to ethics, aesthetics and politics, the book shows how poetry offers significant ways of interrogating and rendering the complex relationships between organisms and their environments in a world increasingly marked by technology.