‘I promise,’ Selene whispered, ‘that one day, I will be someone. One day, everyone will know my name.’ Pompeii. 78 AD. A distinctive, oddly-shaped building looms menacingly out of the night, squatting on the narrow laneway’s paving stones. The Lupanar Grande, is the largest Pompeii brothel and a place reeking of body odour, stale perfume, urine and sex. The prostitutes are the dregs of society, infames, but all hope has not been extinguished. Selene, a free-born street prostitute from Naples, is new to Pompeii. She lusts after wealth and fame. Ambitious and enticingly pretty, she is determined to replace the famous courtesan, Prima. She will be drawn into a Lupanar blackmail ring. Velina, a slave, is bought by the brothel’s leno and taken to the Lupanar with her best friend, Alexa. As slaves, they are limited to its interior and the outside footpath where they solicit for business. They sleep in their cells and are forbidden to stray from the brothel. Their leno, Servius, takes all they earn. Flora, independent and shrewd, lives in her own tiny, two-room house adjacent to the Lupanar. Behind her cerulean blue front door, she sees everything through her large, front window. She will save girls from prostitution. Hester, a shy, gentle girl, belongs to a small group known as Christianos. Its meeting place is located opposite the Lupanar, with unfortunate consequences. Lucius Attilius is addicted to gambling and women. It leads him into the Pompeii arena, where few gladiators die but many suffer severe injuries. He will find a love so strong that it overcomes even the sordid Lupanar. Their lives intertwine as Vesuvius erupts. What will happen to the survivors?

LUPANAR: The Devil's Playground 'I promise, ' Selene whispered, 'that one day I will be someone. One day, everyone will know my name.' Pompeii. 78 AD. A distinctive, oddly-shaped building looms menacingly out of the night, squatting on the narrow laneway's paving stones. The Lupanar Grande, is the largest Pompeii brothel and a place reeking of body odour, stale perfume, urine and sex. The prostitutes are the dregs of society, infames, but they still seek a way to find love and friendship. Selene, a free-born street prostitute from Naples, is new to Pompeii. She is an ambitious, enticingly pretty girl determined to replace the famous courtesan, Prima. She will be drawn into a Lupanar blackmail ring. Velina, a slave, is bought by the brothel's leno and taken to the Lupanar with her best friend, Alexa. As slaves, they are limited to its interior and the outside footpath where they solicit for business. They sleep in their cells and are forbidden to stray from the brothel. Their leno, Servius, takes all they earn. Flora, shrewd and intelligent, lives in her own tiny, two room house two doors from the Lupanar. Behind her cerulean blue front door, she sees everything through her large, front window. She will save girls from prostitution. Hester, a shy, gentle girl, belongs to a small group known as Christianos. Its meeting place is located opposite the Lupanar, with unfortunate consequences. Lucius Attilius is addicted to gambling and women. It leads him into the Pompeii arena, where few gladiators die but many suffer severe injuries. He will find a love so strong that it overcomes even the sordid Lupanar. Their lives intertwine as Vesuvius erupts. What will happen to the survivors

First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.

Endore's classic werewolf novel - now back in paperback for the first time in over forty years - helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.

Five 'sensation' novels are here presented complete and fully reset, along with scholarly annotation, a bibliography of 'sensation' fiction and articles contributing to contemporary debate.

A dramatic, thought-provoking portrait of one of the most compelling figures in early Christianity which explores two thousand years of history, art, and literature to provide a close-up look at Mary Magdalen and her significance in religious and cultural thought.

Robert Knapp brings invisible inhabitants of Rome and its vast empire to life. He seeks out the ordinary men, housewives, prostitutes, freedmen, slaves, soldiers, and gladiators, who formed the fabric of everyday life in the ancient Roman world, and the outlaws and pirates who lay beyond it. He finds their own words preserved in literature, letters, inscriptions and graffiti and their traces in the nooks and crannies of the histories, treatises, plays and poetry created by members of the elite. He tracks down and pieces together these and other tell-tale bits of evidence cast off by the visible mass of Roman history and culture, and in doing so recreates a world lost from view for two millennia. We see how everyday Romans sought to survive and thrive under the afflictions of disease, war, and violence, and to control their fates before powers that variously oppressed and ignored them. Chapters on each of the main groups reveal how their worlds were linked in need, dependence, exploitation, hope and fear. Slaves and ex-soldiers merge into the world of the outlaw; slaves become freedmen; the sons of freedmen enlist as soldiers; and the concerns of women transcend every boundary. We see them all at last in the tumult of a great empire that shaped their worlds as it reshaped the wider world around them.