Set against a volatile political landscape, Irish republican culture has struggled to maintain continuity with the past, affirm legitimacy in the present, and generate a sense of community for the future. Lullabies and Battle Cries explores the relationship between music, emotion, memory, and identity in republican parading bands, with a focus on how this music continues to be utilized in a post-conflict climate. As author Jaime Rollins shows, rebel parade music provides a foundational idiom of national and republican expression, acting as a critical medium for shaping new political identities within continually shifting dynamics of republican culture.

In this groundbreaking work, which covers thousands of years and spans the globe, Linda Grant De Pauw depicts women as victims and as warriors; as nurses, spies, sex workers, and wives and mothers of soldiers; as warrior queens leading armies into battle; and as baggage carriers marching in the rear. Beginning with the earliest archaeological evidence of warfare and ending with the dozens of wars in progress today, Battle Cries and Lullabies demonstrates that warfare has always and everywhere involved women. Following an introductory chapter on the questions raised about women’s participation in warfare, the book presents a documented, chronological survey linked to familiar models of military history. De Pauw provides historical context for current public policy debates over the role of women in the military. "Whether one applauds or deplores their presence and their actions, women have always been part of war. To ignore this fact grossly distorts our understanding of human history."

Die etwa 150.000 Frauen, die im Zweiten Weltkrieg im Women's Army Corps Dienst taten, waren die ersten regularen Soldatinnen der US-Armee. Um mannliche Soldaten fur den Kampf freizusetzen, arbeiteten sie auch in traditionellen Mannerbereichen, etwa als Mechanikerinnen oder Pilotinnen in den USA, Afrika, Europa und Sudostasien. Die Autorin geht den Erfahrungen dieser Frauen nach, den militarischen und zivilen Diskursen uber Soldatinnen im Militar und dem Umgang der Armee mit soldatischer Weiblichkeit und weiblicher Sexualitat. Anhand von Regierungsdokumenten, Kriegsgerichtsprozessen, aber auch Selbstzeugnissen, Gedichten und Songs zeigt M. Michaela Hampf, wie umkampft die Konstruktion der Soldatin im Amerika der vierziger Jahre war und bis heute ist.

The Routledge History of Women in Europe since 1700 is a landmark publication that provides the most coherent overview of woman’s role and place in western Europe, spanning the era from the beginning of the eighteenth century until the twentieth century. In this collection of essays, leading women's historians counter the notion of ‘national’ histories and provide the insight and perspective of a European approach. Important intellectual, political and economic developments have not respected national boundaries, nor has the story of women’s past, or the interplay of gender and culture. The interaction between women, ideology and female agency, the way women engaged with patriarchal and gendered structures and systems, and the way women carved out their identities and spaces within these, informs the writing in this book. For any student of women’s studies or European history, The Routledge History of Women in Europe since 1700 will prove an informative addition to their studies.

This collection brings together top scholars to discuss the significance of violence from a global perspective and the intersections between the global structures of violence and more localized and intimate forms of violence. Activists and academics consider questions such as; are there situations in which violence should be politically supported? Are non-violent or anti-war movements in the US able to effectively respond to violence? Do we need to rethink our understanding of both 'religion' and 'secularism' in light of the current world situation? Have new paradigms been developed in response to violence? The essays in this collection offer inclusive analysis of particular situations and creative alternatives to the omnipresence of violence.

This book is unique in its critical inquiry into the new woman warrior's appropriation of violence and the Western war narrative. Informed by feminist theoretical debates regarding women's new roles, the authors delve into the meaning of that appropriation for alternative storytelling. To date, television's "ferocious few" have received little scholarly attention. By inviting a variety of perspectives, editors Frances Early and Kathleen Kennedy provide a cutting-edge forum to recognize women's increasing role in popular culture as they are cast as action heroes. As a timely and accessible work, this book will appeal to scholars, feminists, cultural critics, and the general reader.

From Yeomanettes to Fighter Jets addresses a major element of twenty-first century sea power—the integration of women into all military units of the U.S. Navy. Randy Goguen delineates the cultural, economic, and political conditions as well as the technological changes that shaped this movement over the course of a century. Starting with the establishment of the Yeomen (F) in World War I and continuing through today to address the current arguments over the registration of women for Selective Service and the reform of the military justice system, Goguen describes how changes in civilian society affected the U. S. Navy and the role of Navy women. She highlights the contributions of key women and men in the military and civilian spheres who were willing to challenge convention and prejudice to advance the integration of women and make the U.S. Navy a stronger institution. Today women in the U.S. Navy have proven themselves essential to the mission success of the service. They are forward deployed around the world, sharing the same risks as their male counterparts. Some have commanded logistics and combatant ships, including aircraft carriers. They fly and maintain combat and patrol aircraft and serve as crew members on ships and submarines. Some hold major commands ashore and have risen to the highest echelons of navy leadership. Integrating women into the U.S. Navy has been a long and often contentious process, as women strived to overcome resistance imposed by prevailing cultural and institutional norms and patriarchal prejudices. Goguen, a retired naval reserve officer who holds a PhD in military history from Temple University, has written a comprehensive and up-to-date history of women’s integration into the Navy. She argues that throughout the process, the decisive force driving progress was exigency. That exigency took various forms: two world wars, communist expansionism in the Cold War, the ending of the draft and the establishment of the All-Volunteer Force, as well as the political pressures posed by social change, especially the mid twentieth-century feminist and contemporary “Me Too” movements. Despite a deeply ingrained institutional resistance cultivated within an insular, often misogynist, sea-going subculture, today’s U.S. Navy could not meet its mission requirements without women. Goguen asserts, “Exigency is the mother of integration.”