Man has been advancing through a plethora of inventions and discoveries that have led to a tremendous transition in culture, education and perception of thoughts. Nowadays, life hurtles ahead, leaving us with no time for inner growth. So we consider the tales of our ancestors and our epics as mere myths. This book emphasizes on the past of the human race and describes the link between the first man and the lineage of the Mahabharata. The book also describes the various facts that led to the epic war of the Mahabharata. The author has portrayed the reasons due to which the Mahabharata war commenced, and has also explained the strategies employed in the war. The Mahabharata is incomplete without the role of Lord Krishna. The book also portrays the lineage of Lord Krishna and describes his role in the Mahabharata war in depth. Read Book 1, the Mahabharata, for a treasure house of ancient tales, with yet a touch of reason and reality in them!

William Buck's stirring retelling of a classic Indian epic--in its original Sanskrit, probably the largest epic ever composed.

Following in the footsteps of the storytellers of his native India, R. K. Narayan has produced his own versions of tales taken from the Ramayana and the Mahabarata. Carefully selecting those stories which include the strongest characters, and omitting the theological or social commentary that would have drawn out the telling, Narayan informs these fascinating myths with his urbane humor and graceful style. "Mr. Narayan gives vitality and an original viewpoint to the most ancient of legends, lacing them with his own blend of satire, pertinent explanation and thoughtful commentary."—Santha Rama Rau, New York Times "Narayan's narrative style is swift, firm, graceful, and lucid . . . thoroughly knowledgeable, skillful, entertaining. One could hardly hope for more."—Rosanne Klass, Times Literary Supplement

One Of India s Finest Novelists Retells The Two Great Indian Epics As Well As Some Well-Known Tales From Hindu Mythology And Folklore. While The Eleventh Century Tamil Poet Kamban s Version Inspires His Ramayana, Narayan S Mahabharata Is Based On Vyasa S Monumental Work. In Gods, Demons And Others, He Includes Stories From Kalidasa S Sanskrit Classic Abhijnana Shakuntalam, The Tamil Epic Silappadikaram, The Shiv Purana And The Devi Bhagwatam.

Man is a social animal; no man can live in isolation. We are surrounded by people. We have family, friends, social acquaintances, work acquaintances and so on. Since the time of our birth, we add names, relationships and people in our social calendars. They become an integral part of our lives as we interact with them on a daily basis. If a person does not acquire knowledge or does not put their common sense to use, continues to live an ignorant life or chooses to remain blind, it is the worst kind of life. It is a life of misery and ill luck. In Mahabharata Retold Part-1, we saw the reasons behind the war. Mahabharata Retold Part-2 marks the best and worst times of one’s life and the time after such a period. Life never ends. We gain and lose in the same life. Our decisions are right at one stage of life and the same decisions stand wrong on another. Life is a series of changes that are unpredictable by the human mind. It not only covers the greatest war of mankind but also tells us what happened after it—how war changes the world around us. Mahabharata’s war was not the only purpose of this Veda’s compilation.

“Narayan makes this treasury of Indian folklore and mythology readily accessible to the general reader . . . he captures the spirit of the narrative.”—Library Journal The Mahabharata tells a story of such violence and tragedy that many people in India refuse to keep the full text in their homes, fearing that doing so would invite a disastrous fate upon their house. Covering everything from creation to destruction, this ancient poem remains an indelible part of Hindu culture and a landmark in ancient literature. Centuries of listeners and readers have been drawn to The Mahabharata, which began as disparate oral ballads and grew into a sprawling epic. The modern version is famously long, and at more than 1.8 million words—seven times the combined lengths of the Iliad and Odyssey—it can be incredibly daunting. But contemporary readers have a much more accessible entry point to this important work, thanks to R. K. Narayan’s masterful, elegant translation and abridgement of the poem. Now with a new foreword by Wendy Doniger, as well as a concise character and place guide and a family tree, The Mahabharata is ready for a new generation of readers. Narayan ably distills a tale that is both traditional and constantly changing. He draws from both scholarly analysis and creative interpretation and vividly fuses the spiritual with the secular. Through this balance he has produced a translation that is not only clear, but graceful, one that stands as its own story as much as an adaptation of a larger work.

Cheated of their kingdom and sent into exile by their envious cousins, the Pandavas set off on a fascinating journey. This work recounts the history of the five heroic Pandava brothers. Its includes spiritual themes, and is filled with suspense, intrigue, and wisdom.

High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God. The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata. In this enthralling retelling of India’s greatest epic, the Mahabharata, originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu, and Yakshagana of Karnataka. Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.

In Until the Lions, Karthika Nair retells the Mahabharata through multiple voices. Her poems capture the epic through the lenses of nameless soldiers, outcast warriors and handmaidens but also abducted princesses, tribal queens and a gender-shifting god. As peripheral figures and silent catalysts take centre stage, we get a glimpse of lives and stories buried beneath the edifices of god and nation, heroes and victory; a glimpse of the price paid for myth and history--all too often interchangeable.