It was quiet in my house, and I think I found the only flaw in having someone know about me. The quiet was deafening, I used to take comfort in the silence and now it was just this vast…nothingness. I logged onto my computer and stole a neighbors wireless. There were a bunch of people online I could talk to but the clicking of my keys didn’t really fill the room with any sort of comfort. Evan was off on a rant about his sixteen year old sister being pregnant, Ryan was regaling me with horrible math jokes, and Claire was saying little but usually gave me updates on what they were doing. Until finally I decided to go over there – just to get away from the black hole that was my house.

Here is Jim Morrison in all his complexity-singer, philosopher, poet, delinquent-the brilliant, charismatic, and obsessed seeker who rejected authority in any form, the explorer who probed "the bounds of reality to see what would happen..." Seven years in the writing, this definitive biography is the work of two men whose empathy and experience with Jim Morrison uniquely prepared them to recount this modern tragedy: Jerry Hopkins, whose famous Presley biography, Elvis, was inspired by Morrison's suggestion, and Danny Sugerman, confidant of and aide to the Doors. With an afterword by Michael McClure.

When Stephanie moves to the notoriously cheap Perry Bar neighborhood of Birmingham, she's just happy to find an affordable room for rent that's large enough not to deserve her previous room's nickname, "the cell." The eccentric — albeit slightly overly-friendly — landlord seems nice and welcoming enough, the ceilings are high, and all of the other tenants are also girls. Things aren't great, but they're stable. Or at least that's what she tells herself when she impulsively hands over enough money to cover the first month's rent and decides to give it a go. But soon after she becomes uneasy about her rash decision. She hears things in the night. Feels them. Things...or people...who aren't there in the light. Who couldn't be there, because after-all, her door is locked every night, and the key is still in place in the morning. Concern soon turns to terror when the voices she hears and presence she feels each night become hostile. It's clear that something very bad has happened in this house. And something even worse is happening now. Stephanie has to find a way out, before whatever's going on in the house finds her first. Adam Nevill's No One Gets Out Alive will chill you straight through to the core — a cold, merciless, fear-inducing nightmare to the last page. A word of caution, don't read this one in the dark.

Doc Ebersole lives with the ghost of Hank Williams. Literally. In 1963, ten years after giving Hank the overdose that killed him, Doc is wracked by addiction. Having lost his licence to practise medicine, he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, appears in the neighbourhood in search of Doc's services, miraculous things begin to happen. Everyone she meets is transformed for the better, except, maybe, for Hank's angry ghost - who isn't at all pleased to see Doc doing well. I'll Never Get Out of This World Alive is a poetic ghost story, as well as a ballad of regret and redemption, and miracles.

Ingenuity is the only hope for surviving the powerful, mysterious depths of the ocean. Readers of this innovative book will learn the STEM skills necessary for staying alive in this deadly aquatic environment. Makerspace activities allow readers to engineer their way out of real-life scenarios at sea. They�ll gain confidence in their critical thinking, creativity, and STEM abilities as they find solutions to hazardous situations. A map and supply list give readers the basics they�ll need to generate survival techniques and plans, while fact boxes satiate their curiosity about the vicious ocean environment. This high-interest book is sure to become a favorite in any library.

Blazing sunlight, brutal heat, and parched earth make the desert one of the deadliest environments on the planet. This interactive book challenges readers to plot their survival in this blistering biome. Makerspace activities encourage engineering solutions to real problems that crop up in the desert. Readers will rely on a map, a supply list, and their STEM skills to problem-solve their way to safety. Fascinating fact boxes offer intriguing information on this dangerous habitat and survival. This high-interest topic will attract readers who may be reluctant to learn STEM materials, ensuring this book will be a popular addition to any library.

How to Get Out of this World Alive is an unique synthesis of psychology, philosophy, mysticism and metaphysics. It provides practical tools for the reader who wants to be truly alive at all levels. Techniques developed and tested over 30 years are clearly set out to help you shift from making losing choices to winning ones. Life loves you and wants you to evolve. This books tells you how.

'I didn't want Nobody Gets Out Alive to end - to have to leave behind its warmth and soul and glittering writing, its honesty and its laughter in the dark' Jonathan Lee, author of The Great Mistake Set in Leigh Newman's home state of Alaska, Nobody Gets Out Alive is a collection of dazzling, courageous stories about women struggling to survive not just grizzly bears and charging moose but the raw, exhausting legacy of their marriages and families. In 'Howl Palace', an aging widow struggles with a rogue hunting dog and the memories of her five ex-husbands while selling her house after bankruptcy. In the title story, 'Nobody Gets Out Alive', newly married Katrina visits her hometown of Anchorage and blows up her own wedding reception by flirting with the host and running off with an enormous mastodon tusk. Alongside stories set in today's Last Frontier - rife with suburban sprawl, global warming, and opioid addiction - Newman delves into the remote wilderness of the 1970s and 80s, bringing to life young girls and single moms in search of a freer, more adventurous America.

The first full length study of Patrick McCabe’s work, We Won’t Make It Out Alive, examines the mental instability and carefully constructed childhoods that McCabe has crafted for his various characters—the one eyed quasi Al Pacino, the sequin studded transvestite, the bachelor farmer who routinely exhumes his dead mother for a chat. Beneath the grotesque and often very funny narratives of Irish border town life lurks startlingly similar pasts for these characters, spanning all of McCabe’s catalogue. As children, they were subject to the cruelty of the orphanage/workhouse or deadbeat parents numbed by alcohol. Many were victims of sexual abuse by priests and witnesses to the senseless violence brought on by political divides. The outrageous personalities and later actions of these characters often overshadow these very real beginnings, and in this book, Kate Walls discusses the impact of these social problems and how McCabe’s unfortunate (and usually well-meaning) narrators are driven crazy as a result. We Won’t Make It Out Alive also discusses how these characters fare against the Troubles of the 1970s and, for the novels set in more contemporary times, the changing Ireland of the Celtic Tiger. Being on the fringes of society themselves, McCabe’s characters have a unique vantage point from which to comment on these defining moments of social upheaval.

THE NUMBER ONE SUNDAY TIMES BESTSELLER WHAT DOES IT MEAN TO FEEL TRULY ALIVE? Aged 24, Matt Haig's world caved in. He could see no way to go on living. This is the true story of how he came through crisis, triumphed over an illness that almost destroyed him and learned to live again. A moving, funny and joyous exploration of how to live better, love better and feel more alive, Reasons to Stay Alive is more than a memoir. It is a book about making the most of your time on earth. 'I wrote this book because the oldest clichés remain the truest. Time heals. The bottom of the valley never provides the clearest view. The tunnel does have light at the end of it, even if we haven't been able to see it . . . Words, just sometimes, really can set you free.'