The Italian photographer Luigi Ghirri was one of the most significant visual artists of the late twentieth century. This volume introduces his photographic and critical work to a broader audience and positions Ghirri more firmly within global artistic debates, breaking new ground by approaching Ghirri's oeuvre from interdisciplinary perspectives.

Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the history of photography.

Published on the occasion of the exhibition, The Idea of Building, at Matthew Marks Gallery, curated by Matt Connors.

In 1984, Giovanni Chiaramonte photographed Álvaro Siza's building in Berlin, on whose façade some young people had written Bonjour Tristesse. The image was published on the cover of the magazine Lotus International. The following year, Siza and Chiaramonte met in Évora, on the occasion of a new series by the Italian photographer featuring the buildings of the great Portuguese architect. It marked the beginning of a long friendship and a shared reflection on architecture, photography, and urban life. The Measure of the West presents a selection of sixty drawings by Siza and forty photographs taken by Chiaramonte in cities around the world. They make up two parallel routes that lead to the discovery of the shape of the modern city – always hanging in the balance between proportion, in which civilization can develop, and disproportion, in which civilization can go astray. Although animated by different intentions, these sketches and photographs appear as coherent traces of the same design, guided by the same desire to see, discover, understand, and learn. The differences between the black and white strokes of the drawings and the colour of the photographs disappear. Short texts, including thoughts on architecture, photography, drawing, representation, and nature, enrich a "poem of change" taking place in an era of globalization.

'A photographer's gift to the viewer is sometimes beauty in the overlooked ordinary' Saul Leiter Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works - including early street photographs, images for advertising, nudes and paintings - cover Leiter's career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

The first major survey of photography's place in recent art history.

In his latest collection, Dolce Via, photographer Charles H. Traub brings an American aesthetic to the delights of the streets and byways of Italy. This volume is the first comprehensive compendium of his vivid color photographs made in early 1980s Italy, from Milan to Marsala. Characteristic of Traub's imagery is a candid intimacy that combines humor and spontaneity, which makes us long for an Italy that maybe only once was. Brilliant blues, reds, and yellows engulf the baroque posturing and gestures of strangers and ordinary people who become fond archetypical caricatures. Traub's friend and guide, the late photographer Luigi Ghirri, said of the imagery, "You see our foibles, strip us bare, make love through the camera, and then venerate us." These photographs were last exhibited at the Hudson River Museum, Light Gallery New York, and Gallery Agora in Torino in the mid-1980s. Traub has published seven previous volumes of work including Beach (1977), Italy Observed (1988), and Still Life in America (2004). He is represented by the Gitterman Gallery in New York, has exhibited in 27 solo gallery shows, and his works are in the collection of major museums worldwide. Presently, Traub is Chair of the MFA Photography, Video, and Related Media department at the School of Visual Arts in New York, and President of the Aaron Siskind Foundation.

Catalog of an exhibition sponsored by Aperture and held at Matthew Marks Gallery, New York, February 26 - April 30, 2016.

This generously illustrated examination of architectural photography from the 1930s to the present shows how the medium has helped shape familiar views of iconic buildings. Photography has both manipulated and bolstered our appreciation of modern architecture. With beautiful photographs of private and public buildings by Julius Shulman, Candida Höfer, Andreas Gursky, Thomas Struth, and others, this book examines the central and active role that photography plays in defining and perpetuating the iconic nature of buildings and places. This volume shows how different photographers represent the same building, offers commentaries on the "American dream," and explores changes in commercial architectural photography. Placing decades-old images alongside modern ones, Image Building depicts the idea of the comfortable middle-class home and the construction of suburbia as an ironic ideal. It presents the ways that public spaces such as libraries, museums, theaters, and office buildings are experienced differently as photographers highlight the social, cultural, psychological, and aesthetic conditions to reveal the layered meanings of place and identity. Looking at how photography shapes and frames our understanding of architecture, this volume offers thought-provoking points of view through an exploration of social and cultural issues. Published in association with the Parrish Art Museum

Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.