Compared to the citizens of just about every other nation, Americans are the least adept at having affairs, have the most trouble enjoying them, and suffer the most in their aftermath and Pamela Druckerman has the facts to prove it. The journalist's surprising findings include: Russian spouses don't count beach resort flings as infidelity South Africans consider drunkenness an adequate excuse for extramarital sex Japanese businessmen believe, "If you pay, it's not cheating." Voyeuristic and packed with eyebrow-raising statistics and interviews, Lust in Translation is her funny and fact-filled world tour of infidelity that will give new meaning to the phrase "practicing monogamy."

Is what the French mean by infidelity the same as what Australians mean? Or the same as the Japanese, or the Finns? Do different countries have different rules when it comes to extramarital sex? Delving into this taboo subject, Pamela Druckerman interviewed people all over the world, from retirees in South Florida to Muslim polygamists in Indonesia; from Hasidic Jews to the men who keep their mistresses in a concubine village outside Hong Kong. She talked to psychologists, sex researchers, marriage counsellors, and, most of all, cheaters and the people they've cheated on. Russian husbands and wives don't believe that beach-resort flings violate their marital vows. Japanese businessmen declare, "If you pay, it's not cheating". And South Africans may be the masters of creative accounting – pollsters there had to create separate categories for men who cheat and men who cheat only when drunk. With all this bending of the boundaries of marriage, knowing that by international standards Australians are extremely faithful may come as comforting news. Or maybe not.

By 1816, Japan had recovered from the famines of the 1780s and moved beyond the political reforms of the 1790s. Despite persistent economic and social stresses, the country seemed headed for a new period of growth. The idea that the shogunate would not last forever was far from anyone's mind. Yet, in that year, an anonymous samurai produced a scathing critique of Edo society. Writing as Buyo Inshi, "a retired gentleman of Edo," he expressed in An Account of What I Have Seen and Heard a profound despair with the state of the realm. Seeing decay wherever he turned, Buyo feared the world would soon descend into war. In his anecdotes, Buyo shows a sometimes surprising familiarity with the shadier aspects of Edo life. He speaks of the corruption of samurai officials; the suffering of the poor in villages and cities; the operation of brothels; the dealings of blind moneylenders; the selling and buying of temple abbotships; and the dubious strategies seen in law courts. Perhaps it was the frankness of his account that made him prefer to stay anonymous. A team of Edo specialists undertook the original translation of Buyo's work. This abridged edition streamlines this translation for classroom use, preserving the scope and emphasis of Buyo's argument while eliminating repetitions and diversions. It also retains the introductory essay that situates the work within Edo society and history.

Lust's follow-up to her first internationally lauded graphic memoir, How I Tried to Be a Good Person, picks up directly where its predecessor left off. Revealing and powerful, Lust recounts her life as a young, enthusiastic anarchist making her way in Vienna in the 1990s - and of her love for two men: the "perfect companion" Georg, an actor twenty years her elder, and the "perfect lover," Kimata, a Nigerian man-about-town. As her relationships with the two men evolve, jealousy increasingly mounts and leads to emotional and violent outbreaks that threaten her life.

What to read next is every book lover's greatest dilemma. Nancy Pearl comes to the rescue with this wide-ranging and fun guide to the best reading new and old. Pearl, who inspired legions of litterateurs with "What If All (name the city) Read the Same Book," has devised reading lists that cater to every mood, occasion, and personality. These annotated lists cover such topics as mother-daughter relationships, science for nonscientists, mysteries of all stripes, African-American fiction from a female point of view, must-reads for kids, books on bicycling, "chick-lit," and many more. Pearl's enthusiasm and taste shine throughout.

It is a little-known secret that Arabic literature has a long tradition of erotic writing. Behind that secret lies another – that many of the writers are women. We Wrote in Symbols celebrates the works of 75 of these female writers of Arab heritage who articulate love and lust with artistry and skill. Here, a wedding night takes an unexpected turn beneath a canopy of stars; a woman on the run meets her match in a flirtatious encounter at Dubai Airport; and a carnal awakening occurs in a Palestinian refugee camp. From a masked rendezvous in a circus, to meetings in underground bars and unmade beds, there is no such thing as a typical sexual encounter, as this electrifying anthology shows. Powerfully conveying the complexities and intrigues of desire, We Wrote in Symbols invites you to share these characters' wildest fantasies and most intimate moments. 'Fierce, captivating, revolutionary. A dazzling collection that will win hearts and change minds.'- Elif Shafak 'These voices are furious, witty, outrageous, tender and entranced. This collection offers much delightful entertainment and fresh perspectives on women and sex in the Middle East.'- Marina Warner

Back in 1984, a rebellious,17-year-old, punked-out Ulli Lust set out for a wild hitchhiking trip across Italy, from Naples through Verona and Rome and ending up in Sicily. Twenty-five years later, this talented Austrian cartoonist has looked back at that tumultuous summer and delivered a long, dense, sensitive,and minutely observed autobiographical masterpiece.

Germany, in the final years of the Third Reich. Hermann Karnau is a sound engineer obsessed with recording the human voice in all its variations—the rantings of leaders, the roar of crowds, the rasp of throats constricted in fear—and indifferent to everything else. Employed by the Nazis, his assignments take him to Party rallies, to the Eastern Front, and into the household of Joseph Goebbels. There he meets Helga, the eldest daughter: bright, good-natured, and just beginning to suspect the horror that surrounds her... Based on an acclaimed novel by Marcel Beyer, Voices in the Dark is the first fictional graphic novel by Ulli Lust, whose award-winning graphic memoir Today Is the Last Day of the Rest of Your Life appeared in English in 2013. It is the story of an unlikely friendship and of a childhood betrayed, a grim parable of naïveté and evil, and a vivid, unsettling masterpiece. This NYRC edition is a trade paperback and features full color throughout and new English hand-lettering.

In 2007, Ang Lee made an espionage thriller based on the short story "Lust, Caution" by Eileen Chang, China’s most famous female author of the twentieth century. The release of the film became a trigger for heated debates on issues of national identity and political loyalty, and brought unexpectedly harsh criticism from China, where Ang Lee was labelled a traitor in scathing internet critiques, whilst the film's leading actress Tang Wei was banned from appearing on screen for two years. This book analyses Ang Lee’s art of film adaptation through the lens of modern literary and film theory, as well as featuring detailed readings and analyses of different dialogues and scenes, directorial and authorial decisions and intentions, while at the same time confronting the intense political debates resulting from the film’s subject matter. The theories of Freud, Lacan, Deleuze, Bataille and others are used to identify and clarify issues raised by the film related to gender, sexuality, eroticism, power, manipulation, and betrayal; the themes of lust and caution are dealt with in conjunction with the controversial issues of contemporary political consciousness concerning patriotism, and the Sino-Japanese War complicated by divided historical experiences and cross-Taiwan Strait relationships. The contributors to this volume cover translation and adaptation, loyalty and betrayal, collaboration and manipulation, playing roles and performativity, whilst at the same time intertwining these with issues of national identity, political loyalty, collective memory, and gender. As such, the book will appeal to students and scholars of Chinese and Asian cinema and literature, as well as those interested in modern Chinese history and cultural studies.

A young woman who lands a position at a beauty parlor enjoys great success until she slowly metamorphoses into a pig