"Whatever it was you expected when you heard about the new Classics of Western Spirituality(TM) series from Paulist Press, forget it. The real thing is better." The Crux of Prayer Luis de León: The Names of Christ translated and introduced by Manuel Duran and William Kluback preface by J. Ferrater Mora As Christ is a source or rather is an ocean which holds in itself all that is sweet and meaningful that belongs to man, in the same way the study of his person, the revelation of the treasure, is the most meaningful and dearest of all knowledge. Luis de León (1527-1591) The Names of Christ is a masterpiece of the Golden Age of Spain. Written in the style of a pastoral novel, the work is a meditation on the philosophical and theological significance of the names of Christ. Based on a careful examination of ten names given Christ in the Scriptures, the book reflects elements of Augustinian, Jewish, and Islamic spirituality that were part of sixteenth-century Spain. Luis de León was born in 1527 in Belmonte, a small village in the Castile region of Spain. An Augustinian friar, a brilliant professor, an artful poet, he was a true Renaissance man whose vision of the fullness of Christ sustained him in the face of persecution at the hands of the Inquisition and infused his writing with a sensitivity that has made The Names of Christ a treasure of Spanish literature and a classic of Catholic mysticism. +

Time Commences in Xibalbá tells the story of a violent village crisis in Guatemala sparked by the return of a prodigal son, Pascual. He had been raised tough by a poor, single mother in the village before going off with the military. When Pascual comes back, he is changed—both scarred and “enlightened” by his experiences. To his eyes, the village has remained frozen in time. After experiencing alternative cultures in the wider world, he finds that he is both comforted and disgusted by the village’s lingering “indigenous” characteristics.

This volume presents the story of Hernando Cortés's conquest of Mexico, as recounted by a contemporary Spanish historian and edited by Mexico's premier Nahua historian. Francisco López de Gómara's monumental Historia de las Indias y Conquista de México was published in 1552 to instant success. Despite being banned from the Americas by Prince Philip of Spain, La conquista fell into the hands of the seventeenth-century Nahua historian Chimalpahin, who took it upon himself to make a copy of the tome. As he copied, Chimalpahin rewrote large sections of La conquista, adding information about Emperor Moctezuma and other key indigenous people who participated in those first encounters. Chialpahin's Conquest is thus not only the first complete modern English translation of López de Gómara's La conquista, an invaluable source in itself of information about the conquest and native peoples; it also adds Chimalpahin's unique perspective of Nahua culture to what has traditionally been a very Hispanic portrayal of the conquest.

Leon (1528-91) is known today mostly as a master poet of Spain's Golden Age, but in his own day he was regarded primarily as an academic, and his poems were little regarded by him and little known by others. Here he describes and prescribes marriage in the purely Christian context of the period, and suggests how women can live out their narrowly defined roles within it. Many of his views would be patriarchal and anti-feminist in today's society. The facing pages of Spanish and English text are double spaced. No index is provided. Annotation copyrighted by Book News, Inc., Portland, OR

In 1579 Philip II awarded a large territory in New Spain to a Portuguese man named Luis de Carvajal. That territory included a significant portion of present day Mexico, as well as portions of Texas and New Mexico. This remarkable man discovered, conquered, and settled most of that territory. He also brought a large group of settlers from Spain and Portugal whose impact on its cultural development was very significant. Many of those settlers were of Jewish descent and some of them were tried by the Inquisition for practicing the faith of their ancestors. This book is a biography of Carvajal and is based on documents that were written during his life or soon after his death. The narrative follows him from birth to death and describes the actions he took to give rise to Nuevo Reino de Le n. These included explorations and discoveries; battles with free Indians; pacifications of Indian uprisings; and legal fights with Crown officials who were determined to eliminate him and to end his government. In the end his enemies defeated him with the help of the Inquisition, but the political entity he gave rise to did not die with him. Samuel Temkin is Professor Emeritus, Rutgers University. He received a PhD in Engineering from Brown University and has been a visiting professor in Chile, Germany, Israel, Italy, The Netherlands, Norway, Sweden and Spain. Professor Temkin is the author of "Elements of Acoustics and Suspension Acoustics: An Introduction to the Physics of Suspensions" as well as numerous research articles on Acoustics and Fluid Dynamics, and of many research articles, on the topic of this book. Dr. Temkin was born in Mexico City and was raised in Monterrey, Mexico, the capital city of what once was Nuevo Reino de Le n.

"A new interpretive map of the borderlands as space, trope, meaning, and creative landscape inhabited and reimagined by Mexican and Mexican American peoples. Leon weaves together saints, healers, writers, movements and ideas with skill, bringing a fresh critical mind to Chicano/Latino and Religious studies."—David Carrasco, Neil L. Rudenstine Professor of the Study of Latin America, Harvard University "In this sweeping and ambitious book, Leon explores Mexican and Chicano religious practices that move 'beyond' colonialism . . . ."—José David Saldivar

This bilingual edition is the first complete English-language collection of poems by this Golden Age writer, considered one of the masters of Spanish literature. Includes León’s own preface and tributes to Garcia Lorca and Aleixandre. Barnstone’s introduction discusses León’s mystical symbols and visions.

Reproduction of the original: Fray Luis De Leon by James Fitzmaurice Kelly