Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.

Numerous color and b & w reproductions from mostly European and a few US museums, reinforce the commentary of Stepanov (St. Petersburg Institute of Art History) on Cranach the Elder as a German Renaissance master. Though not as well known as his Catholic Italian contemporaries, Protestant Cranach bequeathed a legacy of diverse works on religious and secular subjects (hunting scenes are notable) and painting techniques which influenced generations of artists. As a court artist (for Frederick the Wise, Saxony), he also designed costumes, furniture, and parade-ground arms. Includes a chronology of the works of Cranach and his notable peers, but no index. 9.5x12.5" c. Book News Inc

A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.

Lucas Cranach (1472-1553) was one of the greatest artists of the Renaissance, as shown by the diversity of his artistic interests as well as his awareness of the social and political events of this time. He developed a number of painting techniques which were afterwards used by several generations of artists. His somewhat mannered style and spending palette are easily recognized in numerous portraits of monarchs, cardinals, courtiers and their ladies, religious reformers, humanists and philosophers. A part of the Great Painters Collection, translated from the Russian by Paul Williams. 109 full color plates and numerous black and white and two-color illustrations interspersed by text. Includes a chronological table of the work of Cranach and his notable contemporaries.

The first richly illustrated study of the working methods and materials used by one of the most inventive painters of Renaissance Germany

A revealing new account of the life and work of this early modern German printmaker. This captivating biography brings Lucas Cranach the Elder into the spotlight for the twenty-first century. The illuminating narrative unveils an artist whose vision transcended personal brilliance, seeking rather to elevate his nascent nation. Perhaps Cranach's most remarkable achievement lay in forging a robust Lutheran community around his work. Using prints, the prevailing medium of mass communication, he developed an intricate symbolism that resonated with the populace in early modern Germany. On the other hand, Cranach also produced many paintings of female nudes, which this book returns to their central place in the artist's life as symbols of Germany's rich cultural connections with ancient Greece and Rome.