This novel tells the story of the misalliance between Lucie, a vivacious and beautiful dancing girl from Tivoli, and Theodor Gerner, a respectable lawyer from the strait-laced middle society of nineteenth-century Norway. Having first kept her as a mistress, Gerner is so captivated by Lucie's charms that he marries her, only to discover that his project to turn her into a proper and demure housewife is continually frustrated by her irrepressible sensuality and lack of fine breeding. What had made her alluring as a mistress makes her unacceptable as a wife. His attempts to govern her behaviour develop gradually into a harsh tyranny against which she rebels in a manner which brings misery and despair to both. Amalie Skram, a contemporary of Ibsen, expresses the same criticism of repressive social mores and hypocrisy here as he does in plays like A Doll's House and Ghosts, although in a deeply personal way. In this novel from 1888, as in her other novels, she makes an impassioned statement on the double standard, contributing to the great debate about sexual morality which engaged many Scandinavian writers in the late nineteenth century. She also presents a closely observed realistic depiction of a lively cross-section of Kristiania society from the turn of the century, ranging from high society dress parties to arid country cottages to dark and dingy tenements reeking of poverty.

A woman discovers something toxic at work in the isolated village where she is apprenticing as a pharmacist, in this fable-like novel about power, surveillance, prescriptions, and cures by a captivating debut voice. On a remote mountaintop somewhere in Europe, accessible only by an ancient funicular, a small pharmacy sits on a square. As if attending confession, townspeople carry their ailments and worries through its doors, in search of healing, reassurance, and a witness to their bodies and their lives. One day, a young woman arrives in the town to apprentice under its charismatic pharmacist, August Malone. She slowly begins to lose herself in her work, lulled by stories and secrets shared by customers and colleagues. But despite her best efforts to avoid thinking and feeling altogether, as her new boss rises to the position of mayor, she begins to realize that something sinister is going on around her. The Weak Spot is a fable about our longing for cures, answers, and an audience--and the ways it will be exploited by those who silently hold power in our world.

Finalist, 2022 Lambda Literary Awards (Trans-Non-fiction Category) Winner, of the 2022 AASECT Book Awards (Book for Sexuality Professionals) Despite the increasing visibility of trans and non-binary folx in media, political representation, and popular culture, their sexual lives and erotic embodiments are woefully under-attended-to in both scholarship and clinical practice. The aim of this book is to equip providers with both conceptual frameworks and concrete tools for better engaging their trans, non-binary, and gender expansive clients in pleasure-centered discussions of sexual health. Challenging the dominant images of trans sexualities that appear in the existing literature, such as an emphasis on avoiding gender dysphoria, the preservation of sexual function, or on sexual losses that may arise as a result of transition pathways, Trans Sex offers a pleasure-positive approach to working with trans clients. Providing concrete clinical practices and practical activities that utilize social justice, intersectional trans feminism, and radical queer theory as key conceptual frameworks, this groundbreaking text is designed to be accessible to a wide range of providers. This book draws on Fielding’s experiences as both a trans client/patient and as a therapist to shift and expand the conversation and includes contributions from other trans and non-binary providers working at the intersection of gender-affirmative care and sexuality. Trans Sex seeks to move trans sexualities from the margins of gender-affirmative clinical practice, to center pleasure, and to spark creativity and empathic attunement within the client-provider relationship. Whether they be mental health or medical providers, trainees, or seasoned practitioners in gender-affirmative work or sexualities, readers will be able harness creative strategies to enhance their practice and become more imaginative providers.

An ambitious career woman signs up for a co-parenting website only to find a match she never expected, in this unflinchingly funny and honest novel from the author of Last Tang Standing. Management consultant Lucie Yi is done waiting for Mr. Right. After a harrowing breakup foiled her plans for children—and drove her to a meltdown in a Tribeca baby store—she’s ready to take matters into her own hands. She signs up for an elective co-parenting website to find a suitable partner with whom to procreate—as platonic as family planning can be. Collin Read checks all of Lucie’s boxes; he shares a similar cultural background, he’s honest, and most important, he’s ready to become a father. When they match, it doesn’t take long for Lucie to take a leap of faith for her future. So what if her conservative family might not approve? When Lucie becomes pregnant, the pair return to Singapore and, sure enough, her parents refuse to look on the bright side. Even more complicated, Lucie’s ex-fiancé reappears, sparking unresolved feelings and compounding work pressures and the baffling ways her body is changing. Suddenly her straightforward arrangement is falling apart before her very eyes, and Lucie will have to decide how to juggle the demands of the people she loves while pursuing the life she really wants.

A magnificently funny first picture book by Danny Baker, the popular comedy writer, journalist, radio DJ and screenwriter. Illustrated by rising star Pippa Curnick. Lucie Goose lives all alone in a house at the edge of the woods. She has never met or spoken to another animal of any sort until... a wolf, bear and lion turn up on her doorstep and go Rraaaarrrrrr! She should start screaming. She should run away. But Lucie Goose isn't very good at being scared. What will she do? Introducing a wonderfully charming and funny new picture book from two remarkable talents.

An incredible story of a legacy set in south-west France. THE STORY: Aunt Lucie is a real pain in the neck. While she wasn’t exactly a saint when alive, now that she’s dead, she’s making life even more miserable for her family. Her will is crystal clear: to collect the inheritance, nephews and their families have to move into her ramshackle house! But Aunt Lucie has another surprise up her sleeve: a mad treasure hunt, ankle-deep in muck. Welcome to rural France! Things heat up for her darling nephews as they get caught up in this unforgettable adventure. How far will they go to get their hands on the jackpot? Comical situations, funny dialog and dramatic turns of events come fast and furious, masterfully orchestrated by dear Aunt Lucie. Thrilling to the last, unexpected climax! “Aunt Lucie’s legacy” has won acclaim from France Loisirs, France’s number one book club, was selected a jury favorite at the Livre d’Orthez book fair in 2010, named a “digital gem” in March 2014 by the famous Fnac bookstore, and remained for months in the Top 100 best-sellers in Amazon, Kobo and the Fnac on the French market.

Marie de France, Mme. De Sävignä, and Mme. De Lafayette achieved international reputations during periods when women in other European countries were able to write only letters, translations, religious tracts, and miscellaneous fragments. There were obstacles, but French women writers were more or less sustained and empowered by the French culture. Often unconventional in their personal lives and occupied with careers besides writing?as educators, painters, actresses, preachers, salon hostesses, labor organizers?these women did not wait for Simone de Beauvoir to tell them to make existential choices and have "projects in the world." French Women Writers describes the lives and careers of fifty-two literary figures from the twelfth century to the late twentieth. All the contributors are recognized authorities. Some of their subjects, like Colette and George Sand, are celebrated, and others are just now gaining critical notice. From Christine de Pizan and Marguerite de Navarre to Rachilde and Häl_ne Cixous, from Louise Labe to Marguerite Duras?these women speak through the centuries to issues of gender, sexuality, and language. French Women Writers now becomes widely available in this Bison Book edition.