"Childbirth is a window into the shifting cultural and political landscape of a particular place and time. Much can be learned about a culture by examining its treatment of women and children. More importantly, reproduction encompasses both a moral and a social imperative; the continuation of a society rests on childbirth. In imperial China, securing the continuation of the family line was the utmost filial act, with the family as the basic organizing unit of society and the state. Yi-li Wu noted that "childbirth was the warp on which the fabric of society was woven" in imperial China. I argue that childbirth remains so, and alterations in how childbirth is viewed and conducted merely point to larger ideological visions of social and political structures. Li Xiaojiang asserted in the preface to her anthropological study of modernization and traditional childbirth customs in rural China in the 1990s that "because of its close relationship with levels of health and disease, birth is one of the keys to understanding and constructing women's lives, but our field of vision has been blind to it." Opening one's eyes to the rich material surrounding childbirth, the researcher is made aware that legislation regarding reproduction and birth, maternal and child health, and the general treatment of women and children illuminate the relative value or disregard a people carry for those women and children."--Publisher's description.

Since the early 1980s sex and sexuality have become prominent themes of public debate in China, after three decades during which discourses on sexuality were subject to stringent ideological controls. This book analyses the ways in which sex and sexuality have been discussed in The People's Republic of China since 1949. It examines a wide range of materials - the official and popular press, women's magazines, sex education publications, self-help guides and medical advice pamphlets - and compares and contrasts the various discourses of sexuality and the meanings associated with 'woman' that emerge from them. It considers the role of the state in matters of sexuality, and argues that women's sexuality has been consistently targeted as a site for the regulation of general standards of sexual and social conduct. This is a highly original contribution to the growing body of literature on women and gender in China. It will appeal to students and scholars of modern and contemporary China, and to all those engaged in current debates about sexuality and gender in international feminist scholarship.

This volume provides a history of how “the human” has been constituted as a subject of scientific inquiry in China from the seventeenth century to the present. Organized around four themes—“Parameters of Human Life,” “Formations of the Human Subject,” “Disciplining Knowledge,” and “Deciphering Health”—it scrutinizes the development of scientific knowledge and technical interest in human organization within an evolving Chinese society. Spanning the Ming-Qing, Republican, and contemporary periods, its twenty-four original, synthetic chapters ground the mutual construction of “China” and “the human” in concrete historical contexts. As a state-of-the-field survey, a definitive textbook for teaching, and an authoritative reference that guides future research, this book pushes Sinology, comparative cultural studies, and the history of science in new directions.

Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.

During the years spanning the late Qing dynasty and the early Republican era, the status of Chinese women changed in both subtle and decisive ways. As domestic seclusion ceased to be a sign of virtue, new opportunities emerged for a variety of women. Much scholarly attention has been given to the rise of the modern, independent “new women” during this period. However, far less is known about the stories of married nonprofessional women without modern educations and their public activities. In At Home in the World, Xia Shi unearths the history of how these women moved out of their sequestered domestic life; engaged in charitable, philanthropic, and religious activities; and repositioned themselves as effective public actors in urban Chinese society. Investigating the lives of individual women as well as organizations such as the YWCA and the Daoyuan, she shows how her protagonists built on the past rather than repudiating it, drawing on broader networks of family, marriage, and friendship and reconfiguring existing beliefs into essential components of modern Chinese gender roles. The book stresses the collective forms of agency these women exercised in their endeavors, highlighting the significance of charitable and philanthropic work as political, social, and civic engagement. Shi also analyzes how men—alive, dead, or absent—both empowered and constrained women’s public ventures. She offers a new perspective on how the public, private, and domestic realms were being remade and rethought in early twentieth-century China, in particular, how the women navigated these developing spheres. At Home in the World sheds new light on how women exerted their influence beyond the home and expands the field of Chinese women’s history.

This book analyzes major Chinese governmental publications that deal with sexuality in 1950, when the new Marriage Law was enacted, and 1980, with the Second Marriage Law. Evans (Chinese, Univ. of Westminster) is well grounded in both feminist and Chinese studies, which allows her to deepen her analysis with references to China's present-day pop culture and conversations she has had with Chinese colleagues. Her major finding is that Chinese discourses consistently use medical and/or scientific explanations of gender differences to, essentially, denigrate women. Evans's analysis is consistent with much that has been written on China's political system?that it cannot survive without maintaining order and stability. However, she assumes that the audience is fluent in postmodernist language.

In the early twentieth century China’s most famous commercial artists promoted new cultural and civic values through sketches of idealized modern women in journals, newspapers, and compendia called One Hundred Illustrated Beauties. This genre drew upon a centuries-old tradition of books featuring illustrations of women who embodied virtue, desirability, and Chinese cultural values, and changes in it reveal the foundational value shifts that would bring forth a democratic citizenry in the post-imperial era. The illustrations presented ordinary readers with tantalizing visions of the modern lifestyles that were imagined to accompany Republican China’s new civic consciousness. Citizens of Beauty is the first book to explore the One Hundred Illustrated Beauties in order to compare social ideals during China’s shift from imperial to Republican times. The book contextualizes the social and political significance of the aestheticized female body in a rapidly changing genre, showing how progressive commercial artists used images of women to promote a vision of Chinese modernity that was democratic, mobile, autonomous, and free from the crippling hierarchies and cultural norms of old China.

Nursing History Review, an annual peer-reviewed publication of the American Association for the History of Nursing, is a showcase for the most significant current research on nursing history. Regular sections include scholarly articles, over a dozen book reviews of the best publications on nursing and health care history that have appeared in the past year, and a section abstracting new doctoral dissertations on nursing history. Historians, researchers, and individuals fascinated with the rich field of nursing will find this an important resource. Highlights from Volume 12: Nursing in Nationalist China, John Watt Coronary Care Nursing Circa 1960s, Arlene Keeling A Memorial to Barbara Bates (1928-2002) Regulation of African-American Midwifery, Zeina Omisola Jones