Any journey with Alexander Theroux is an education. Possessed of a razor-sharp and hyperliterate mind, he stands beside Thomas Pynchon as one of the sharpest cultural commentators of our time. So when he decided to accompany his wife ― the artist Sarah Son-Theroux ― on her Fulbright Scholarship to Estonia, it occasioned this penetrating examination of a country that, for many, seems alien and distanced from the modern world. For Theroux, the country and its people become a puzzle. His fascination with their language, manners, and legacy of occupation and subordination lead him to a revelatory examination of Estonia’s peculiar place in European history. All the while, his trademark acrobatic allusions, quotations, and digressions ― which take us fromHamlet through Jean Cocteau to Married… with Children ― render his travels as much internal and psychical as they are external and physical. Through these obsessive references to Western culture, we come to appreciate how insular the country has become, yet also marvel at its fierce individuality and preternatural beauty ― such is the skill of Theroux’s gaze. This travelogue of his nine months abroad also brims with anecdotes of Theroux’s encounters with Estonian people and ― in some of its most bitterly comedic episodes ― his fellow Americans whom he at times feels more alienated from than the frosty, humorless Europeans. Estonia: A Ramble Through the Periphery is as biting and satirical as it is witty and urbane; as curious and lyrical as it is brash and irreverent. It marks a new highlight in an already stellar career and a book that continues Fantagraphics’ exceptional line of prose works.

Some people have said this book is romantic and maybe it is: a young lost American college grad falls in love with an intriguing European journalist and embarks on a journey that restores his faith in himself and the world. Sure, it is romantic. But it was never easy. A foreigner arrives in the middle of a dark winter and must survive in Estonia, the "least fortunate Scandinavian country," a land where people eat blood sausage and jellied meat, drink warm bread, and are always on time; a place where every family is haunted by the past and is struggling to catch up to the present. Over the course of one year, so much happens in this tiny northern land that it stops being foreign. Estonia and the college grad turned journalist become intimately acquianted. Inseparable. And in the end, he comes to love it, even when they do not want to let him back into their country.

Estonia is a country with surprising cultural diversity and a wealth of outdoor attractions.

Combining some of the oldest knitted artifacts in Northern Europe with authentic tips and expert advice, this distinctive guidebook demonstrates a wide range of knitting knowledge. Featuring 14 heirloom-quality projects, this savvy reference includes traditional lace-knitting techniques such as the starburst, twig, peacock, and lily of the valley patterns. Modern variations on classic methods and adding lace edges are also explored, and photographs from several Estonian museums beautifully illustrate various completed designs. With accessible graphed and written instructions, the projects include Estonian-style shawls, stoles, and scarves.

As Russia rattles its sabres in the Baltic, Neil Taylor reconsiders the history of Estonia and its struggle to achieve statehood.

Estonia is known as the "singing nation" because its people sang their way to freedom. In 1991, masses of singing protesters secured this small Baltic nation's independence from the Soviet Union. For nearly a thousand years, Estonia was occupied by foreign powers, traded back and forth by its more powerful neighbors of Germany, Sweden, and Russia. In the nearly thirty years since its independence from the Soviet Union, Estonia has become an international leader in digital technology while continuing to grow its powerful musical traditions. Readers explore Estonia's history of courage, defiance, and imagination in this book, which features vibrant images, intriguing quotes, and surprising sidebars.

Estonia is a small country located in Northern Europe. It is situated on the eastern coast of the Baltic Sea, bordered by Russia to the east, Latvia to the south, and the Gulf of Finland to the north. Estonia has a population of just over 1.3 million people, with the majority living in the urban areas of Tallinn, the capital and largest city, and Tartu. Estonian is the official language and the country has a strong digital infrastructure, with a majority of its citizens having access to the internet. Estonia has a rich history, with the first known human settlements dating back to around 9,000 BC. The country has been ruled by various powers throughout history, including the Danish, German, Swedish, and Russian empires. In 1918, Estonia declared its independence from Russia and became a republic. However, during World War II, Estonia was occupied by the Soviet Union and did not regain its independence until 1991 following the collapse of the Soviet Union. Since then, Estonia has undergone significant economic and political reforms, becoming a member of the European Union and NATO in 2004. Today, Estonia is known for its innovative technology sector, stunning natural landscapes, and vibrant cultural scene.

Ever wonder why Estonian animation features so many carrots or why cows often perform pyramids? Well, neither question is answered in Chris Robinson's new book, Estonian Animation. Robinson's frank, humorous, and thoroughly researched book traces the history of Estonia's acclaimed animation scene from early experiments in the 1930s to the creation of puppet (Nukufilm) and cel (Joonisfilm) animation studios during the Soviet era, as well as Estonia's surprising international success during the post-Soviet era. In addition, Robinson writes about the discovery of films by four 1960s animation pioneers who, until the release of this book, had been unknown to most Estonian and international animation historians.