The Cape York Peninsula, 1920... as the three ex-diggers talked across the bar at the West Coast, swapping stories of the War and goings-on in Cooktown and along the coast, the pioneer vision would have still been fresh and sustained by hope and dreams. All that was needed was a little luck - which might come from the Chinese gambling den across the way, or at the races, or a tip on a 'sure thing', be it trepang, trochus, timber or the treasures of the earth. So that day Idriess signed up for a sure thing with George Tritton - or perhaps not such a sure thing; Dick Welsh, Idriess's best mate, chose not to go. Even so, a few days later Jack (Idriess's frontier name) and George set sail for Howick Island. Before the end of the decade Idriess had renamed both the Island and his companion - he wrote that he had gone to Madman's Island with his mate, Charlie... Madman's Island; Idriess as character and author - fact or fiction. Fifty books later the seam he struck after returning from the War was mined out. There was nothing left that could be said about frontier life as Idriess saw and said it. It required and still needs to be understood from other perspectives. But Ion Idriess - as Jack Idriess along the Bloomfield, in the Tablelands back of Cairns, and along the coast of north Queensland - gives us a participant's view. It's a voice we should attend to - it's our voice from a fading past. Ernest Hunter, from his Introduction.

A dark, breathless, beautifully-written gothic thriller of murder, madness and a mysterious island...

Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how the fluctuating definition of the island continent throws new light on the relationship between islands and continents in the mapping of modernity. The book links the historical and geographical conditions of islands with their potent role in the imaginaries of European colonisation. It prises apart the tangled web of geography, fantasy, desire and writing that has framed the Western understanding of islands, both their real and material conditions and their symbolic power, from antiquity into globalised modernity. The book also traces how this spatial imaginary has shaped the modern 'man' who is imagined as being the island's mirror. The inter-relationship of the island fantasy, colonial expansion, and the literary construction of place and history, created a new 'man': the dislocated and alienated subject of post-colonial modernity. This book looks at the contradictory images of islands, from the allure of the desert island as a paradise where the world can be made anew to their roles as prisons, as these ideas are made concrete at moments of British colonialism. It also considers alternatives to viewing islands as objects of possession in the archipelagic visions of island theorists and writers. It compares the European understandings of the first and last of the new worlds, the Caribbean archipelago and the Australian island continent, to calibrate the different ways these disparate geographies unifed and fractured the concept of the planetary globe. In particular it examines the role of the island in this process, specifically its capacity to figure a 'graspable globe' in the mind. The book draws on the colonial archive and ranges across Australian literature from the first novel written and published in Australia (by a convict on the island of Tasmania) to both the ancient dreaming and the burgeoning literature of Aboriginal and Torres Strait Islanders in the twenty-first century. It discusses Australian literature in an international context, drawing on the long traditions of literary islands across a range of cultures. The book's approach is theoretical and engages with contemporary philosophy, which uses the island and the archipleago as a key metaphor. It is also historicist and includes considerable original historical research.

Musaicum Books presents to you this carefully created volume of "The Madman and the Pirate & Other Sea Adventures - 5 Books in One Edition". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. The Coral Island: A Tale of the Pacific Ocean The Madman and the Pirate Under the Waves: Diving in Deep Waters The Pirate City: An Algerine Tale Gascoyne, the Sandal-Wood Trader R M Ballantyne was a famous children's author and a renowned artist.

A beautiful island lying like a gem on the breast of the great Pacific-a coral reef surrounding, and a calm lagoon within, on the glass-like surface of which rests a most piratical-looking schooner. Such is the scene to which we invite our reader's attention for a little while. At the time of which we write it was an eminently peaceful scene. So still was the atmosphere, so unruffled the water, that the island and the piratical-looking schooner seemed to float in the centre of a duplex world, where every cloudlet in the blue above had its exact counterpart in the blue below. No sounds were heard save the dull roar of the breaker that fell, at long regular intervals, on the seaward side of the reef, and no motion was visible except the back-fin of a shark as it cut a line occasionally on the sea, or the stately sweep of an albatross, as it passed above the schooner's masts and cast a look of solemn inquiry upon her deck.

Over a hundred poems written in a time when the color of the real world run away to the simulation created from the ego of humanity. The deserted world is reflected in these poems from the loneliness of fallen buildings and rising humanism. Madness is the product of our own delusions of having a special position in the world, then madness became a reaction against it. Here, the madman rises.

Ion “Jack” Idriess (1889 – 1979) is recognised as one of Australia’s great storytellers, having published over 50 books including the Outback tales of Lasseter’s Last Ride, Flynn of the Inland, and The Cattle King alongside major histories of Broken Hill, Broome and Cooktown. This book is his last interview in 1975, prompted by the then-young Tim Bowden, for a possible ABC Radio program that did not eventuate due to Idriess's fading voice. Within this book Idriess talks of his early years in Broken Hill, he tells of his earliest writing for the Bulletin, on living and photographing Aboriginal tribes in the Kimberlys and Cape York; on the writing of his books like Madman’s Island and My Mate Dick; his life with the pearlers of Broome and Thursday Island; on the joys of prospecting, living in the Wild, and on Lasseter and his diary. Full of colourful characters and true stories, Ion Idriess allows us into his unbridled enthusiasm for Australian and Aboriginal history.

This unique adventure collection includes: The Coral Island: A Tale of the Pacific Ocean The Madman and the Pirate Under the Waves: Diving in Deep Waters The Pirate City: An Algerine Tale Gascoyne, the Sandal-Wood Trader R M Ballantyne was a famous children's author and a renowned artist.

A selection of 15 interviews with Australian writers by Hazel de Berg, introduced and edited by the novelist David Foster. The original interviews form part of the National Library's Oral History Collection.

From Madman to Crime Fighter is the most comprehensive study of the image of the scientist in Western literature and film.