One distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterizations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-war social and political changes were often articulated by or through the female image. Moving across major character types, from mothers to daughters, and schoolteachers to streetwalkers, Making Icons studies the role of the media in shaping the attitudes of the general public. Japanese cinema after the defeat is shown to be an important ground where social experiences were explored, reworked, and eventually accepted or rejected by the audience emotionally invested in these repetitive materials. An examination of 600 films produced and distributed between 1945 and 1964, as well as numerous Japanese-language sources, forms the basis of this rigorous study. Making Icons draws on an art-historical iconographic analysis to explain how viewers derive meanings from images during this peak period of film production and attendance in Japan. ‘It is very difficult not to heap superlatives upon Making Icons. This splendid work sheds a shining light on the situation of women in post-war Japan, and on post-war Japan itself. Not only is this a deft reading of text and context, it expands the very notion of context, seeing stardom through the lens of filmic and extra-filmic texts. A must-read for anyone interested in Japanese cinema.’ —David Desser, Professor Emeritus, University of Illinois at Urbana-Champaign ‘This is a compelling book. I am excited by Jennifer Coates’s art-historically informed iconographic approach towards female representation in post-war Japanese cinema. Making Icons will certainly make a splash in the field of Japanese film studies.’ —Daisuke Miyao, Professor and the Hajime Mori Chair in Japanese Language and Literature, University of California, San Diego

Looks at the history of the successful mail-order company, the challenges it faces, and its evolution since its start in 1912.

Icons shape the way we see the world around us in business, communication, entertainment, and much more. Now is your chance to learn to speak the textless language of icons with Thinking in Icons. From the most refined corporate visual systems to the ubiquitous emoji, icons have become an international language of symbols as well as a way to make a wholly unique statement. Without even realizing it, billions of people interpret the language of icons each day, this is the designer’s guide to creating the next great statement. In Thinking in Icons, artist and designer Felix Sockwell--logo developer for Appleand other high-profile companies, as well as GUI creator for the New York Times app--takes you through the process of creating an effective icon. You will cover many styles and visual approaches to this deceptively complex art. Sockwell also offers examples of his collaborations with Stefan Sagmeister, Debbie Millman, and other luminary designers. Thinking in Icons also features the work Sockwell has done with an impressive roster of blue-chip international brands, including Facebook, Google, Hasbro, Sony and Yahoo.

Filled with memorable photographs, Rock Star will appeal to anyone interested in modern American popular culture or music history.

Icons Superpowered Roleplaying is a tabletop game of superhero adventure that lets you devise stories of the imagination with your friends, based around the heroes you create. The new Assembled Edition revises and expands the original game, putting all options you want under one cover. Icons features quick character creation, a flexible game system that's easy to learn, and flavorful rules to give your games that comic book feel. Icons is your all-in-one package for superhero roleplaying adventure: quick, easy, descriptive, and fun!

Study of Mina people from southern Rajasthan.

Coca-Cola. Harley-Davidson. Nike. Budweiser. Valued by customers more for what they symbolize than for what they do, products like these are more than brands--they are cultural icons. How do managers create brands that resonate so powerfully with consumers? Based on extensive historical analyses of some of America's most successful iconic brands, including ESPN, Mountain Dew, Volkswagen, Budweiser, and Harley-Davidson, this book presents the first systematic model to explain how brands become icons. Douglas B. Holt shows how iconic brands create "identity myths" that, through powerful symbolism, soothe collective anxieties resulting from acute social change. Holt warns that icons can't be built through conventional branding strategies, which focus on benefits, brand personalities, and emotional relationships. Instead, he calls for a deeper cultural perspective on traditional marketing themes like targeting, positioning, brand equity, and brand loyalty--and outlines a distinctive set of "cultural branding" principles that will radically alter how companies approach everything from marketing strategy to market research to hiring and training managers. Until now, Holt shows, even the most successful iconic brands have emerged more by intuition and serendipity than by design. With How Brands Become Icons, managers can leverage the principles behind some of the most successful brands of the last half-century to build their own iconic brands. Douglas B. Holt is associate professor of Marketing at Harvard Business School.

Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.

Theodore Abu Qurrah (c.750-c.825) was an intellectual heir of St. John of Damascus. Both became monks of Mar Sabas monastery in the Judean desert. Whereas John of Damascus was prominent among the generations of Greek writers in the Holy Land in early Islamic times, Theodore Abu Qurrah was the first Orthodox scholar whose name we know regularly to write Christian theology in Arabic. He spoke and wrote the Arabic language at a time when it was just becoming the cultural language of classical Islamic civilization, as well as the lingua sacra of the Qu'ran and of the new world religion. He was among the first Christians to exploit the apologetic potential of the new Arabic medium of public discourse. Abu Qurrah's Arabic tract in defense of the veneration of the holy icons was a response to the problem of the public veneration of the symbols of Christianity in an Islamic environment in which the caliph's policies since the time of 'Abd al-Malik (685-705) had been to claim the public space for Islam. In this treatise one finds arguments once expounded by earlier Greek writers, now deployed to meet the needs of a new generation of Arabic-speaking Christians, who were more evidently in contact and debate with Muslims.