A “thoughtful, loving, and thorough portrait” of the pioneering musicians behind Steely Dan, featuring interviews, essays, reviews and more (PopMatters). At its core, Steely Dan is a creative marriage between guitarist Donald Fagen and keyboardist Walter Becker. It recorded several of the cleverest and best-produced albums of the 1970s, making them one of the most successful bands to be inducted into the Rock & Roll Hall of Fame. Major Dudes collects some of the smartest and most revealing interviews Becker and Fagen have ever given, along with intelligent reviews of—and commentary on—their extraordinary songs. Compiled by leading music critic Barney Hoskyns, Major Dudes features contributions from the likes of Sylvie Simmons, Fred Schruers, and the late Robert Palmer; plus rare interviews and reviews of Steely Dan’s early albums from Disc, Melody Maker, and Rolling Stone. With an introduction by Hoskyns and an obituary for Walter Becker by David Cavanagh, Major Dudes is essential reading for any rock afficionado.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was initially reserved about the new group Steely Dan, but my interest was high after I heard them play live. Six people: keyboards, drums, bass, vocalist, second lead guitar and lead guitar who also doubled on steel and congas. #2 The band was put together around the four of them. They added Denny Dias, the second guitar player, whom they’d worked with before, and Dave Palmer, the singer. He joined the group when they were half through with the album. #3 The band wrote a lot of classical and jazzical music, which was a very unstable combination. They didn't feel it worked. It was a very unstable combination of rock and jazz. #4 The band has been together for almost ten years, and it has become a group effort as they play together more. They are not as egotistical as they might be, and they want to work professionally.

"Steely Dan was a somewhat unusual band that still inspires unusually strong devotion in its fans. Formed in the late '60s in New York, they released seven albums between 1971 and 1981, two of which were nominated for a Grammy. Part of what's unusual about them is that each of those albums was made by a different group of musicians--founding members Walter Becker and Donald Fagen had no issues swapping players from record to record in order to get the sound they wanted. The band stopped touring in 1974, so the recording studio was the only place they needed their collaborators. Those recordings are legendary, especially among vinyl enthusiasts, for their exquisite production. The precision was necessary, in part, because Steely Dan played with form more than most bands, mixing elements of other genres--especially jazz--with pop and rock. And the lyrics are also distinctive. As the authors put it in their proposal, Steely Dan's songs are "exercises in fictional world-building. Each song features its own cast of rogues and heroes and creeps and schmucks, lovers and dreamers and cold-blooded operators, all tempest-tossed by the ill winds of the '70s." This book consists of sixty-some essays, each devoted to one character, and each essay is accompanied by a painting of the particular character that serves as a jumping-off point for the piece, with additional spot illustrations scattered throughout"--

Stephen H. Lekson offers a lively, provocative thesis, which attempts to reconceptualize the meaning of the monumental 11th-century structures in Chaco Canyon and its importance to the understanding of the entire Southwest.

At its core a creative marriage between Donald Fagen and Walter Becker, Steely Dan are one of the defining and bestselling American rock acts of the last half-century, recording several of the cleverest and best-produced albums of the '70s - from the breathlessly catchy Can't Buy a Thrill to the sleekly sinister Gaucho. In the '90s they returned to remind us of how sorely we had missed their elegance and erudition, subsequently recording Two Against Nature and Everything Must Go during the following decade. They have sold close to forty-five million albums. 'A lot of people think of them as the epitome of boring '70s stuff,' novelist William Gibson said in 1993, when Becker and Fagen toured for the first time in nineteen years. 'They don't realize this is probably the most subversive material pop has ever thrown up.' Now fully embraced by the 'Yacht Rock' generation - semi-ironic devotees of '70s Southern-California slickness - Steely Dan no longer polarize lo-fi punks and studio geeks in the way they used to. In 2001 they were inducted into the Rock and Roll Hall of Fame. Any Major Dude Will Tell You collects some of the smartest and wittiest interviews Becker and Fagen have ever given, along with insightful reviews of - and commentary on - their extraordinary songs. Compiled by Rock's Backpages editor Barney Hoskyns, the book's contributors include Charles Shaar Murray, Robert Palmer, Ian MacDonald, Bud Scoppa, Penny Valentine, Fred Schruers, Sylvie Simmons and Michael Watts.

This volume provides comprehensible, strength-based perspectives on contemporary research and practice related to navigating mistakes, errors and failures across cultures. It addresses these concepts across cultural contexts and explores any or all of these three concepts from a positive psychology or positive organisational perspective, highlighting their potential as resources. The volume further discusses the consequences of errors and failures at individual, organisational and societal levels, ranging from severe personal problems to organisational and collective crises, perspectives how those can be turned into opportunities for contingent and sustainable improvement processes. The book shows that there are significant cultural differences in the understanding, interpretation and handling of errors and failures. This volume provides practical guidance for transcultural understanding of mistakes, errors and failure through new models, ideas for self-reflection, therapeutic and counselling interventions and organisational change management processes. This book is a must for researchers and practitioners working on mistakes, errors and failures across cultures and disciplines!

William Gibson continues the visionary Sprawl Trilogy that began with Neuromancer in this frighteningly probable parable of the future. A corporate mercenary wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him, for a mission more dangerous than the one he’s recovering from: to get a defecting chief of R&D—and the biochip he’s perfected—out intact. But this proves to be of supreme interest to certain other parties—some of whom aren’t remotely human....

Follow us on http://www.instagram.com/GOOD2GOPUBLISHING for Free Giveaways. Welcome to Far Rock where opportunity never knocks. Meet Foe a member of the Young Goons. The plan is to make money and live comfortably but when the rival YBM (Young Black Mafia) no nonsense crew inters the equation things turn deadly. With each side not willing to compromise or back down Foe and the Young Goons are left with only one option...kill the competition! Take a ride with Foe as he takes you on a journey through Far Rock. With the weight of the world on his shoulders, Foe must prove that strategy is the harshest weapon in war. As him and the Young Goons go head up with the powerful ruthless organization known as the Young Black Mafia...

This book explores the history of invented encounters between Shakespeare and the Queen Elizabeth I, and examines how and why the mythology of these two cultural icons has been intertwined in British and American culture. It follows the history of meetings between the poet and the queen through historical novels, plays, paintings, and films, ranging from works such as Sir Walter Scott's Kenilworth and the film Shakespeare in Love to lesser known examples. Raising questions about the boundaries separating scholarship and fiction, it looks at biographers and critics who continue to delve into links between these two. In the Shakespeare authorship controversy there have even been claims that Shakespeare was Elizabeth's secret son or lover, or that Elizabeth herself was the genius Shakespeare. The author examines the reasons behind the lasting appeal of their combined reputations, and locates this interest in their enigmatic sexual identities, as well as in the ways they represent political tensions and national aspirations.