A haunting historical eNovella about three slave girls with mystical powers living on an eerie island off the coast of Georgia, whose lives intertwine in their quest for freedom. Meet Emmaline, Celestia, and Liza, three slave girls on a haunted barrier island in Georgia lowcountry. Emmaline is a mouthy, stubborn young woman who has magic in her blood and conjures the strongest spells with hardly any effort. Celestia was ten when her mother was sold and taken from the island. She’s never stopped longing for her, even when the talking chain—a verbal underground railroad—sends word that her mother has been taken to a plantation in North Carolina. By the time she turns sixteen, she can no longer bring her mother’s face to mind, but she can still hear her urging Celestia to be thankful and keep safe. Liza was a birthday gift to the plantation’s mistress. Her mama was killed for throwing a spell on her master. Before she died she gave Liza her book of conjures, so she could protect herself. And when Liza hatches a plan for all three of them to escape, the three girls’ lives collide. What they don’t realize is that their chances of successfully escaping are slim, and the possibility that all three will die before they leave the island is more likely...

"From horse thieves to hurricanes, from shattered Southern myths to fractured family ties, from Nashville to Myrtle Beach to Miami, Low Country is a lyrical, devastating, fiercely original memoir" of one family's changing fortunes in the Low Country of South Carolina (Justin Taylor, author of Riding with the Ghost). J. Nicole Jones is the only daughter of a prominent South Carolina family, a family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife, a barman father who dreams of being a country music star. At one time, Jones's parents can barely afford groceries; at another, her volatile grandfather presents her with a fur coat. After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. And through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history: Eliza Pinckney cultivates indigo, Blackbeard ransacks the coast, and the Gray Man paces the beach, warning of Hurricane Hazel.

A celebration of the life and culture of the Gullah people of the South Carolina Lowcountry in 179 new paintings Jonathan Green is best known for his vibrant depictions of the Gullah life and culture established by descendants of enslaved Africans who settled between northern Florida and North Carolina during the nineteenth century. For decades, Green's vividly colored paintings and prints have captured and preserved the daily rituals and Gullah traditions of his childhood in the Lowcountry marshes of South Carolina. While Green's art continues to express the same energy, color, and deep respect for his ancestors, his techniques have evolved to feature bolder brush strokes and a use of depth and texture, all guided by his maturing artistic vision that is now more often about experiencing freedom and contentment through his art. This vision is reflected in the 179 new paintings featured in Gullah Spirit. His open and inviting images beckon the world to not only see this vanishing culture but also to embrace its truth and enduring spirit. Using both the aesthetics of his heritage and the abstraction of the human figure, Green creates an almost mythological narrative from his everyday observations of rural and urban environments. Expressed through his mastery of color, Green illuminates the challenges and beauty of work, love, belonging, and the richness of community. Angela D. Mack, executive director of the Gibbes Museum of Art in Charleston, South Carolina, provides a foreword. The book also includes short essays by historian Walter B. Edgar, educator Kim Cliett Long, and curator Kevin Grogan.

African-Atlantic Cultures and the South Carolina Lowcountry examines perceptions of the natural world revealed by the religious ideas and practices of African-descended communities in South Carolina from the colonial period into the twentieth century. Focusing on Kongo nature spirits known as the simbi, Ras Michael Brown describes the essential role religion played in key historical processes, such as establishing new communities and incorporating American forms of Christianity into an African-based spirituality. This book illuminates how people of African descent engaged the spiritual landscape of the Lowcountry through their subsistence practices, religious experiences and political discourse.

The lush landscape and subtropical climate of the Georgia coast only enhance the air of mystery enveloping some of its inhabitants—people who owe, in some ways, as much to Africa as to America. As the ten previously unpublished essays in this volume examine various aspects of Georgia lowcountry life, they often engage a central dilemma: the region's physical and cultural remoteness helps to preserve the venerable ways of its black inhabitants, but it can also marginalize the vital place of lowcountry blacks in the Atlantic World. The essays, which range in coverage from the founding of the Georgia colony in the early 1700s through the present era, explore a range of topics, all within the larger context of the Atlantic world. Included are essays on the double-edged freedom that the American Revolution made possible to black women, the lowcountry as site of the largest gathering of African Muslims in early North America, and the coexisting worlds of Christianity and conjuring in coastal Georgia and the links (with variations) to African practices. A number of fascinating, memorable characters emerge, among them the defiant Mustapha Shaw, who felt entitled to land on Ossabaw Island and resisted its seizure by whites only to become embroiled in struggles with other blacks; Betty, the slave woman who, in the spirit of the American Revolution, presented a “list of grievances” to her master; and S'Quash, the Arabic-speaking Muslim who arrived on one of the last legal transatlantic slavers and became a head man on a North Carolina plantation. Published in association with the Georgia Humanities Council.

History, Mystery, and Romance in the Carolina Lowcountry! A haunted necklace, a trickster rabbit, an ingenious slave, a shrieking droll, and a fianc returned from the dead all come to life in Lynn Michelsohn's new collection of Carolina Lowcountry ghost stories and folklore from the four historic rice plantations making up Brookgreen GardensSouth Carolina's popular tourist attraction near Myrtle Beach. These enchanting folktales, tied to specific plantation locations and historical events, enrich the enjoyment of any visit to the Lowcountry for tourists, armchair travelers, or devotees of ghost stories and folklore. Lynn Michelsohn, a tenth generation Carolinian, is clearly drawn to history, mystery, and romance wherever she finds it, as her previous book, "Roswell, Your Travel Guide to the UFO Capital of the World!" explores intrigues of a different kind. Now, in "Tales from Brookgreen" her charming retelling of these sometimes-eerie, sometimes-sad, sometimes-humorous tales engages readers in characters and folkways unique to the Carolina Lowcountry.

Carly Tabor thought she'd buried her gift with Freddy Richards, the orphan child whose remains were discovered in her King Street home two centuries after his murder. Her ability to communicate with the dead, especially deceased children, originally presented itself when the restless spirit of the child and three others haunted her home. Her new job as an investigative reporter for the local television station calls into question her idyllic lifestyle. When Carly overhears a conversation between her boss and the mother of a missing child seeking help, her sensitive ability returns. She is haunted by the words she hears and when the spirit of the missing child appears to her several different times, Carly knows she needs to be more involved. This leads Carly on a search into unsolved missing person cold cases. Can she find the truth in time or will she become the killer's next victim?

Caroline must pull herself out of her grief to save the wild lands of her inheritance from development.

Vibration Cooking was first published in 1970, not long after the term “soul food” gained common use. While critics were quick to categorize her as a proponent of soul food, Smart-Grosvenor wanted to keep the discussion of her cookbook/memoir focused on its message of food as a source of pride and validation of black womanhood and black “consciousness raising.” In 1959, at the age of nineteen, Smart-Grosvenor sailed to Europe, “where the bohemians lived and let live.” Among the cosmopolites of radical Paris, the Gullah girl from the South Carolina low country quickly realized that the most universal lingua franca is a well-cooked meal. As she recounts a cool cat’s nine lives as chanter, dancer, costume designer, and member of the Sun Ra Solar-Myth Arkestra, Smart-Grosvenor introduces us to a rich cast of characters. We meet Estella Smart, Vertamae’s grandmother and connoisseur of mountain oysters; Uncle Costen, who lived to be 112 and knew how to make Harriet Tubman Ragout; and Archie Shepp, responsible for Collard Greens à la Shepp, to name a few. She also tells us how poundcake got her a marriage proposal (she didn’t accept) and how she perfected omelettes in Paris, enchiladas in New Mexico, biscuits in Mississippi, and feijoida in Brazil. “When I cook, I never measure or weigh anything,” writes Smart-Grosvenor. “I cook by vibration.” This edition features a foreword by Psyche Williams-Forson placing the book in historical context and discussing Smart-Grosvenor’s approach to food and culture. A new preface by the author details how she came to write Vibration Cooking.