This is the first book to critically examine the professional work of the pioneer of open-air museums in Britain and the self-proclaimed founder of the Welsh Folk Museum at St. Fagans, and a major figure in Welsh cultural life. This book places Peate’s life in the context of Welsh history and assesses his impact on helping to create a particular view of Welsh culture, placing great emphasis on the importance of the Welsh-speaking rural craftsman and ignoring the contribution of industry to Welsh life. It makes extensive use of quotation, synopsis and translation, for the first time giving non-Welsh speakers access to his Welsh-language publications about museums and folk life.

This is the first book to critically examine the professional work of the pioneer of open-air museums in Britain and the self-proclaimed founder of the Welsh Folk Museum at St. Fagans, and a major figure in Welsh cultural life. This book places Peate’s life in the context of Welsh history and assesses his impact on helping to create a particular view of Welsh culture, placing great emphasis on the importance of the Welsh-speaking rural craftsman and ignoring the contribution of industry to Welsh life. It makes extensive use of quotation, synopsis and translation, for the first time giving non-Welsh speakers access to his Welsh-language publications about museums and folk life.

Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).

The Lion Man is counted among the most significant discoveries in prehistoric archeology. The statuette - made from mammoth ivory from the Lone Valley near Ulm - is the largest known sculpture of Ice Age art. At nearly 40,000 years old, it is one of the oldest pieces of figurative art made by mankind.New excavations in the Stadel cave led archeologists to the surprising re-discovery of the original finding place of the statuette from the 1939 excavation- They were also able to retrieve numerous additional fragments from the figure. As a result, it was possible to further reassemble the Lion Man in the course of a complex restoration project. The project culminated in a special exhibition at the Ulmer Museum, which focuses on the Paleolithic statuette. This present companion volume also serves as the most current and comprehensive guide to Ice Age art and culture of the Swabian Jura.

“Finally, the cliché is peeled away and the essence of this utterly American character is so revealing. John Chapman comes alive here and it is a thrilling experience to escape the specific gravity of the decades of myth” (Ken Burns). This portrait of Johnny Appleseed restores the flesh-and-blood man beneath the many myths. It captures the boldness of an iconic American and the sadness of his last years, as the frontier marched past him, ever westward. And it shows how death liberated the legend and made of Johnny a barometer of the nation’s feelings about its own heroic past and the supposed Eden it once had been. Howard Means does for America’s inner frontier what Stephen Ambrose’s Undaunted Courage did for its western one.

Takes a fresh look at the life of Nero (r. AD 54-68), providing insight into the inner conflicts of a Roman society in transition and challenging preconceptions of a figure dismissed by a hostile source-tradition as tyrannical, deluded and ineffectual.