"A compelling page-turner that will keep readers hoping against hope that everything will somehow, magically, turn out for the best." — Atlanta Journal-Constitution With a new Afterword from the author reflecting on the 100th anniversary of one of the most heinous tragedies in American history—the 1921 burning of Greenwood, an affluent black section of Tulsa, Oklahoma, known as the "Negro Wall Street"—Jewell Parker Rhodes’ powerful and unforgettable novel of racism, vigilantism, and injustice, weaves history, mysticism, and murder into a harrowing tale of dreams and violence gone awry. Tulsa, Oklahoma, 1921. A white woman and a black man are alone in an elevator. Suddenly, the woman screams, the man flees, and the chase to capture and lynch him begins. When Joe Samuels, a young Black man with dreams of becoming the next Houdini, is accused of rape, he must perform his greatest escape by eluding a bloodthirsty mob. Meanwhile, Mary Keane, the white, motherless daughter of a farmer who wants to marry her off to the farmhand who viciously raped her, must find the courage to help exonerate the man she accused with her panicked cry. Magic City evokes one of the darkest chapters of twentieth century, Jim Crow America, painting an intimate portrait of the heroic but doomed stand that pitted the National Guard against a small band of black men determined to defend the prosperous town they had built.

The Magic City Edith Nesbit The Magic City by Edith Nesbit When young Philip Haldane builds a play city out of odds and ends, the fantastic creation comes to life, and he and new stepsister Lucy are magically transported into it. Now they must try to save the Magic City by fulfilling an ancient prophecy-despite a mysterious adversary determined to steal their glory for herself. How Philip and Lucy come to forge a friendship and together triumph over impending disaster makes for a riveting read. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

“A thug is someone who stands on his own. He lives by the decisions he makes and accepts the consequences. A thug is comfortable in his own skin. I wear mine like a glove.” Trick Daddy was born a thug—just a stone’s throw from downtown Miami, yet a world away from its dazzling beauty and sparkling wealth. Where grinding poverty, deadly crime, and devastating racial tension taught kids to live by the ’hood rules. Remarkably, Trick came from nothing and made it big just when his chances had run out. Magic City is the extraordinary tale of a boy whose father was a pimp, who learned to hustle to survive, and whose only role model was his brother, the drug dealer he watched plying his trade on the block. It’s the untold truth behind the cult movie Scarface, of the drug money that transformed the city into a shining mecca for the rich and famous while turf wars between smalltime pushers claimed countless lives. It’s also the incredible story of how that potent mixture of extremes—the electric pulse and glittering abundance of South Beach and the crime, corruption, and despair in its shadows—gave rise to the most dominant sound in hip-hop today. Magic City is an ode to Miami, a riveting tale of a paradise lost and a native son determined to infuse it with new life.

"A love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems ... [the author] takes readers on a historical, geographical, cultural, and personal journey through her life and the life of her home state [of Alabama]"--

Brothers Jake and Simon Grubb are not happy they have to leave their home in Canada to move in with their cousin Hannah and her family in England. But things get interesting for the boys when, on the way there, they encounter a retiring magician at a highway rest stop who presents them with three gifts he claims have magical properties: a carpet, a camera and a stopwatch. Unfortunately, the magician doesn't provide them with any instructions. So when the boys and Hannah find themselves being swept away on a wild adventure fueled by the magic in these curious objects, they have to learn as they go. But who cares when it's this exciting! Flying over London, traveling through time, meeting the queen --- what could possibly top this? Little do they know, there's something soon to come that will! Award-winning author Heather Dyer weaves an enchanting spell with this well-crafted early chapter book. The point of view in the story shifts among all three children, allowing readers to get to know each of the likable characters well. The captivating idea of ordinary children being given the opportunity to use magic to create their own fun experience, particularly flying above London on a magic carpet, will be irresistible to children. With one suspenseful, action-packed scene after another, this is a quick-moving and gently humorous adventure story that's just right for beginning chapter book readers.

In the early 1990s, Demetrius "Big Meech" Flenory and his brother, Terry "Southwest T," rose up from the slums of Detroit to build one of the largest cocaine empires in American history: the Black Mafia Family. After a decade in the drug game, the Flenorys had it all—a fleet of Maybachs, Bentleys and Ferraris, a 500-man workforce operating in six states, and an estimated quarter of a billion in drug sales. They socialized with music mogul Sean "Diddy" Combs, did business with New York's king of bling Jacob "The Jeweler" Arabo, and built allegiances with rap superstars Young Jeezy and Fabolous. Yet even as BMF was attracting celebrity attention, its crew members created a cult of violence that struck fear in a city and threatened to spill beyond the boundaries of the drug underworld. Ruthlessness fueled BMF's rise to incredible power; greed and that same ruthlessness led to their downfall. When the brothers began clashing in 2003, the flashy and beloved Big Meech risked it all on a shot at legitimacy in the music industry. At the same time, a team of investigators who had pursued BMF for years began to prey on the organization's weaknesses. Utilizing a high-stakes wiretap operation, the feds inched toward their goal of destroying the Flenory's empire and ending the reign of a crew suspected in the sale of thousands of kilos of cocaine — and a half-dozen unsolved murders.

A deeply reported personal investigation by a Miami journalist examines the present and future effects of climate change in the Magic City -- a watery harbinger for coastal cities worldwide. Miami, Florida, is likely to be entirely underwater by the end of this century. Residents are already starting to see the effects of sea level rise today. From sunny day flooding caused by higher tides to a sewer system on the brink of total collapse, the city undeniably lives in a climate changed world. In Disposable City, Miami resident Mario Alejandro Ariza shows us not only what climate change looks like on the ground today, but also what Miami will look like 100 years from now, and how that future has been shaped by the city's racist past and present. As politicians continue to kick the can down the road and Miami becomes increasingly unlivable, real estate vultures and wealthy residents will be able to get out or move to higher ground, but the most vulnerable communities, disproportionately composed of people of color, will face flood damage, rising housing costs, dangerously higher temperatures, and stronger hurricanes that they can't afford to escape. Miami may be on the front lines of climate change, but the battle it's fighting today is coming for the rest of the U.S. -- and the rest of the world -- far sooner than we could have imagined even a decade ago. Disposable City is a thoughtful portrait of both a vibrant city with a unique culture and the social, economic, and psychic costs of climate change that call us to act before it's too late.

What is the role of aesthetic expression in responding to discrimination, tragedy, violence, even genocide? How does gender shape responses to both literal and structural violence, including implicit linguistic, familial, and cultural violence? How might writing or other works of art contribute to healing? Art from Trauma: Genocide and Healing beyond Rwanda explores the possibility of art as therapeutic, capable of implementation by mental health practitioners crafting mental health policy in Rwanda. This anthology of scholarly, personal, and hybrid essays was inspired by scholar and activist Chantal Kalisa (1965–2015). At the commemoration of the nineteenth anniversary of the genocide in Rwanda, organized by the Rwandan Embassy in Washington DC, Kalisa gave a presentation, “Who Speaks for the Survivors of the Genocide against Tutsi?” Kalisa devoted her energy to giving expression to those whose voices had been distorted or silenced. The essays in this anthology address how the production and experience of visual, dramatic, cinematic, and musical arts, in addition to literary arts, contribute to healing from the trauma of mass violence, offering preliminary responses to questions like Kalisa’s and honoring her by continuing the dialogue in which she participated with such passion, sharing the work of scholars and colleagues in genocide studies, gender studies, and francophone literatures.