Making Vancouver explores social relationships in Vancouver from 1863 to 1913. It considers how urbanization structured social boundaries among Burrard Inlet's increasingly large population and is premised on the belief that, in studying social boundaries, historians must abandon single category forms of analysis and build into their research strategies the capacity to explore complexity. Robert McDonald thus traces the relationship between the two forms of identify, class and status, for the whole of Vancouver society. The book starts with the years when settlement on Burrard Inlet centred around two lumber mills, explores periods of elite dominance of city institutions and then of growing social and political conflict following the arrival of the railway, examines the heightening of class tensions at the turn of the century, charts economic growth during the boom years before the war, and concludes with three chapters on the tripartite status hierarchy that emerged in concert with that of a class dichotomy. It reveals a western city that was neither egalitarian nor closed to opportunity. Vancouver up to the pre-war crash of 1913 was open and dynamic. The rapidity of growth, easy access to resources, narrow industrial base, and influence of ethnicity and race softened the thrust towards class division inherent in capitalism. Far more powerful in directing social relations was the quest for status, creating a social structure that was no less hierarchical than that predicted by class theory but much more fluid. The social boundary that separated the working class from others is revealed as a division that for much of the pre-war boom period divided Vancouver society more fundamentally than the boundary separating labour from capital.

The Americas and Oceania: Assessing Sustainability provides extensive coverage of sustainability practices in two regions linked culturally and historically by their relative isolation before the Columbian exchange, by their colonization after it, and by the challenges of pollution, resource overuse, and environmental degradation. Regional experts and international scholars focus on environmental history in areas such as the South Pacific islands, now particularly threatened by rising ocean levels due to climate change, and on countries whose governments and corporations can play a major role in promoting or discouraging sustainable choices: Brazil, an emergent power on the world stage; the United States, the world's third most populous nation; and New Zealand, seemingly on its way to becoming an enviable model of sustainable development.

World Film Locations: Vancouver highlights the work of such Canadian filmmakers who have received less attention than they merit, whilst bringing insight into how so-called ‘runaway’ productions from Hollywood use Vancouver to stand in for other locations, from Seattle, USA to Lagos, Nigeria. Analyses of 38 different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages. The essays examine the following topics: the masking of Vancouver’s indigenous stories in filmic representations of the city; Australian screenwriter James Clavell’s Vancouver-set debut The Sweet and the Bitter; Sylvia Spring’s Madeleine Is..., the first female-directed feature in Canada; Jonathan Kaplan’s The Accused, for which Jodie Foster won an Oscar; and, the use of Vancouver locations in a number of US television crime series. World Film Locations: Vancouver offers new perspectives on the west coast city and in doing so sheds further light upon the relationship between the movies and the metropolis.

City-making is an art, not a formula. The skills required to re-enchant the city are far wider than the conventional ones like architecture, engineering and land-use planning. There is no simplistic, ten-point plan, but strong principles can help send good city-making on its way. The vision for 21st century cities must be to be the most imaginative cities for the world rather than in the world. This one change of word - from 'in' to 'for' - gives city-making an ethical foundation and value base. It helps cities become places of solidarity where the relations between the individual, the group, outsiders to the city and the planet are in better alignment. Following the widespread success of The Creative City, this new book, aided by international case studies, explains how to reassess urban potential so that cities can strengthen their identity and adapt to the changing global terms of trade and mass migration. It explores the deeper fault-lines, paradoxes and strategic dilemmas that make creating the 'good city' so difficult.

The town of Ladysmith was one of the most important coal-mining communities on Vancouver Island during the early twentieth century. The Ladysmith miners had a reputation for radicalism and militancy and engaged in bitter struggles for union recognition and economic justice, most notably during the Great Strike of 1912-14. This strike, one of the longest and most violent labour disputes in Canadian history, marked a watershed in the history of the town and the coal industry. When Coal Was King illuminates the origins of the 1912-14 strike by examining the development of the coal industry on Vancouver Island, the founding of Ladysmith, the experience of work and safety in the mines, the process of political and economic mobilization, and how these factors contributed to the development of identity and community. While the Vancouver Island coal industry and the strike have been the focus of a number of popular histories, this book goes beyond to emphasize the importance of class, ethnicity, gender, and community in creating the conditions for the emergence and mobilization of the working-class population. Informed by currend academic debates on the matter and within the discipline, this readable history takes into account extensive archival research, and will appeal to historians and others interested in the history of Vancouver Island.

Captain James Cook first made contact with the area now known as British Columbia in 1778. The colonists who followed soon realized they needed a written history, both to justify their dispossession of Aboriginal peoples and to formulate an identity for a new settler society. Writing British Columbia History traces how Euro-Canadian historians took up this task, and struggled with the newness of colonial society and overlapping ties to the British Empire, the United States, and Canada. This exploration of the role of history writing in colonialism and nation building will appeal to anyone interested in the history of British Columbia, the Pacific Northwest, and history writing in Canada.