Frances Harman has spent a lifetime living out of suitcases, a staunch supporter of her Papa as he builds an empire as a hotelier. A quiet soul, happiest when out of sight, left alone to pursue her own interests and happiness, she has never felt the lack of companions or excitement in her life. Yet, since his remarriage, she has been forced into a new world, one of parties and balls, afternoon promenades and has found herself overshadowed by her beautiful stepsister Maria in every way. But in a moment of uncharacteristic bravado she responds to a matrimonial advertisement in the newspaper, the life of a debutante is not for her, but why should she not search out a life that might suit her better? Dr Marlon Carter has not been in Faith Creek long, and for a time rather thought himself in love with his partner's delightful bride, Susanna. But, his desire for his own wife and family has begun to play upon his mind. A town doctor should have a wife after all. But can he reconcile the actions and troubles of his past and allow himself to enjoy the love and affection that could be his for the taking?

Prudence Wimbourne is a ballet dancer, but a terrible accident ends her career abruptly. Now all her hard work and the sacrifices made by her and her family feel as though they have been for nothing. She longs to escape, and to find a new life with a man who understands how hard it is for her to leave everything behind. Matthew Carrington longs to find a place he might call home. Tired of never having a home and travelling from town to town as a member of a travelling troupe of actors he has saved his earnings, but never knew what to do with them until he meets some of the townsfolk of Faith Creek and knows he could make a life there. But as he builds his own theater, he realizes that there is still something missing.

Janine Chivers needs rescuing. She has been turned out of her position as a governess, and there is no work in New York for her to take on. She needs to find a new position, and soon. But, will she have the courage to travel across the country and become a bride to a man she has never met? Samuel Cleverley has a murky past, and a battle to try and clear his name. Losing his beloved wife Miriam has left him heartbroken, and with a young son, Ethan, to raise. He knows the boy needs a mother, but can he bring a woman into his miserable life, knowing he cannot offer her love, nor even a good name?

Belinda Weatherhead has secretly loved Thomas Rawlinson her entire life. Tortured by seeing him every day, the easy friendship he shares with her brother makes him off-limits. So when he leaves town unexpectedly, Belinda decides that it is time she got over him and found herself a man who can see her as she really is. Thomas Rawlinson has always been restless. He longs to get away from the confines of his ranching family, knowing he simply doesn't fit in there. But a year in Philadelphia has him missing the family he loves, and he longs to find a way to return, and to somehow save face whilst doing so. Finding an advertisement in the newspaper, he replies, not knowing how much it will change his life. But, will he like what he finds when he finally meets his mystery woman, or will there be another surprise he simply wasn't expecting?

A spirited young woman… A Marshall who will keep her safe by any means necessary… Destiny has rebellion in her blood, and she’s been fighting for many long years for the freedom to be herself. When a chance comes along, she’ll take her own, and those she considers sisters with her. The Merrick women go to the only place that allows a woman’s voice to be heard—the newly formed state of Wyoming. The problem is men in Wyoming haven’t quite caught onto the idea of what equality means. Sawyer was impressed by Destiny when he first met her trying to rescue a friend in dire need of help when he was a Sheriff in Maryland. Although his thoughts often rested on his memory of her, he had moved on. What was a man to do when a woman he can’t forget, suddenly appears in his life again? Well, for one he has to convince her that she can’t take on the whole dang town and make them think like she does! If it requires a trip over his knee to set her straight, he’s up for the job. Publisher’s Note: This historical western romance contains elements of danger, action, adventure, sensual themes and old-fashioned discipline. If any of these offend you, please do not purchase.

American Studies is a vigorous, bold account of the changes in the field of American Studies over the last thirty-five years. Through this set of carefully selected key essays by an editorial board of expert scholars, the book demonstrates how changes in the field have produced new genealogies that tell different histories of both America and the study of America. Charts the evolution of American Studies from the end of World War II to the present day by showcasing the best scholarship in this field An introductory essay by the distinguished editorial board highlights developments in the field and places each essay in its historical and theoretical context Explores topics such as American politics, history, culture, race, gender and working life Shows how changing perspectives have enabled older concepts to emerge in a different context

This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasizing issues facing women's film-making. Presenting an overview of the modern histories of the two neighbouring countries, the study traces certain similarities and contrasts, particularly in the reception, adaption and representation of Western modernity and cinema. This is followed by the exploration of the images of women on screen with attention to minority women, investigating post-traumatic cinema's approaches to women (Islamic Revolution of 1979 in Iran and the 1980 coup d’état in Turkey) and women's interpretations of post-traumatic experiences. Furthermore, the representations of sexualities and LGBTI identities within cultural, traditional and state-imposed restrictions are also discussed. Investigating border-crossing in physical and metaphorical terms, the research explores the hybridities in the artistic expressions of 'deterritorialized' film-makers negotiating loyalties to both vatan (motherland) and the adopted country. This comprehensive analysis of the cinemas of Iran and Turkey, based on extensive research, fieldwork, interviews and viewing of countless films is a key resource for students and scholars interested in film, gender and cultural studies and the Middle East.

This 2005 edition of the annual critical guide that focuses on independent and international films as well as the best in the mainstream contains reviews for more than 10,000 films, more than 300 photos, a comprehensive selection of cinema from more than 50 countries, and much more.

For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”

American Education: A History, 4e is a comprehensive, highly-regarded history of American education from pre-colonial times to the present. Chronologically organized, it provides an objective overview of each major period in the development of American education, setting the discussion against the broader backdrop of national and world events.