A poetry anthology that illuminates exile and displacement. Making Mirrors began on two continents, envisioned by Palestinian poet and aid worker, Jehan Bseiso, and Becky Thompson, a US-based poet changed by months of greeting refugees after their perilous journey across the Aegean Sea. This anthology uses mirrors to reflect imagistic connections that allow us to see ourselves in each other, those on rafts and those standing on the shore, those waiting/writing in detention and those writing from places of relative safety, those who lift their children to the sky and those whose bodies are at the bottom of the sea. Making Mirrors offers a poetics of belonging—to the earth, family, and memories packed into backpacks. The poems go beyond refugee/citizen binaries and illuminate exile as a forced/creative space. As the refugee crisis fades from the front page of newspapers, this collection is a plea against historical amnesia and inertia; the poems are an antidote that reaches beyond despair to renewed action. Contributors include: Abbas Sheikhi • Abu Bakr Khaal • Adele Ne Jame • Ahmad Almallah • Ahmed • Qaisania • Angela Farmer • Baha’ Budair • Becky Thompson • Bronwen Griffiths • Eman Abedelhadi • Fadwa Soleiman • Fady Joudah • Fatima Al Hassan • Fouad Mohammed Fouad • Gbenga Adesina • Golan Haji • Hajer Almosleh • Hayan Charara • Ibtisam Barakat • Jehan Bseiso • Jose A. Alcantara • Lena Khalaf Tuffaha • Lisa Suhair Majaj • Marilyn Hacker • Marisa Frasca • Merna Ann Hecht • Mohsen Emadi • Mootacem Bellah Mhiri • Naomi Shihab Nye • Nathalie Handal • Nawwar Kamal Al Hassani • Nisreen Aj • Nora Barghati • Omar Mousa Alsayyed • Rewa Zeinati • Ruth Awad • Saad Abdullah • Sanaa Shuaybe • Sara Abou Rashed • Sara Saleh • Sharif S. Elmusa • Sholeh Wolpé • Zeina Azzam • Zeina Hashem Beck • Zoe Holman Making Mirrors began on two continents, envisioned by Palestinian poet and aid worker, Jehan Bseiso, and Becky Thompson, a US-based poet changed by months of greeting refugees after their perilous journey across the Aegean Sea. This anthology uses mirrors to reflect imagistic connections that allow us to see ourselves in each other, those on rafts and those standing on the shore, those waiting/writing in detention and those writing from places of relative safety, those who lift their children to the sky and those whose bodies are at the bottom of the sea. Making Mirrors offers a poetics of belonging—to the earth, family, and memories packed into backpacks. The poems go beyond refugee/citizen binaries and illuminate exile as a forced/creative space. As the refugee crisis fades from the front page of newspapers, this collection is a plea against historical amnesia and inertia; the poems are an antidote that reaches beyond despair to renewed action. Contributors include: Abbas Sheikhi • Abu Bakr Khaal • Adele Ne Jame • Ahmad Almallah • Ahmed Qaisania • Angela Farmer • Baha’ Budair • Becky Thompson • Bronwen Griffiths • Eman Abedelhadi • Fadwa Soleiman • Fady Joudah • Fatima Al Hassan • Fouad Mohammed Fouad • Gbenga Adesina • Golan Haji • Hajer Almosleh • Hayan Charara • Ibtisam Barakat • Jehan Bseiso • Jose A. Alcantara • Lena Khalaf Tuffaha • Lisa Suhair Majaj • Marilyn Hacker • Marisa Frasca • Merna Ann Hecht • Mohsen Emadi • Mootacem Bellah Mhiri • Naomi Shihab Nye • Nathalie Handal • Nawwar Kamal Al Hassani • Nisreen Aj • Nora Barghati • Omar Mousa Alsayyed • Rewa Zeinati • Ruth Awad • Saad Abdullah • Sanaa Shuaybe • Sara Abou Rashed • Sara Saleh • Sharif S. Elmusa • Sholeh Wolpé • Zeina Azzam • Zeina Hashem Beck • Zoe Holman

Migration between Mexico and the United States is part of a historical process of increasing North American integration. This process acquired new momentum with the passage of the North American Free Trade Agreement in 1994, which lowered barriers to the movement of goods, capital, services, and information. But rather than include labor in this new regime, the United States continues to resist the integration of the labor markets of the two countries. Instead of easing restrictions on Mexican labor, the United States has militarized its border and adopted restrictive new policies of immigrant disenfranchisement. Beyond Smoke and Mirrors examines the devastating impact of these immigration policies on the social and economic fabric of the Mexico and the United States, and calls for a sweeping reform of the current system. Beyond Smoke and Mirrors shows how U.S. immigration policies enacted between 1986–1996—largely for symbolic domestic political purposes—harm the interests of Mexico, the United States, and the people who migrate between them. The costs have been high. The book documents how the massive expansion of border enforcement has wasted billions of dollars and hundreds of lives, yet has not deterred increasing numbers of undocumented immigrants from heading north. The authors also show how the new policies unleashed a host of unintended consequences: a shift away from seasonal, circular migration toward permanent settlement; the creation of a black market for Mexican labor; the transformation of Mexican immigration from a regional phenomenon into a broad social movement touching every region of the country; and even the lowering of wages for legal U.S. residents. What had been a relatively open and benign labor process before 1986 was transformed into an exploitative underground system of labor coercion, one that lowered wages and working conditions of undocumented migrants, legal immigrants, and American citizens alike. Beyond Smoke and Mirrors offers specific proposals for repairing the damage. Rather than denying the reality of labor migration, the authors recommend regularizing it and working to manage it so as to promote economic development in Mexico, minimize costs and disruptions for the United States, and maximize benefits for all concerned. This book provides an essential "user's manual" for readers seeking a historical, theoretical, and substantive understanding of how U.S. policy on Mexican immigration evolved to its current dysfunctional state, as well as how it might be fixed.

Global climate change is one of the most important issues humanity faces today. This updated, second edition assesses the sensible, senseless and biased proposals for averting the potentially disastrous consequences of global warming, allowing the reader to draw their own conclusions on switching to more sustainable energy provision. Burton Richter is a Nobel Prize-winning scientist who has served on many US and international review committees on climate change and energy issues. He provides a concise overview of our knowledge and uncertainties within climate change science, discusses current energy demand and supply patterns, and the energy options available to cut emissions of greenhouse gases. Written in non-technical language, this book presents a balanced view of options for moving from our heavy reliance on fossil fuels into a much more sustainable energy system, and is accessible to a wide range of readers without scientific backgrounds - students, policymakers and the concerned citizen.

“Rewarding.” —BCCB (starred review) “A Wrinkle in Time–inspired adventure…Halbrook’s writing is artful.” —Kirkus Reviews “This is a story to savor.” —Kathi Appelt, National Book Award finalist and Newbery Honor–winning author of The Underneath and Keeper “Adventure and magic unfold in this captivating story.” —School Library Connection “A fairy-tale atmosphere wafts through Halbrook’s story of magic, love, belonging, and circus...Enchanting.” —Booklist Circus Mirandus meets Cartwheeling in Thunderstorms in this beautifully written fantasy novel about a girl who must face her fears in order to right a terrible wrong, confront what it means to be different, and discover her own power. Smoke has come to the Cirque Magnifique. And Sasha Brown is sure it is her fault. Sasha has always loved the Cirque, a place filled with sequined costumes, dazzling spotlights, and magnificent tents. But when she starts fifth grade with the Islanders—the ordinary folk from the other side of the Island—for the first time, she’s not so sure she wants to be a Cirque kid. She starts to question her home and her Cirque family. Is the magic real? Are the stories even true? As the bullying by the Island kids gets worse, swirling blue-gray Smoke appears. One night in the big tent, Sasha’s dad performs, twisting his body through the air as the lights dance. Sasha is supposed to be helping, but instead she sits beneath the bleachers, seething. She has wished for the Smoke to come and make it all disappear: the Cirque, her family, the Island with its mean Island kids. And the Smoke does come. As Sasha watches her dad, he flips and raises his arms out for the bar that is supposed to meet him, his bright grin confident and sure. But there is only air…and Smoke. Both of Sasha’s parents disappear that night, and it’s all Sasha’s fault. What can she do but try and find them?

Complete, detailed instructions and numerous diagrams for constructing a do-it-yourself telescope. No complicated mathematics are involved, and no prior knowledge of optics or astronomy is needed to follow the text's step-by-step directions. Contents cover, among other topics, materials and equipment; tube parts and alignment; eyepieces, and related problems; setting circles; and optical principles. 1973 ed. Appendixes. Index. 6 plates. 100 figures.

This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.

The astonishing and impressive first collection of short stories from New York Times bestselling author Neil Gaiman An elderly widow finds the Holy Grail beneath an old fur coat in a second-hand store . . . A stray cat fights and refights a nightly battle to protect his adoptive family from an unimagiable evil . . . A young couple receives a wedding gift that will reveal a chilling alternate history of their marriage . . . Beneath a bridge by the railroad tracks, a frightened little boy bargains for his life with a most persistent troll . . . Such miraculous inventions and more await within Neil Gaiman’s first collection of short fiction, a gift of wonder and delight from one of the most unique literary artists of our day. In his capable hands, magic is no mere illusion, but a powerful means to reveal the nature of our humanity obscured in the smoke of our fears and anxieties . . . and reflected in the funhouse mirrors of our dreams.

Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.

This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.