Challenging myths that mountain isolation and ancient folk customs defined the music culture of the Polish Tatras, Timothy J. Cooley shows that intensive contact with tourists and their more academic kin, ethnographers, since the late 19th century helped shape both the ethnic group known as Górale (highlanders) and the music that they perform. Making Music in the Polish Tatras reveals how the historically related practices of tourism and ethnography actually created the very objects of tourist and ethnographic interest in what has become the popular resort region of Zakopane. This lively book introduces readers to Górale musicians, their present-day lives and music making, and how they navigate a regional mountain-defined identity while participating in global music culture. Vivid descriptions of musical performances at weddings, funerals, and festivals and the collaboration of Górale fiddlers with the Jamaican reggae group Twinkle Brothers are framed by discussions of currently influential theories relating to identity and ethnicity and to anthropological and sociological studies of ritual, tourism, festivals, globalism, and globalization. The book includes a 46-track CD illustrating the rich variety of Górale music, including examples of its fusion with Jamaican reggae.

Music in the American Diasporic Wedding explores the complex cultural adaptations, preservations, and fusions that occur in weddings between couples and families of diverse origins. Discussing weddings as a site of negotiations between generations, traditions, and religions, the essays gathered here argue that music is the mediating force between the young and the old, ritual and entertainment, and immigrant lore and assimilation. The contributors examine such colorful integrations as klezmer-tinged Mandarin tunes at a Jewish and Taiwanese American wedding, a wedding services industry in Chicago's South Asian community featuring a diversity of wedding music options, and Puerto Rican cultural activists dancing down the aisles of New York's St. Cecilia's church to the thunder of drums and maracas and rapping their marriage vows. These essays show us what wedding music and performance tell us about complex multiethnic diasporic identities and remind us that how we listen to and celebrate otherness defines who we are.

This volume brings together a series of essays on some of the less known aspects of music culture in Poland in the 19th century. Eight studies are presented chronologically, including such topics as: careers of women composers, Karol Lipinski's concert tours and violins, Henryk Wieniawski, Polish reception of Wagner, images of composers by Polish music critics, Ignacy Jan Paderewski, and Feliks Nowowiejski. Authors, based in Poland, Germany and the U.S. include eminent scholars specializing in Polish music of the 19th and 20th centuries: Magdalena Dziadek, Maria Zduniak, Martina Homma, Krzysztof Rottermund, Krzysztof Szatrawski, and Maja Trochimczyk.

"Twenty years after the fall of Communism, scholarship on East-Central Europe has adopted mainstream western methodologies, but remains preoccupied with a narrow range of themes. Nationalism, identity, fin- de-siecle art and culture, and revisionist historiography dominate the field to the detriment of other subjects. Using a variety of lenses - literary, political, linguistic, medical - the authors address a conspectus of original themes, including Jewish literary life in interwar Romania; the Galician 'Alphabet War'; and Saxon eugenics in Transylvania. These case studies transcend their East-Central European context by engaging with conceptually broad questions. This volume additionally contains a comprehensive Introduction and topical Bibliography of use to students and teachers, resulting in one of the most creative collections of studies dealing with East-Central Europe to date. This volume has its roots in an interdisciplinary seminar at the University of Oxford, bringing together emerging and established scholars, with the explicit aim of broadening the study of this region, its history and culture beyond the established paradigms. Robert Pyrah is a Research Fellow at St Antony's College and an authority on theatre and cultural politics in Austria and post- Habsburg central Europe; Marius Turda is founder of the International Working Group on the History of Race and Eugenics based at Oxford Brookes University."

Two decades after the fall of communism in Eastern Europe and one decade into the twenty-first century, European music remains one of the most powerful forces for shaping nationalism. Using intensive fieldwork throughout Europe -- from participation in alpine foot pilgrimages to studies of the grandest music spectacle anywhere in the world, the Eurovision Song Contest -- Philip V. Bohlman reveals the ways in which music and nationalism intersect in the shaping of the New Europe. Focus: Music, Nationalism, and the Making of the New Europe begins with the emergence of the European nation-state in the Middle Ages and extends across long periods during which Europe’s nations used music to compete for land and language, and to expand the colonial reach of Europe to the entire world. Bohlman contrasts the "national" and the "nationalist" in music, examining the ways in which their impact on society can be positive and negative -- beneficial for European cultural policy and dangerous in times when many European borders are more fragile than ever. The New Europe of the twenty-first century is more varied, more complex, and more politically volatile than ever, and its music resonates fully with these transformations.

Ethnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology. It offers a cross section of the best new writing in the field from the last 15-20 years. Many instructors supplement textbook readings and listening assignments with scholarly articles that provide more in-depth information on geographic regions and topics and introduce issues that can facilitate class or small group discussion. These sources serve other purposes as well: they exemplify research technique and format and serve as models for the use of academic language, and collectively they can also illustrate the range of ethnographic method and analytical style in the discipline of ethnomusicology. Ethnomusicology: A Contemporary Reader serves as a basic introduction to the best writing in the field for students, professors, and music professionals. It is perfect for both introductory and upper level courses in world music.

From the Baltic to the Black Sea, four major empires with ethnically and religiously diverse populations encountered each other along often changing and contested borders. Examining this geographically vast, multicultural region through a variety of methodological lenses, this volume offers informed and dispassionate analyses of how the many populations of these borderlands managed to coexist in a previous era and why the areas eventually descended into violence. An understanding of this region will help readers grasp the preconditions of interethnic coexistence and the causes of ethnic violence and war in many of the world's other borderlands both past and present.

Introduces the vibrant musicians and music of the Tatra mountains in southern Poland.

In The Carpathians, Patrice M. Dabrowski narrates how three highland ranges of the mountain system found in present-day Poland, Slovakia, and Ukraine were discovered for a broader regional public. This is a story of how the Tatras, Eastern Carpathians, and Bieszczady Mountains went from being terra incognita to becoming the popular tourist destinations they are today. It is a story of the encounter of Polish and Ukrainian lowlanders with the wild, sublime highlands and with the indigenous highlanders—Górale, Hutsuls, Boikos, and Lemkos—and how these peoples were incorporated into a national narrative as the territories were transformed into a native/national landscape. The set of microhistories in this book occur from about 1860 to 1980, a time in which nations and states concerned themselves with the "frontier at the edge." Discoverers not only became enthralled with what were perceived as their own highlands but also availed themselves of the mountains as places to work out answers to the burning questions of the day. Each discovery led to a surge in mountain tourism and interest in the mountains and their indigenous highlanders. Although these mountains, essentially a continuation of the Alps, are Central and Eastern Europe's most prominent physical feature, politically they are peripheral. The Carpathians is the first book to deal with the northern slopes in such a way, showing how these discoveries had a direct impact on the various nation-building, state-building, and modernization projects. Dabrowski's history incorporates a unique blend of environmental history, borderlands studies, and the history of tourism and leisure.

In recent years, over one million Canadians have claimed Polish heritage - a significant population increase since the first group of Poles came from Prussian-occupied Poland and settled in Wilno, Ontario, west of Ottawa in 1858. For over a century, descendants from this community thought of themselves as Polish, but this began to change in the 1980s due to the work of a descendant priest who emphasized the community’s origins in Poland’s Kashubia region. What resulted was the reinvention of ethnicity concurrent with a similar movement in northern Poland. Creating Kashubia chronicles more than one hundred and fifty years of history, identity, and memory and challenges the historiography of migration and settlement in the region. For decades, authors from outside Wilno, as well as community insiders, have written histories without using the other’s stores of knowledge. Joshua Blank combines primary archival material and oral history with national narratives and a rich secondary literature to reimagine the period. He examines the socio-political and religious forces in Prussia, delves into the world of emigrant recruitment, and analyzes the trans-Atlantic voyage. In doing so, Blank challenges old narratives and traces the refashioning of the community’s ethnic identity from Polish to Kashubian. An illuminating study, Creating Kashubia shows how changing identities and the politics of ethnic memory are locally situated yet transnationally influenced.