Whether you call them franks, wieners, or red hots, hot dogs are as American as apple pie, but how did these little links become icons of American culture? Man Bites Dog explores the transformation of hot dogs from unassuming street fare to paradigms of regional expression, social mobility, and democracy. World-renowned hot dog scholar Bruce Kraig investigates the history, people, décor, and venues that make up hot dog culture and what it says about our country. These humble sausages cross ethnic and regional boundaries and have provided the means for plucky entrepreneurs to pull themselves up by their bootstraps. Hot dogs, and the ways we enjoy them, are part of the American dream. Man Bites Dog celebrates the power of the hot dog through a historical survey and profiles of notable hot dog purveyors. Loaded with stunning color photos by Patty Carroll, descriptions of neighborhood venues and flashy pushcarts from New York to Los Angeles, and recipes for cooking up hot dog heaven at home, this book is the u

A wry postman-turned-amateur-detective story about a first job, a steady friendship, a new love, and a dead dog. A highly original comic debut, this is poet Adam Ford's first novel, about the lives of inner-city twenty-somethings trying to get their shit together.

Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here.

Comedy is one of the most popular forms in film. But what exactly is film comedy and what might be the basis of its widespread appeal? This book takes a multi-perspective approach to answering these questions.

Shortlisted for the CILIP Carnegie Medal 2015 Hilariously touching and outrageously unforgettable: Mark Haddon's Christopher Boone meets Holden Caulfield on one *#@! of a journey. . . Dylan Mint has Tourette's. Being sixteen is hard enough, but Dylan's life is a constant battle to keep the bad stuff in – the swearing, the tics, the howling dog that seems to escape whenever he gets stressed... But a routine visit to the hospital changes everything. Overhearing a hushed conversation between the doctor and his mother, Dylan discovers that he's going to die next March. So he grants himself three parting wishes or 'Cool Things To Do Before I Cack It'. But as Dylan sets out to make his wishes come true, he discovers that nothing – and no-one – is quite as he had previously supposed.

Films from the Netherlands, Belgium and Luxembourg have long been regarded as isolated texts. The Cinema of the Low Countries points to the interconnectedness between these national cinemas from the point of view of genre, language and format, and their local and international importance by explicitly focusing on 24 key feature films and documentaries from the region. Building on each film's relationship with its particular cultural context, this volume presents twenty-four specially commissioned essays that explore the particular significance and influence of a wide range of exemplary films. Covering the work of internationally acclaimed directors such as Joris Ivens, Henri Stock, Paul Verhoeven and the Dardenne Brothers and featuring the films Turkish Delight, The Vanishing, Daughters of Darkness, Rosetta, Soldiers of Orange and Man Bites Dog, this collection offers an original approach to the appreciation of a diverse and increasingly important regional cinema.

Man Bites Murdoch is Bruce Guthrie's explosive account of almost 40 years in the news business, his brutal dismissal from Australia's biggest selling paper, the celebrated court case that exposed the inner workings of the world's biggest media company and the treachery of its most senior executives. Guthrie survived tuberculosis, Melbourne's gritty northern suburbs and a boss who twice tried to sack him in his first six months in newspapers, to become a foreign correspondent and then one of Australia's feistiest and most controversial editors. His CV boasts editorships of The Age, The Sunday Age, Herald Sun, Who Weekly, The Weekend Australian Magazine, even a stint at America's celeb-news bible, People. Then, just as he claimed one of the industry's most glittering prizes, he fell foul of Rupert Murdoch and his henchmen, who promptly dispensed with his services. What would any self-respecting Broadmeadows boy do in such circumstances? Sue them, of course. Man Bites Murdoch exposes the back rooms of Australian business, politics and media and offers a front-row seat at the many seismic events that played out over the last 20 years, including Murdoch's relentless push for growth both here and overseas, young Warwick Fairfax's ill-fated takeover of the family company and the extraordinary impact of the internet.

This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognition of viewers. It further examines the way in which mediated realism is constructed in the films in order to attempt to make audiences either (mis)read the footage as non-fiction, or more commonly to imagine that the footage is non-fiction. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie, Noroi: The Curse, Autohead and Zero Day This book will be of key interest to Film Studies scholars with research interests in horror and genre studies, cognitive studies of the moving image, and those with interests in narration, realism and mimesis. It is an essential read for students undertaking courses with a focus on film theory, particularly those interested specifically in horror films and cognitive film theory.

In 'Man Bites Talking Dog', Colin Dunne charts his rise from the Raving Herald (what other way was there to go but up?) via a string of publications as varied as the Leamington Spa Courier, the Newcastle Chron, the Mirror and You magazine, to his forlorn foray into life as a press baron.