In Machiavelliana Michael Jackson and Damian Grace offer a comprehensive study of the uses and abuses of Niccolò Machiavelli’s name in society generally and in academic fields distant from his intellectual origins. It assesses the appropriation of Machiavelli in didactic works in management, social psychology, and primatology, scholarly texts in leaderships studies, as well as novels, plays, commercial enterprises, television dramas, operas, rap music, Mach IV scales, children’s books, and more. The book audits, surveys, examines, and evaluates this Machiavelliana against wider claims about Machiavelli. It explains the origins of Machiavelli’s reputation and the spread of his fame as the foundation for the many uses and misuses of his name. They conclude by redressing the most persistent distortions of Machiavelli.

The theme of conspiracy is central to Machiavelli's writing. His work offers observations and analysis of conspiracy as part of the armoury of the Renaissance politician. Surprisingly, the theme has not yet received the attention it merits. This volume corrects an interpretation which reduces Machiavelli's position to one of censorious observer of conspiracies. Quite to the contrary, as Campi demonstrates, Machiavelli developed an anatomy of conspiracy and provided a practical manual for coup d'état" and violent seizure of power.

In The Radical Machiavelli: Politics, Philosophy and Language, some of the finest Machiavellian scholars explore the Florentine’s thought five hundred years after the composition of his masterpiece, The Prince. Their analysis, however, goes past The Prince, extending to Machiavelli’s entire corpus and shining new light on his political, historical, and military works, with a special focus on their heritage in modern Marxist thought, the arena in which they reverberate most profoundly and originally. Rather than a neutral, comprehensive, and safe interpretation, this book offers a partial and even partisan reading of Machiavelli, the 16th-century thinker who continues to divide scholars and interpreters, forcing them to confront their responsibility as contemporary thinkers in a global society where Machiavelli's ideas and the issues they address still matter. Contributors are: Etienne Balibar, Banu Bargu, Jérémie Barthas, Thomas Berns, Alison Brown, Filippo Del Lucchese, Romain Descendre, Jean-Louis Fournel, Fabio Frosini, Giorgio Inglese, Mikko Lahtinen, Jacques Lezra, John P. McCormick, Warren Montag, Vittorio Morfino, Mohamed Moulfi, Gabriele Pedullà, Tania Rispoli, Peter D. Thomas, Sebastian Torres, Miguel Vatter, Stefano Visentin, Yves Winter, and Jean-Claude Zancarini.

Presenting a detailed reinterpretation and reconstruction of the political thought of Niccolò Machiavelli, Machiavelli and the Politics of Democratic Innovation uses original readings of Machiavelli's texts to develop a new theoretical model of democratic practice. The book critically and creatively juxtaposes certain concepts drawn from Machiavelli's work in order to produce new political insights. Christopher Holman identifies two unique ideas in Machiavelli through his rearrangement of Machiavellian concepts. The first, drawn primarily from The Prince, is an image of the individual human being as a creative subject that seeks the exteriorization of desire via political creation. The second, drawn primarily from The Discourses on Livy, is an image of the democratic republic as a form of regime in which this desire for creative self-expression is universalized, all citizens being able to affirm their psychic orientation toward innovation through their equal access to political institutions and orders. Such institutions and orders, to the extent that they function as media for the expression of a fundamental human creativity, must be arranged so that they are capable of continual interrogation and refinement. In the final instance, a new ethical ground for the normative defense of democratic life is constructed, one grounded in the orientation of individual beings toward novelty and innovation.

Five hundred years after his death, Niccolò Machiavelli still draws an astonishing range of contradictory characterizations. Was he a friend of tyrants? An ardent republican loyal to Florence’s free institutions? The father of political realism? A revolutionary populist? A calculating rationalist? A Renaissance humanist? A prophet of Italian unification? A theorist of mixed government? A forerunner to authoritarianism? The master of the dark arts of intrigue? This book provides a vivid and engaging introduction to Machiavelli’s life and works that sheds new light on his originality and relevance. Gabriele Pedullà—a leading Italian expert and acclaimed writer—offers fresh readings of the Florentine thinker’s most famous writings, The Prince and the Discourses on Livy, as well as lesser-known texts. A new and often surprising Machiavelli emerges: one closer to his time but also better suited to inform our own. Pedullà’s portrait of Machiavelli highlights his close attention to social and emotional bonds, staunch opposition to oligarchy, keen awareness of the economic side of power dynamics, and strong preference for history over philosophy as a guide for leaders. This book recovers the excitement Machiavelli roused in his first readers for a twenty-first-century audience, capturing his capacity to provoke, both then and now, with unconventional ideas and startling insights.

Machiavelli in the British Isles reassesses the impact of Machiavelli's The Prince in sixteenth-century England and Scotland through the analysis of early English translations produced before 1640, surviving in manuscript form. This study concentrates on two of the four extant sixteenth-century versions: William Fowler's Scottish translation and the Queen's College (Oxford) English translation, which has been hitherto overlooked by scholars. Alessandra Petrina begins with an overview of the circulation and readership of Machiavelli in early modern Britain before focusing on the eight surviving manuscripts. She reconstructs each manuscript's history and the afterlife of the translations before moving to a detailed examination of two of the translations. Petrina's investigation of William Fowler's translation takes into account his biography, in order to understand the Machiavellian influence on early modern political thought. Her study of the Queen's College translation analyses the manuscript's provenance as well as technical details including writing and paper quality. Importantly, this book includes annotated editions of both translations, which compare the texts with the original Italian versions as well as French and Latin versions. With this volume Petrina has compiled an important reference source, offering easy access to little-known translations and shedding light on a community of readers and scholars who were fascinated by Machiavelli, despite political or religious opinion.

Between 1513 and 1525 Niccolò Machiavelli wrote a series of works dealing with political, military, and historical matters. One of these (the 'Arte della guerra') was published in 1521, but the rest of his major writings were not published until 1531-2, nearly five years after his death. They continued to be reissued regularly, well into the early seventeenth century. The popularity of Machiavelli's books, the variety of his themes, the different contexts within which he was studied, the range of readers' interests, and the fact that his name entered the vocabulary of every European language - all make his early reception a fruitful field of enquiry. Historians of ideas have tended to tidy up the past in order to make it comprehensible but Sydney Anglo is concerned with heterogeneity, and with the often irrational and emotional aspects of sixteenth-century thought. Basing his research entirely upon primary sources he quotes extensively in the conviction that, in a battle of words, the words themselves and their tone convey more than summaries of intellectual abstractions. Authors - hostile, enthusiastic, and indifferent - are closely examined; and many different contexts, political and intellectual, are considered. Sometimes Machiavelli was influential, sometimes not, but in this history of his reception, silences often prove significant. Written in a lively and trenchant style, this new interpretation of the impact of Machievalli is an original contribution of high quality by a leading expert in the field of Renaissance studies.

Machiavelli is history's most startling political commentator. Recent interpreters have minimised his originality, but this book restores his radicalism. Robert Black shows a clear development in Machiavelli's thought. In his most subversive works The Prince, the Discourses on Livy, The Ass and Mandragola he rejected the moral and political values inherited by the Renaissance from antiquity and the middle ages. These outrageous compositions were all written in mid-life, when Machiavelli was a political outcast in his native Florence. Later he was reconciled with the Florentine establishment, and as a result his final compositions including his famous Florentine Histories represent a return to more conventional norms. This lucid work is perfect for students of Medieval and Early Modern History, Renaissance Studies and Italian Literature, or anyone keen to learn more about one of history's most potent, influential and arresting writers.

Analyzing the multifaceted receptions of Machiavelli from early modernity to the present history of Northeast Asia, this book explores a better East-West dialogue through which Machiavelli’s political philosophy can be appropriated properly in Northeast Asian practices. First, comparing the receptions of Machiavelli in Europe with the early introduction of his texts in Northeast Asia, it investigates what has been missing from the reception of his ideas in Northeast Asia. Second, examining the imperative issues which haven’t been construed appropriately even in recent reinterpretations of Machiavelli’s political philosophy in Northeast Asia, it searches for a direction of East-West dialogue through which Machiavelli’s political philosophy is not inordinately contextualized within the sociopolitical demands of Northeast Asian societies in accordance with time and place. Third, given the continuing interest in Machiavelli’s political realism, it examines the different conjunctions of his political realism with diverse traditional and contemporary political thinking in Northeast Asia. This book will be attractive to scholars in political philosophy, history, political theory, comparative philosophy, and area studies focused on East Asia, as well as scholars working in the field of comparative literature.