After moving with his family to Liberia, twelve-year-old Linus discovers that he and the deadly black mamba have a mystical connection, which he is told will give him some of the snake's characteristics.

An ambitious Kemuel Afobula was sent to Monrovia to rescue High Rocks Computers, a firm that has just suffered a major setback. Contrary to his expectations, he found himself in a strange environment and sort for peculiar measures. While in Monrovia, Kemuel also battled to escape from memories of a failed relationship he had back home with Amaka. Then came Tricia – a possessive and no-nonsense girlfriend whom he surprisingly met through Goldfish - a former child soldier turned political errand-boy. Suddenly, Kemuel mysteriously got missing in his neighborhood and his girlfriend, Tricia, was speculated to have a hand in his disappearance. Will Kamuel succeed amidst daunting challenges if he ever resurfaces to complete his basic mission in Liberia? Set in the Atlantic Coast and beautiful capital city of Liberia, The Libericans is a captivating story of not just a man’s life of work, romance and adventure. It highlights the less talked about elegance of a people in an environment once ravaged by war. The book also boldly reveals current struggles of some former child soldiers and the vulnerability of the girl child as some haunting native traditions clash with modern society.

When wealthy Mississippi cotton planter Isaac Ross died in 1836, his will decreed that his plantation, Prospect Hill, should be liquidated and the proceeds from the sale be used to pay for his slaves' passage to the newly established colony of Liberia in western Africa. Ross's heirs contested the will for more than a decade, prompting a deadly revolt in which a group of slaves burned Ross's mansion to the ground. But the will was ultimately upheld. The slaves then emigrated to their new home, where they battled the local tribes and built vast plantations with Greek Revival-style mansions in a region the Americo-Africans renamed “Mississippi in Africa.” In the late twentieth century, the seeds of resentment sown over a century of cultural conflict between the colonists and tribal people exploded, begetting a civil war that rages in Liberia to this day. Tracking down Prospect Hill's living descendants, deciphering a history ruled by rumor, and delivering the complete chronicle in riveting prose, journalist Alan Huffman has rescued a lost chapter of American history whose aftermath is far from over.

“Not only does Huffman bring Tim back to life . . . but he also leads us through some of the most harrowing combat of our generation” (Sebastian Junger, New York Times–bestselling author of Tribe). Tim Hetherington (1970–2011) was one of the world’s most distinguished and dedicated photojournalists, whose career was tragically cut short when he died in a mortar blast while covering the Libyan Civil War. Someone far less interested in professional glory than revealing to the world the realities of people living in extremely difficult circumstances, Hetherington nonetheless won many awards for his war reporting, and was nominated for an Academy Award for his critically acclaimed documentary, Restrepo. In Here I Am, Alan Huffman tells Hetherington’s life story, and through it analyses, what it means to be a war reporter in the twenty-first century. Huffman recounts the camerman’s life from his first interest in photography and war reporting, through his critical role in reporting the Liberian Civil War, to his tragic death in Libya. Huffman also traces Hetherington’s photographic milestones, from his iconic and prize-winning pictures of Liberian children, to the celebrated portraits of sleeping US soldiers in Afghanistan. “A powerfully written biography . . . This is poignant imagery and metaphor for the entire body of this extraordinary artist and humanist’s life.” —The Huffington Post “Huffman excels at heightening the drama, depicting the rapid-fire action and constant danger of working among soldiers and guerrillas engaged in battle.” —The Boston Globe “Huffman vividly chronicles the short life of a man drawn to danger zones to capture the horrors of modern warfare.” —Los Angeles Times “Celebrate[s] Tim Hetherington’s life . . . Recount[s] his last days in Libya in excruciating detail.” —Time

From 1994 to 2006, William F. Schulz headed Amnesty International USA. During this time, he and the organization confronted some of the greatest challenges to human rights, including genocides in Rwanda, Bosnia, and Sudan; controversies over the prison camp at Guantanamo Bay, Cuba, and the use of torture by the United States after 9/11; as well as growing concern about inequities in the American justice system, from police misconduct to the death penalty. Drawing upon his encounters with tyrants, the inspiration of brave human rights heroes, and collaborations with celebrities ranging from Patrick Stewart to Salma Hayek, Schulz uses poignant narrative and amusing anecdotes to discuss the day-to-day realities of struggling with life-and-death human rights crises. In the process he ducks an assassination threat in Liberia; brings tears to the eyes of the Prime Minister of Northern Ireland; and bests America's self-described "toughest sheriff" on Bill Maher's Politically Incorrect. Full of reflection as well as action, Reversing the Rivers provides Schulz with the opportunity to address profound philosophical questions, such as "What is the nature of evil?"; "How do we foster the 'better angels of our nature'?" "When may we use force to stop people from using force?" "Is the prohibition on torture as simple as it seems?" and "What's wrong with an eye for an eye?" Most important, in an eloquent concluding chapter, he answers the quandary most frequently posed to him during his years at Amnesty, "Given all the horrors in the world you see day after day, how do you retain any hope at all in humanity?"

Liberia's Deadest Ends is a novel based on fact. It is about trust and truth: what or whom to trust, and when. Truth in Liberia during the civil war had become distorted, embellished, abandoned, and abused out of bravado, fear, shame, or self-protection. No one seemed to know the difference between truth and rumor anymore. The novel is set in Liberia from 2004 to 2012, after the declaration of peace and the end of two protracted and bloody civil wars: December 1989-1997 and 1999-2003. The country is recovering economically and mentally through government stabilization and services; recording Truth and Reconciliation statements of human rights violations; and the criminal trial of former president, Charles Taylor. Jorja Himmermann, an international aid worker, monitors the resurgence of education programs, peace building, community development, child labor, and the protection of former child soldiers. As the country's past truths are revealed, Jorja seeks her own truths: of elusive pygmy hippos; the burns on her driver's body; the extradition of her British friend; and her relationship with an enigmatic Moroccan journalist. It reveals whom Jorja can really trust.