"Malaeska: The Indian Wife of the White Hunter" by Ann S. Stephens is where the term "dime novel" originated. This story offers a unique perspective on the Indians' and settlers' stories that manages to differ from those presented in films and other books. Considered one of the most influential books of the time, it explores the idea of multi-culturalism and how assimilation and acceptance are sometimes easier said than done.

When Erastus Beadle began publishing inexpensive, short, paperback novels in the nineteenth century, he chose Stepens' work, which originally appeared in Ladies Companion Magazine in 1839, as the first selection for Beadle's Dime Novels. Today, Malaeska provides insight into contemporary perspectives on race and culture.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Reproduction of the original: Malaeska by Ann S. Stephens

DigiCat Publishing presents to you this special edition of "Malaeska: The Indian Wife of the White Hunter" by Ann S. Stephens. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

White Captives offers a new perspective of Indian-white coexistence on the American frontier through analysis of historical, anthropological, political, and literary materials. --> Namias shows that visual, literary, and historical accounts of the capture of Euro-Americans by Indians are commentaries on the uncertain boundaries of gender, race, and culture during the colonial Indian Wars, the American Revolution, and the Civil War. She compares the experiences and representations of male and female captives over time and on successive frontiers and examines the narratives of captives Jane McCrea, Mary Jemison, and Sarah Wakefield.

For more than a hundred years, outsiders enamored of the perceived strengths of American Indian cultures have appropriated and distorted elements of them for their own purposes—more often than not ignoring the impact of the process on the Indians themselves. This book contains eight original contributions that consider the selling of American Indian culture and how it affects the Native community. It goes beyond studies of “white shamanism” to focus on commercial ventures, challenging readers to reconsider how Indian cultures have been commercialized in the twentieth century. Some selections examine how Indians have been displayed to the public, beginning with a “living exhibit” of Cocopa Indians at the 1904 Louisiana Purchase Exposition and extending to contemporary stagings of Indian culture for tourists at Tillicum Village near Seattle. Other chapters range from the Cherokees to Puebloan peoples to Indians of Chiapas, Mexico, in an examination of the roles of both Indians and non-Indian reformers in marketing Native arts and crafts. These articles show that the commercialization and appropriation of American Indian cultures have been persistent practices of American society over the last century and constitute a form of cultural imperialism that could contribute to the destruction of American Indian culture and identity. They offer a means toward understanding this complex process and provide a new window on Indian-white interactions. CONTENTS Part I: Staging the Indian 1. The “Shy” Cocopa Go to the Fair, Nancy J. Parezo and John W. Troutman 2. Command Performances: Staging Native Americans at Tillicum Village, Katie N. Johnson and Tamara Underiner 3. Savage Desires: The Gendered Construction of the American Indian in Popular Media, S. Elizabeth Bird 4. “Beyond Feathers and Beads”: Interlocking Narratives in the Music and Dance of Tokeya Inajin (Kevin Locke), Pauline Tuttle Part II: Marketing the Indian 5. “The Idea of Help”: White Women Reformers and the Commercialization of Native American Women’s Arts, Erik Trump 6. Saving the Pueblos: Commercialism and Indian Reform in the 1920s, Carter Jones Meyer 7. Marketing Traditions: Cherokee Basketry and Tourist Economies, Sarah H. Hill 8. Crafts, Tourism, and Traditional Life in Chiapas, Mexico: A Tale Related by a Pillowcase, Chris Goertzen