Modern day kids Annie and Nico go on a magical history tour to find out how modern-day India became the way it is. Much of which is due to one man who practiced peaceful resistance… Gandhi. This man, a tireless defender against oppression, fought all his life for independence from the British colonists who ruled India. He practiced non-violent demonstrations and went on hunger strikes to help bring attention to his cause. Experience Gandhi’s long path to independence with Annie and Nico as the helpful guides in this pocket-sized book.

Modern day kids Annie and Nico go on a magical history tour to uncover one of the biggest disasters of modern times, the sinking of The Titanic. A floating palace on her maiden voyage, this passenger luxury cruise ship met its tragic fate on April 14th, 1912 when it collided with an iceberg. Join Annie and Nico as they clearly describe what went wrong and show some of the opulence that is lost to the sea and lost to time in this pocket-sized book, perfect for classrooms and libraries!

New multi-volume series both fun and educational, in slim pocket sized hardcovers! Current day kids Annie and Nico travel back to—ancient Egypt. That's about 4,500 years ago, when the world's largest pyramid was built, The Great Pyramid of Giza. It's also called the Pyramid of Cheops because it was built for the Pharaoh Cheops, who wanted to be buried in it when he died. That's right—pyramids are giant tombs! It was the first of seven buildings known as The Seven Ancient Wonders of the World—and it's the only one still standing! But it still has plenty of secrets waiting to be uncovered …

This innovative history of popular magical mentalities in nineteenth-century England explores the dynamic ways in which the magical imagination helped people to adjust to urban life. Previous studies of modern popular magical practices and supernatural beliefs have largely neglected the urban experience. Karl Bell, however, shows that the magical imagination was a key cultural resource which granted an empowering sense of plebeian agency in the nineteenth-century urban environment. Rather than portraying magical beliefs and practices as a mere enclave of anachronistic 'tradition' and the fantastical as simply an escapist refuge from the real, he reveals magic's adaptive and transformative qualities and the ways in which it helped ordinary people navigate, adapt to and resist aspects of modern urbanization. Drawing on perspectives from cultural anthropology, sociology, folklore and urban studies, this is a major contribution to our understanding of modern popular magic and the lived experience of modernization and urbanization.

From Revolver to Let It Be, That Magic Feeling: The Beatles Recorded Legacy, Volume Two, 1966—1970, continues the chronicle of the group’s spectacular career from its creative zenith to its irrevocable split As the Beatles moved into the mid and late 1960s, their collective and individual musical talent and innovations evolved at an unparalleled pace. Like its companion volume, Way Beyond Compare: The Beatles’ Recorded Legacy, Volume One, 1957—1965, this unique work thoroughly chronicles all known and available Beatles recordings during this period of incredible creative growth. Have you ever watched a Beatles film clip and wondered: • Where was that filmed? • Is any more of that footage available? Have you ever heard a Beatles interview and asked: • When was that taped? • Where’s the best place to find the complete recording? That Magic Feeling answers these and thousands of similar questions. With more than 500 entries, it includes recording sessions, concerts, newsreel footage, press clips, TV and film performances, home movies, radio interviews, documentaries, studio outtakes, home demos, and alternative mixes–all of which are given complete coverage for the first time. Author John C. Winn has spent two decades poring over, scrutinizing, organizing, and analyzing hundreds of hours of audio and video recordings and compiling them into a digestible chronological framework, creating the ultimate reference guide to the Beatles’ legendary musical and cultural evolution.

The book aims to show the way magical feminism resists female marginalisation and oppression in the Americas. Dealing with multiple victimisation of women in the Americas who have suffered not only because of their gender but also their race, ethnicity, political ideology, social status, financial insecurity and such, magical feminism provides a voice to them so that they can speak about their marginalisation and victimisation. In other words, by using magical feminism, these female authors attempt to give a voice to the oppressed women, enabling them to resist and challenge the traditional female role and to raise their voices against various social and political issues. The subversive and transgressive power of magical feminism enables the oppressed women to break patriarchal constraints and to reverse the traditional power structure. By creating an imaginary realm through traditions, local beliefs and rituals, myth, magic and the spirits of the dead ancestors as guides, magical feminist technique functions as a survival strategy for women in traumatic and oppressive situations and provides them consolation. The project includes a total of eight novels from African American (Gloria Naylor’s 'Mama Day'), Latin American (Isabel Allende’s 'The House of the Spirits'), Native American (Louise Erdrich’s 'Tracks'), Chicana (Ana Castillo’s 'So Far from God'), North American (Gail Anderson-Dargatz’s 'The Cure for Death by Lightning'), Central American (Gioconda Belli’s 'The Inhabited Woman'), Hawaiian American (Kiana Davenport’s 'Shark Dialogues') and Cuban American (Cristina García’s 'Dreaming in Cuban') background.

Magical realism was one of the most significant literary developments in the last century. It has become synonymous with the seductive fictions of writers such as Gabriel García Márquez, Salman Rushdie, Toni Morrison, Ben Okri, Jeanette Winterson and Peter Carey. However, the genre has also become known for its theoretical indeterminacy. In fact, exoticist speculation, inspired by the links between magical realist literature and the world's cultural or political margins, has thrown the category into critical disrepute. This book rescues magical realism from misreadings and misdemeanours, tracing the historical development of the literary genre and analysing an original spectrum of magical realist texts from Latin America, Africa, India, Canada, the US, the UK and Australia. It asks such questions as: How did magical realism come to take over the world? What is the nature of its allure? Also, how does the marginal status of its authors inform the genre? Does magical realism have a political agenda? This book uses postcolonial theory to investigate notions of cultural identity and post-structural theory to examine the narrative strategies of magical realism, presenting a comprehensive historical and theoretical overview of the genre and a politically urgent argument about its subversive potentialities.

This volume offers 18 studies linked together by a common focus on the circulation and reception of motifs and beliefs in the field of folklore, magic, and witchcraft. The chapters traverse a broad spectrum both chronologically and thematically; yet together, their shared focus on cultural exchange and encounters emerges in an important way, revealing a valuable methodology that goes beyond the pure comparativism that has dominated historiography in recent decades. Several of the chapters touch on gender relations and contact between different religious faiths, using case studies to explore the variety of these encounters. Whilst the essays focus geographically on Europe, they prefer to investigate relationships over highlighting singular, local traits. In this way, the collection aims to respond to the challenge set by recent debates in cultural studies, for a global history that prioritises inclusivity, moving beyond biased or learned attachments toward broader and broadening foci and methods. With analysis of sources from manuscripts and archival documents to iconography, and drawing on writings in Latin, Hebrew, Arabic, and other languages, this volume is essential reading for all students and scholars interested in cultural exchange and ideas about folklore, magic, and witchcraft in medieval and early modern Europe.

Brings together three parts of "Robinson Crusoe" and examines their relationship. This work contains editorial material that includes a substantial introduction to each novel, explanatory endnotes, textual notes, and a consolidated index.

Ryan J. Stark presents a spiritually sensitive, interdisciplinary, and original discussion of early modern English rhetoric. He shows specifically how experimental philosophers attempted to disenchant language