As a young girl with no family, Angie fell in love with Rique, a blue-blooded Spaniard who treated her kindly. He was full of life and shone his light upon her as if he were the sun. Angie, now a nurse, has learned that Rique was blinded in an explosion. Hoping to be of help, she returns, for the first time in six years, to the island where she spent her adolescence. There she finds a changed man?Rique has lost all hope. And it seems he is just as determined to reject her help as Angie is to give it.

What really happened at the crucifixion? How can one who is immortal die? How can eternity be compressed into six hours? What really held Jesus' body to the cross? Chuck explores the hyper-dimensional aspects of a love letter written in blood on a wooden cross erected in Judea almost two thousand years ago. Dr. Mark Eastman highlights the medical and forensic aspects of the crucifixion.

As a young girl with no family, Angie fell in love with Rique, a blue-blooded Spaniard who treated her kindly. He was full of life and shone his light upon her as if he were the sun. Angie, now a nurse, has learned that Rique was blinded in an explosion. Hoping to be of help, she returns, for the first time in six years, to the island where she spent her adolescence. There she finds a changed man?Rique has lost all hope. And it seems he is just as determined to reject her help as Angie is to give it.

An argument that love requires the courage to accept self-negation for the sake of discovering the Other. Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In The Agony of Eros, a bestseller in Germany, Han considers the threat to love and desire in today's society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today's increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier's film Melancholia, Wagner's Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault's valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's “burnout society.” To be dead to love, Han argues, is to be dead to thought itself. Concise in its expression but unsparing in its insight, The Agony of Eros is an important and provocative entry in Han's ongoing analysis of contemporary society. This remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say—as Rimbaud desired it—the “reinvention” of love. —from the foreword by Alain Badiou

Love, Agony and a Scintilla of Hope brings to the reader three unique stories of love, hope and melancholy which are narrated in a poetic fashion. Henry, James and Julia were perfect strangers till destiny drew them closer in a mysterious way. One of them fled a crime scene, one had to wait for a lifetime and the other without a choice had to shift through the very reality. A bird flutters its wings which resonates beyond timelines connecting the lives of the aforesaid strangers.

Little Miss Sunshine meets Room in this quirky, heartwarming story of friendship, loyalty and discovery. It's Newfoundland, 1986. Fourteen-year-old Bun O'Keefe has lived a solitary life in an unsafe, unsanitary house. Her mother is a compulsive hoarder, and Bun has had little contact with the outside world. What she's learned about life comes from the random books and old VHS tapes that she finds in the boxes and bags her mother brings home. Bun and her mother rarely talk, so when Bun's mother tells Bun to leave one day, she does. Hitchhiking out of town, Bun ends up on the streets of St. John's, Newfoundland. Fortunately, the first person she meets is Busker Boy, a street musician who senses her naivety and takes her in. Together they live in a house with an eclectic cast of characters: Chef, a hotel dishwasher with culinary dreams; Cher, a drag queen with a tragic past; Big Eyes, a Catholic school girl desperately trying to reinvent herself; and The Landlord, a man who Bun is told to avoid at all cost. Through her experiences with her new roommates, and their sometimes tragic revelations, Bun learns that the world extends beyond the walls of her mother's house and discovers the joy of being part of a new family -- a family of friends who care.

'The Agony of Love' is a love story of a young poet. Srijan Ghose - a frustrated young man, who fails to get a suitable job - falls in love with Priyam Majumdar, who is reading for an M.A. at Delhi University. In Delhi, Srijan's elder brother Bijan finds a corporate job for him, but he refuses the job offer as Priyam inspires him to write poetry and to do a Ph.D. at Delhi University. Suddenly, some strange things start happening to him. He is kidnapped twice and tortured to compel him to leave Delhi and Priyam. Meanwhile, his elder brother Bijan asks him to leave his flat. Srijan leaves his flat and finds a job at a garment shop. Now, he has to find out his kidnappers, and if Priyam will marry him. 'The Agony of Love', addresses frustration, inspiration, love, greed, violence, jealousy, betrayal, hope, and success. The dimensions of relationships are explored to the core to focus on the colours of life, in the context of the conflict of humanity and inhumanity. This story in the guise of fiction is the offshoot of firsthand experience of life

ENJOY THE ECSTASY OF AGONY. Amy and Jordan are just like us: hoping for the best, even when things go from bad to worse. They are menaced by bears, beheaded by ghosts, and hunted by the cops, but still they struggle on, bickering and reconciling, scraping together the rent and trying to find a decent movie. It’s the perfect solace for anxious modern minds, courtesy of one of the great innovators of American comics. Now if only Amy’s skin would grow back ... This NYRC edition features a recreation of the original, pocket-size, slipcovered, paperback, designed by Art Spiegelman and Francoise Mouly.