An effort has been made in Love's Not Time's Fool to inspire the readers to face social and economic problems without feeling tense. The author has attached due importance to the rights of women and attracts the attention of the rich people towards the problems of widows, orphans and helpless old people. The theme of love has been painted with the colours of false love. extra-marital affairs and flirtations for merely sexual satisfaction but then the depth of pure love for marriage has been proved victorious towards the end. Richa is bold enough to accept her club-footed son Amitabh and pays money regularly to Nora to take care of this child. She hides this fact from her husband Malya who gets injured playing cricket. As an impotent man he continues to work hard for footwear products and dies with another hit of baseball in U.S.A. Richa, a young widow, gets married with her loving employee Abhilash. The positive side of life has aptly been elaborated in this novel so as to encourage readers to have patience in adverse circumstances. The terrible effects of the pandemic have been described in details and hence the novel is a criticism of life.

Edmund Lea perpetually rides a ghost train -- except every seven years on Christmas Eve, when he is allowed to revisit his home town. Like Wagner's Flying Dutchman, Edmund is condemned to eternity alone until he determines how to lift the curse upon him. Time passes, from 1970 to 2019, but Edmund remains seventeen, unable to age and watching the world grow older. He tries in vain to break the spell by way of true love, repentance, hedonism; he tries to change the world and he tries to die. Characters move in and out of Maxwell's story like Dante's figures in Hell, but Edmund's own Virgil is a careless and unhelpful poet, a portrait of the author as a student. The tale is told in formal terza rima, but its language and tone, its humor and sense of homesickness, are decidedly contemporary. It is a brilliant achievement.

Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.

"Torn between grief and anger, Shakespeare learns that the fire was no accident, and that he is being stalked by a person obsessed with bringing his life to ruin. Hope soon comes in the form of a small boy, a would-be actor who happened to witness the arson. As quickly as hope appears, it is snuffed out when the boy is violently murdered. Worse yet, Shakespeare is the primary suspect." "Out on bail, Shakespeare finds himself in a desperate race to uncover the truth behind the murder. With his reputation and life itself on the line, Shakespeare must put down his quill and brace himself for an adventure like no other."--BOOK JACKET.

From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).

The author of the highly acclaimed Golden Chronicles embarks upon an exhilarating new series filled with suspense, deception, and romantic adventure in Georgian England. In this first compelling tale from Patricia Veryan Time's Fool, Captain Gideon Rossiter returns to England after a six-year absence with one goal in mind: to marry and settle down with his betrothed, the enchanting Lady Naomi Lutonville, the thought of whom has sustained him through many a trial of war. It is not, however, a happy homecoming that waits the captain. Rossiter is shocked to find his fortune lost, his father accused of fraud, and his family name disgraced entirely. Worst of all misfortunes, Lady Naomi's family has dissolved the engagement, and the lady herself is of no mind to ask that it be reinstated...

**AS SEEN ON BBC BETWEEN THE COVERS** 25TH ANNIVERSARY EDITION - WITH A NEW INTRODUCTION BY THE AUTHOR 'A true diamond of a novel, glinting with comedy and tragedy' Daily Mail It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. At first he is ostracised by the locals but over time he proves himself to be civilised, humorous – and a consummate musician. When Pelagia, the local doctor's daughter, finds her letters to her fiancé go unanswered, Antonio and Pelagia draw close and the working of the eternal triangle seems inevitable. But can this fragile love survive as a war of bestial savagery gets closer and the lines are drawn between invader and defender? 'Louis de Bernières is in the direct line that runs through Dickens and Evelyn Waugh...he has only to look into his world, one senses, for it to rush into reality, colours and touch and taste' Evening Standard