In this revised and expanded edition, Los Angeles Times writer Mark Heisler investigates the 45-year history of the Los Angeles Lakers and unveils a pattern of pampered and/or misguided players, megalomaniacal executives, and owners whose obsessive drives for championships and attention combined to create an atmosphere of conflict for decades Throughout the entire 2003–04 season, fans and the media called the L.A. Lakers the biggest reality show in the country. But the laundry list of conflicts—the ongoing Kobe-Shaq bickering, Kobe's sexual assault trial, Phil Jackson's final season, Gary Payton's refusal to admit his physical decline, and the loss to Detroit in the championship—was just another year in the history of the Lakers. Madmen's Ball goes back to the Lakers' unceremonious arrival in Los Angeles in 1960 to show that the franchise has been embroiled in controversy, in-house battles and personality clashes for generations.

The 10th anniversary edition, now with a new preface by the author "A wonderfully smart, lively, and culturally astute survey." - The New York Times Book Review "Grand entertainment...fascinating for anyone curious about the perplexing miracles of how great television comes to be." - The Wall Street Journal "I love this book...It's the kind of thing I wish I'd been able to read in film school, back before such books existed." - Vince Gilligan, creator of Breaking Bad and co-creator of Better Call Saul In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and creative ambition. Combining deep reportage with critical analysis and historical context, Brett Martin recounts the rise and inner workings of this artistic watershed - a golden age of TV that continues to transform America's cultural landscape. Difficult Men features extensive interviews with all the major players - including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), David Milch (NYPD Blue, Deadwood), Alan Ball (Six Feet Under), and Vince Gilligan (Breaking Bad, Better Call Saul) - and reveals how television became a truly significant and influential part of our culture.

A New York Times best historical novel of the year, adapted as a major film for Amazon Prime, this feminist literary thriller is set in Paris's infamous Salpêtrière asylum—now in paperback The Salpêtrière Asylum: Paris, 1885. Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Mad Women’s Ball—when the great and good come to gawk at the patients of the Salpêtrière dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugénie, the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugénie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugénie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .

THE MADMEN OF BENGHAZI, available for the first time in the U.S., is a gripping, racy, ripped-from-the-headlines espionage thriller set in volatile post-Qaddafi Libya. Gérard de Villiers (1929–2013) spent his five-decade career cultivating connections in the world of international intelligence, which allowed him to anticipate geopolitical events before they occurred—and to masterfully blend fiction with an insider’s knowledge of international affairs. Published from 1964 until his death in 2013, his bestselling SAS series of 200 spy novels, starring Malko Linge, was long considered France’s answer to Ian Fleming, with Malko as his James Bond. Its hero, Malko Linge, an Austrian aristocrat, spends his time freelancing for the CIA in order to support his playboy lifestyle. When terrorists try to shoot down a plane carrying Libyan prince Ibrahim al-Senussi, it is clear that someone wants him dead. But the CIA has its own plot for the prince: Now that Qaddafi has been overthrown, al-Senussi is their best bet to set up a constitutional monarchy and stem the Islamist tide in Libya. The CIA, which needs Malko as much as he needs them, sends the Austrian aristocrat to Cairo to learn more about al-Senussi’s plans by seducing his companion, a ravishing British model. This mission is enormously appealing, but also proves enormously dangerous, as the same madman of God who is trying to kill al-Senussi also takes aim at Malko.

Madmen, Intellectuals, and Academic Scribblers presents a simple, economic framework for understanding the systematic causes of political change. Wayne A. Leighton and Edward J. López take up three interrelated questions: Why do democracies generate policies that impose net costs on society? Why do such policies persist over long periods of time, even if they are known to be socially wasteful and better alternatives exist? And, why do certain wasteful policies eventually get repealed, while others endure? The authors examine these questions through familiar policies in contemporary American politics, but also draw on examples from around the world and throughout history. Assuming that incentives drive people's decisions, the book matches up three key ingredients—ideas, rules, and incentives—with the characters who make political waves: madmen in authority (such as Franklin Delano Roosevelt and Margaret Thatcher), intellectuals (like Jon Stewart and George Will), and academic scribblers (in the vein of Friedrich Hayek and John Maynard Keynes). Political change happens when these characters notice holes in the structure of ideas, institutions, and incentives, and then act as entrepreneurs to shake up the status quo.

"When are the 1970s going to begin?" ran the joke during the Presidential campaign of 1976. With his own patented combination of serious journalism and dazzling comedy, Tom Wolfe met the question head-on in these rollicking essays in Mauve Gloves and Madmen, Clutter and Vine -- and even provided the 1970s with its name: "The Me Decade."