This collection of short monologues for boys and girls deals with such topicsas pets, parents, friends, and school.

Provides 11-17 year-olds with comedic and dramatic monologues, all 100% teen tested, all age approprite, written by today's top teen's acting coach in Hollywood.

The New York Times bestseller by the author of the forthcoming novel Alice & Oliver | Winner of the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters | A New York Times Notable Book “One word: bravo.”—The New York Times Book Review “Truly powerful . . . Beautiful Children dazzles its readers on almost every page. . . . [Charles Bock] knows how to tug at your heart, and he knows how to make you laugh out loud, often on the same page, sometimes in the same sentence.”—Newsweek One Saturday night in Las Vegas, twelve-year-old Newell Ewing goes out with a friend and doesn’t come home. In the aftermath of his disappearance, his mother, Lorraine, makes daily pilgrimages to her son’s room and tortures herself with memories. Equally distraught, the boy’s father, Lincoln, finds himself wanting to comfort his wife even as he yearns for solace, a loving touch, any kind of intimacy. As the Ewings navigate the mystery of what’s become of their son, the circumstances surrounding Newell’s vanishing and other events on that same night reverberate through the lives of seemingly disconnected strangers: a comic book illustrator in town for a weekend of debauchery; a painfully shy and possibly disturbed young artist; a stripper who imagines moments from her life as if they were movie scenes; a bubbly teenage wiccan anarchist; a dangerous and scheming gutter punk; a band of misfit runaways. The people of Beautiful Children are “urban nomads,” each with a past to hide and a pain to nurture, every one of them searching for salvation and barreling toward destruction, weaving their way through a neon underworld of sex, drugs, and the spinning wheels of chance. In this masterly debut novel, Charles Bock mixes incandescent prose with devious humor to capture Las Vegas with unprecedented scope and nuance and to provide a glimpse into a microcosm of modern America. Beautiful Children is an odyssey of heartache and redemption heralding the arrival of a major new writer. Praise for Beautiful Children “Exceptional . . . This novel deserves to be read more than once because of the extraordinary importance of its subject matter.”—The Washington Post Book World “Magnificent . . . a hugely ambitious novel that succeeds . . . Beautiful Children manages to feel completely of its moment while remaining unaffected by literary trends. . . . Charles Bock is the real thing.”—The New Republic “A wildly satisfying and disturbing literary journey, led by an author of blazing talent.”—The Dallas Morning News “Wholly original—dirty, fast, and hypnotic. The sentences flicker and skip and whirl.”—Esquire “An anxious, angry, honest first novel filled with compassion and clarity . . . The language has a rhythm wholly its own—at moments it is stunning, near genius.”—A. M. Homes “From start to finish, Bock never stops tantalizing the reader.”—San Francisco Chronicle “Rich and compelling . . . captures the hallucinogenic setting like a fever dream.”—Los Angeles Times

Audition monologues for male characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included.

This groundbreaking new series is for truly young actors- monologues, scenes, and technique book for the elementary school set. Each book builds on the one before it, so skills grow as students grow. Often, young children are given work written for older actors that is difficult for them to understand and retain. This material is comprehensible, relatable, and fun. For all the young characters and performers, there is finally a book for you!And within this series, an exciting collection that breaks down barriers: Square pegs don?t fit into round holes. It''s that simple.Specifically for young actors of Hispanic descent, M. Ramirez has written a group of books for second, third, fourth generation immigrant kids who don''t often feel included in a lot of the literature they?re surrounded with. References to abuelos, abuelas, and other cultural specifics help make these performance pieces a little more accessible to kids who might or might not be speaking English as a second language. all with a specific flavor that will help young actors find their voices and stretch themselves, performing pieces that speak not only about them, but directly to them.Because of the Latino flavor incorporated into this material, these kids can focus on what they are meant to focus on performing without any cultural barriers.KIDS: These books tell you about how to act and give you some excellent characters to play! There are also many, many games and activities. (P.S. They may also make you the smartest kid you know!)TEACHERS: This series provides ample material for classroom use. In addition, the Teacher''s Guide will give tips and ideas to use in classrooms.PARENTS: If you''ve got a natural performer in the house, this book provides some simple pieces for auditioning, horsing around, or performing in the living room. These books are both fun and educational.AGENTS/MANAGERS: These monologues are immediate and active, with different emotions and levels within each monologue. Great for auditions.Everyday life was never so nutty! Inside you''ll find imaginative "what if" pieces for would-be princesses, cowboys, robots, and superheroes as well as real-life issues like unfair bedtimes, making new friends, and the horrible taste of broccoli. At this stage in life there are lots of firsts, too, like going to a new school and losing your teeth, so there are plenty of topics for children to connect with. "short, accessible selections on common topics such as games, families, food, friends, school, and wishes. The true-to-life experiences and emotions are delivered in a child''s voice and run the gamut from funny to serious. . . . The book has several classroom applications, including public speaking, memorization, journal writing, and storytelling. While there are other monologue titles for elementary children . . . the selections in My First Monologue Book are much shorter and easier to memorize or analyze."SCHOOL LIBRARY JOURNALKRISTEN DABROWSKI is a writer, actress, teacher, and director residing in New York City. Kristen has written eighteen books so far for Smith and Kraus, including The Ultimate Audition Book for Teens 3, 11, and 12; the 10+ series of short plays, scenes and monologues (6 volumes); the Teens Speak series (4 volumes), 20 Ten-Minute Plays for Teens 1; and The Ultimate Monologue Book for Middle School Actors 1 and 4. Additionally, she is author of Clown: A Love Story, a full-length play for 5 actors. Kristen is a member of Actors Equity and The Dramatists Guild.M. RAMIREZ is a Miami native and a graduate of NYU?s Dramatic Writing program. His monologues and scenes for young actors have won Critic?s Choice Awards at Thespian Society Competitions at District, State, and National Levels. He is a two-time winner of the Latino Playwriting Award from the Kennedy Center''s American College Theatre Festival. His plays have been produced at Fringe NYC, the Mad Cat Theatre Company, City Theatre''s Summer Shorts, and Actors Theatre of Louisville.

This cornucopia of comedy showcases works by major playwrights and emerging young writers, with casts of all sizes and diverse and challenging roles for actors of every age and type. You’ll discover such colorful characters as a businessman free-falling from a plane, an embittered sword swallower, a punkish girl skateboarder, and retirees in post-apocalyptic Siberia, alongside plays that unleash the humor in high school reunions, alien invasions, office cubicle farms, and even post-Katrina New Orleans. Perfect for actors, students, theater lovers, and comedy fans, Shorter, Faster, Funnier covers the spectrum of humor, from slyly witty to over-the-top outrageous. Rob Ackerman ● Billy Aronson ● John Augustine ● Pete Barry ● Dan Berkowitz ● Adam Bock ● Eric Coble ● Philip Dawkins ● Anton Dudley ● Christopher Durang ● Liz Ellison ● Halley Feiffer ● Peter Handy ● Jeffrey Hatcher ● Amy Herzog ● Mikhail Horowitz ● David Ives ● Caleen Sinnette Jennings ● Ean Miles Kessler ● Dan Kois ● Eric Lane ● Drew Larimore ● Warren Leight ● Mark Harvey Levine ● Elizabeth Meriwether ● Michael Mitnick ● Megan Mostyn-Brown ● Mark O’Donnell ● Nicole Quinn ● Wayne Rawley ● Theresa Rebeck ● Jacqueline Reingold ● Laura Shaine ● Nina Shengold ● Jane Shepard ● Edwin Sanchez ● Samara Siskind ● Daryl Watson ● Barbara Wiechmann ● Mary Louise Wilson ● Garth Wingfield ● Gary Winter ● Elizabeth Wong ● Dana Yeaton

A collection of short monologues about experiences and feelings familiar to young girls and boys.

The love lives of two cyclists are contrasted as one fights to save his marriage while the other avoids commitment. Background music. 9 scenes, 2 men, 1 woman, 1 exterior.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry