Eleven-year-old Malcolm Orange has grown up in the backseat of an ancient Volvo station wagon, crisscrossing America with a diminishing collection of grandparents, one good-for-nothing father, an increasingly absent mother, and an unfortunately ordinary brother. Their journey ends abruptly in a pay-by-the-week motel in Portland, Oregon when his father finally abandons the family. Impoverished and alone, the remaining Oranges find themselves living in Chalet 13 of the Baptist Retirement Village. While his mother develops her own strange means of coping with the loss, Malcolm Orange begins to disappear, becoming more perforated each morning - until there is little of the original Malcolm left. Desperate for a cure, he enlists the help of Soren James Blue, her talking cat, Mr Fluff, and the very elderly members of the People's Committee for Remembering Songs. Malcolm and his friends set off on a hilarious and heartbreaking adventure to discover a cure for disappearing. On their way they encounter the flying children of Oklahoma, the dastardly plans of Dr Blue and all the sinister secrets hiding behind the doors of his Treatment Room. As Malcolm Orange wages youthful war on his own small losses, each of his elderly friends must learn how to accept their own peculiar disappearing act. An unforgettable story bursting with heart, imagination, tenderness and humor - a supremely confident debut.

Ireland has a vibrant literary scene, and Dublin-based Liberties Press publishes some of the country's most exciting writers. Here's the Story includes extracts from nine novels, two short-story collections and three books of poetry recently published by Liberties Press. Here's the Story was published by Liberties Press in association with Solas Nua, the only organisation in the US dedicated exclusively to contemporary Irish arts, including film, music, literature, visual arts and theatre. Paperback copies were distributed for free by Solas Nua to readers in Washington D. C. on the 10th Irish Book Day, 17 March 2015. Within Here's the Story are extracts from novels by Jan Carson, Kevin Curran, Jason Johnson, Joe Joyce, Billy Keane, Caitriona Lally, Joe Murphy, Daniel Seery and Tara West, as well as short stories by Barry Reddin and Lane Ashfeldt, and poems by Moyra Donaldson, Gabriel Fitzmaurice and Michael D. Higgins.

This volume argues that contemporary narratives evince a great deal of resilience by promoting an ecology of attention based on poetic options that develop an ethics of the particularist type. The contributors draw on critical and theoretical literature hailing from various fields: including psychology and sociology, but more prominently phenomenology, political philosophy, analytical philosophy (essentially Ordinary Language Philosophy), alongside the Ethics of Care and Vulnerability. This volume is designed as an innovative contribution to the nascent field of the study of attention in literary criticism, an area that is full of potential. Its scope is wide, as it embraces a great deal of the Anglophone world, with Britain, Ireland, the USA, but also Australia and even Malta. Its chapters focus on well-established authors, like Kazuo Ishiguro (whose work is revisited here in a completely new light) or more confidential ones like Melissa Harrison or Sarah Moss.

The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.

A surreal and darkly comic collection of stories that offer a fresh and irreverent look at life in contemporary Northern Ireland from “one of the most exciting and original Northern Irish writers of her generation” (The Sunday Times, London). Humorous and horrifying, tender and absurd, the stories in Quickly, While They Still Have Horses offer a fresh, irreverent look at life in post-conflict Northern Ireland. From first loves to strained relationships, the thrills and terrors of growing up to the dangers and challenges of parenthood, Carson infuses all her stories with empathy, dark wit, and a surreal edge. In “A Certain Degree of Ownership,” a distracted couple on a beach fail to notice their baby crawl perilously toward the sea. In “Grand So,” the ghost of a car’s previous owner haunts the backseat. In “Troubling the Water,” a rumor of miraculous healing creates chaos at a public swimming pool. Carson never fails to shock and delight as kids go missing in jungle gyms, a baby washes up on a riverbank in a biscuit tin, and a bloody hand appears (and reappears) in a refrigerator. Every so often, these stories travel into alternate versions of our world where pillars of fire are a new treatment for mental illness and animals deemed nonessential are going extinct by legislative orders. While the legacy of the Troubles is never far from Carson’s mind, it is only a backdrop to the worlds she’s woven in these stories, driven by characters who feel real enough to touch. This stunning collection marks the arrival of a “bracingly fresh, darkly funny, [and] unwaveringly compassionate” (The Irish News) writer to North American readers.

This book offers the first comprehensive survey of writing by women in Ireland from the seventeenth century to the present day. It covers literature in all genres, including poetry, drama, and fiction, as well as life-writing and unpublished writing, and addresses work in both English and Irish. The chapters are authored by leading experts in their field, giving readers an introduction to cutting edge research on each period and topic. Survey chapters give an essential historical overview, and are complemented by a focus on selected topics such as the short story, and key figures whose relationship to the narrative of Irish literary history is analysed and reconsidered. Demonstrating the pioneering achievements of a huge number of many hitherto neglected writers, A History of Modern Irish Women's Literature makes a critical intervention in Irish literary history.

A young woman’s birthday party is disturbed by the vision of a homeless man sleeping under an arrangement of mocking fruit... A late-night text conversation goes awry when a forwarded link to a live feed of gathering walruses doesn’t have its intended effect... A woman hopes a pending announcement to her in-laws will finally give her husband the attention he craves... The stories shortlisted for the 2020 BBC National Short Story Award with Cambridge University demonstrate how a single moment might become momentous; how a small encounter or exchange can irreversibly change the way others see you, or the way you see yourself. From the struggles of two women trapped by joblessness and addiction to the hopes of two teenage brothers embarking on a new life without the protection of their parents, these stories show us what happens when we fail to relate to each other as well as the refuge that belonging affords.Now celebrating its fifteenth year, the BBC National Short Story Award is one of the most prestigious for a single short story, with the winning writer receiving £15,000, and the four further shortlisted authors £600 each. The BBC National Short Story Award with Cambridge University was established to raise the profile of the short form and the writers shortlisted for this year’s award join distinguished alumni such as Zadie Smith, Lionel Shriver, Rose Tremain, William Trevor, Sarah Hall and Mark Haddon. As well as rewarding the most renowned short story writers, the Award has raised the profile of new writers including Ingrid Persaud, Jo Lloyd, K J Orr, Julian Gough, Cynan Jones and Clare Wigfall. The shortlist will be announced on the 11th September 2020, with the winner to be announced live on BBC Radio 4 Front Row in October.

"Everything leaves marks, even water..." Two children watching their parents argue inside a greenhouse, an armoured boy and his troubled sister, a human statue who's lost the ability to move and a floating six year old tethered to the backyard fence: the characters in Jan Carson's debut story collection are all falling apart in their own peculiar way. Absurdist, allegorical and disturbingly convincing, these characters are both wrongdoers and victims of another's wrongdoing. They are people marked by life yet struggling to forge some kind of future. Mixing Carson's distinctive magic realist voice with a more traditional brand of Irish literary fiction, Children's Children explores the concept of legacy and the influence of one generation upon the next. These are darkly humorous and brilliantly illuminative stories which are both heartbreaking and hopeful and gently critical of post-conflict Northern Ireland. Stories from this collection have appeared in Banshee, The Honest Ulsterman, Storm Cellar and other journals and have been longlisted for the Sean O'Faolain Short Story Prize and nominated for the Pushcart Prize.

Featuring brand new short stories from Kevin Barry, Eimear McBride, Belinda McKeon, Lisa McInerney, Danielle McLaughlin, Stuart Neville, Sally Rooney, Kit de Waal and many more.Ireland is going through a golden age of writing: that has never been more apparent. I wanted to capture something of the energy of this explosion, in all its variousness... Following her own acclaimed short-story collection, Multitudes, Lucy Caldwell guest-edits the sixth volume of Faber's long-running series of all new Irish short stories, continuing the work of the late David Marcus and subsequent guest editors, Joseph O'Connor, Kevin Barry and Deirdre Madden.

'Profoundly imagined characters, spiced with the off-kilter and deliciously mad . . . a work of great empathy and imagination' THE IRISH TIMES The season's just begun at Seacliff Caravan Park, but none of the residents are having a good time. Frankie is haunted by his daughter's death. Vidas, homeless and far from Lithuania, seeks sanctuary in an abandoned caravan. Anna struggles to shake off the ghost of her overbearing mother. Kathleen struggles to accept her daughter for who she is. Malcolm, a failed illusionist, makes one final attempt to reinvent himself. Agatha Christie-obsessed Alma faces her toughest case yet as she tries to help them all find what they've lost. With trademark wit and playfulness, in this stunning linked short-story collection Jan Carson explores complex family dynamics, ageing, immigration, gender politics, the decline of the Church and the legacy of the Troubles. The Last Resort firmly places Carson as one of the most inventive and daring writers of her generation. 'One of the most exciting and original Northern Irish writers of her generation' SUNDAY TIMES