First published in 1913, this volume contains biographies of influential botanists written by distinguished botanists of the period. A discussion of each botanist's life and scientific contribution is provided, with each contributor specialising in the same botanical area as the subject.

The literature of Botany can be traced back to a quite respectable antiquity, to the period of Aristotle (b.c. 384-322) who seems to have been the first to write of plants from the truly botanical point of view. Unfortunately, his special treatise on plants—θεωρία περὶ φυτῶν—is lost; and although there are many botanical passages scattered throughout his other writings (which have been collected by Wimmer, Phytologiae Aristotelicae Fragmenta, 1836), yet none of them gives any indication of what his ideas of classification may have been. An echo of them is perhaps to be found in the works of his favourite pupil, Theophrastus Eresius (b.c. 371-286), who among all his fellows was the most successful in pursuing the botanical studies that they had begun under the guidance of the master. Theophrastus left behind him two important, though incomplete, treatises on plants, the oldest that have survived: the more familiar Latin titles of which are De Historia Plantarum and [De Causis Plantarum]. The latter is essentially physiological, touching upon agriculture to a certain extent: the former is mainly morphological, structural, descriptive, and it is here that the first attempt at a classification of plants is to be found. In writing the Historia, Theophrastus was endeavouring, as a Greek philosopher rather than as a botanist, to "give account of" plants; and in order to do so he found it necessary to arrange them in some kind of order.

Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.

Over the past four centuries botanists and gardeners in the British Isles have gathered, maintained and propagated many varying species of plants. Their work has been documented in innumerable books and articles which are often difficult to trace. The Dictionary of British and Irish Botanists and Horticulturalists represents a time-saving reference source for those who wish to discover more about the lives and achievements of the horticulturalists listed. The dictionary's utility comes not only from indicating the major publications of the named authors, but also the location of their herbaria and manuscripts.; The previous 1977 edition of the Dictionary has for many years been a much used source of information for botanists, botanic artists and archivists. In this revised edition the scope has been expanded to include among its 13,000 entries flower painters in addition to botanical artists over 1400 entries and, for the first time, garden designers.; Finally the Dictionary should have international appeal since so many botanists and gardeners worked on collective plants overseas, in particular in North America and the British Commonwealth.; Each entry gives, wherever possible, details of dates and places of birth and death, educational qualifications, professional posts, honours and awards, publications, location of plant collections, manuscripts, drawings and portraits. Its main function, however, is to provide further biographical references to books and periodicals. Comprehensive classified indices facilitate access by professions and activities, countries, and plant interests.

Leah Knight argues that the early modern cultures and cultivation of plants and books depended on each other in historically specific ways. Knight's in-depth readings of sixteenth-century herbals are incorporated in a narrative which establishes the broader context for the interpenetration of plants and writing in the period's cultural practices to illuminate a complex interplay between materials and discourses rarely considered in tandem today.