The contributions in this volume by world-leading scholars of archaeology, history, history of religion, literature and onomastics provide new insights into the construction of the sacred in Old Norse culture and society. The term 'sacred' is often used in relation to the pre-Christian religions of Iron Age and medieval Scandinavia. But what did sacred really mean? What made something sacred for people? Why was one particular person, place, act, or text perceived to hold a sacral quality, while others remained profane? And what impact did such sacrality have on wider society, culture, politics, and economics, both for contemporaries and for future generations? This volume seeks to engage with such questions by drawing together essays from many of the pre-eminent scholars of Old Norse in order to reinterpret the concept of the sacred in the Viking Age North and to challenge pre-existing frameworks for understanding the sacred in this space and time. Including essays from Margaret Clunies Ross, Stephen Mitchell, John Lindow, and Judy Quinn, it is a treasury of commentary and information that ranges widely across theories and sources of evidence to present significant primary research and reconsiderations of existing scholarship. This edited collection is dedicated to Stefan Brink, an outstanding figure in the study of early Scandinavian language, society, and culture, and it takes as its inspiration the diversity, interdisciplinarity and vitality of his own research in order to make a major new contribution to the field of Old Norse studies.

Old Norse literature abounds with descriptions of magic acts that allow ritual specialists of various kinds to manipulate the world around them, see into the future or the distant past, change weather conditions, influence the outcomes of battles, and more. While magic practitioners are known under myriad terms, the most iconic of them is the völva. As the central figure of the famous mythological poem Völuspá (The Prophecy of the Völva), the völva commands both respect and fear. In non-mythological texts similar women are portrayed as crucial albeit somewhat peculiar members of society. Always veiled in mystery, the völur and their kind have captured the academic and popular imagination for centuries. Bringing together scholars from various disciplinary backgrounds, this volume aims to provide new insights into the reality of magic and its agents in the Viking world, beyond the pages of medieval texts. It explores new trajectories for the study of past mentalities, beliefs, and rituals as well as the tools employed in these practices and the individuals who wielded them. In doing so, the volume engages with several topical issues of Viking Age research, including the complex entanglements of mind and materiality, the cultural attitudes to animals and the natural world, and the cultural constructions of gender and sexuality. By addressing these complex themes, it offers a nuanced image of the völva and related magic workers in their cultural context. The volume is intended for a broad, diverse, and international audience, including experts in the field of Viking and Old Norse studies but also various non-professional history enthusiasts. The Norse Sorceress: Mind and Materiality in the Viking World is a key output of the project Tanken bag Tingene (Thoughts behind Things) conducted at the National Museum of Denmark from 2020 to 2023 and funded by the Krogager Foundation.

The Viking Age (c. 750–1050 AD) is conventionally seen as a tumultuous time when hordes of fierce warriors from Scandinavia wreaked havoc across the European continent and when Norse merchants travelled to distant corners of the world in pursuit of slaves, silver, and exotic commodities. Until relatively recently, archaeologists and textual scholars had the tendency to weave a largely male-dominated image of this pivotal period in world history, dismissing or substantially downplaying women's roles in Norse society. Today, however, there is ample evidence to suggest that many of the most spectacular achievements of Viking Age Scandinavians - for instance in craftsmanship, exploration, cross-cultural trade, warfare and other spheres of life - would not have been possible without the active involvement of women. Extant textual sources as well as the perpetually expanding corpus of archaeological evidence thus demonstrate unequivocally that both within the walls of the household and in the wider public arena women’s voices were heard, respected and followed. This pioneering and lavishly illustrated monograph provides an in-depth exploration of women's associations with the martial sphere of life in the Viking Age. The multifarious motivations and circumstances that led women to engage in armed conflict or other activities whereby weapons served as potent symbols of prestige and empowerment are illuminated and interpreted through an interdisciplinary approach to medieval literature and archaeological evidence from Scandinavia and the wider Viking world. Additional cross-cultural excursions into the lives and legends of female warriors in other past and present cultural milieus - from the Asiatic steppes to the savannas of Africa and European battlefields - lead to a nuanced understanding of the idea of the armed woman and its embodiments in Norse literature, myth and archaeological reality.

The End of the World in Scandinavian Mythology is a detailed study of the Scandinavian myth on the end of the world, the Ragnarök, and its comparative background. The Old Norse texts on Ragnarök, in the first place the 'Prophecy of the Seeress' and the Prose Edda of the Icelander Snorri Sturluson, are well known and much discussed. However, Anders Hultgård suggests that it is worthwhile to reconsider the Ragnarök myth and shed new light on it using new comparative evidence, and presenting texts in translation that otherwise are available only to specialists. The intricate question of Christian influence on Ragnarök is addressed in detail, with the author arriving at the conclusion of an independent pre-Christian myth with the closest analogies in ancient Iran. People in modern society are concerned with the future of our world, and we can see these same fears and hopes expressed in many ancient religions, transformed into myths of the future including both cosmic destruction and cosmic renewal. The Ragnarök myth can be said to be the classical instance of such myths, making it more relevant today than ever before.

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.

The medieval northern world consisted of a vast and culturally diverse region both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of thisfascinating world in case studies and theoretical essays that connect orality and performance theory to memory studies, and myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture. Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer a better understandings ofunderstanding of Old Norse materials. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.

When describing the transition from Old Norse religion to Christianity in recent studies, the concept of "Christianization" is often applied. To a large extent this historiography focuses on the outcome of the encounter, namely the description of early Medieval Christianity and the new Christian society. The purpose of the present study is to concentrate more exclusively on the Old Norse religion during this period of change and to analyze the processes behind its disappearance on an official level of the society. More specifically this study concentrates on the role of Viking kings and indigenous agency in the winding up of the old religion. An actor-oriented perspective will thus be established, which focuses on the actions, methods and strategies applied by the early Christian Viking kings when dismantling the religious tradition that had previously formed their lives. In addition, the resistance that some pagan chieftains offered against these Christian kings is discussed as well as the question why they defended the old religious tradition.

This book is an edition and translation of one of the most important and celebrated sources of Old Norse-Icelandic mythology and heroic legend, namely the medieval poems now known collectively as the Poetic Edda or Elder Edda. Included are thirty-six texts, which are mostly preserved in medieval manuscripts, especially the thirteenth-century Icelandic codex traditionally known as the Codex Regius of the Poetic Edda. The poems cover diverse subjects, including the creation, destruction and rebirth of the world, the dealings of gods such as Óðinn, Þórr and Loki with giants and each other, and the more intimate, personal tragedies of the hero Sigurðr, his wife Guðrún and the valkyrie Brynhildr. Each poem is provided with an introduction, synopsis and suggestions for further reading. The Old Norse texts are furnished with a textual apparatus recording the manuscript readings behind this edition’s emendations, as well as select variant readings. The accompanying translations, informed by the latest scholarship, are concisely annotated to make them as accessible as possible. As the first open-access, single-volume parallel Old Norse edition and English translation of the Poetic Edda, this book will prove a valuable resource for students and scholars of Old Norse literature. It will also interest those researching other fields of medieval literature (especially Old English and Middle High German), and appeal to a wider general audience drawn to the myths and legends of the Viking Age and subsequent centuries.

The thirteen essays and the final poem contained in this volume reflect the fundamental importance of water across the whole breadth of medieval endeavour and understanding, as both source of life, and object of scholarly fascination, whose manifestations were the source of rich symbolism and imaginings. Ranging geographically from Ireland to the Arab world and from Iceland to Byzantium and chronologically from the fourth century CE to the sixteenth, the essays explore perceptions and theories of water through a wide range of approaches. Contributors are Michael Bintley, Tom Birkett, Laura Borghetti, Rafał Borysławski, Marilina Cesario, Marusca Francini, Kelly Grovier, Deborah Hayden, Simon Karstens, Andreas Lammer, David Livingstone, Luca Loschiavo, Hugh Magennis, Colin Fitzpatrick Murtha, François Quiviger, Elisa Ramazzina, and Karl Whittington.

The year 922 saw a series of remarkable face-to-face encounters in the steppes between Bukhara and the Middle Volga. Ibn Fadlan was an intrepid member of a diplomatic and religious mission from the distant caliphate in Baghdad to the ruler of the Volga Bulgars. His account gives a vivid eyewitness description of the peoples he came upon (whose appearance, rituals and filthy habits both fascinate and appal) and a famous depiction of a Viking Rus ship burial. It is unique testimony to burgeoning exchanges between several different cultures, and to the emergence of new political structures on the steppes. Yet the account survives only as part of a later composite work, raising questions of meaning and historical interpretation. This pioneering interdisciplinary study of Ibn Fadlan's text and the world he surveyed draws on a variety of specialists to give readers both 'the bigger picture' of cultural and economic change in Eurasia, Byzantium and the Muslim world, and hard facts, in the form of archaeological and numismatic data.