In an era when local department stores still thrived, Birmingham shoppers had different stores from which to choose. But when customers sought more than bargain prices, when they demanded unparalleled quality and outright luxury, they chose Loveman's. The first store opened in Birmingham in 1887, and the chain eventually grew to include locations in Huntsville and Montgomery, embracing those from throughout the state who valued an upscale shopping experience. Weathering the Great Depression, a devastating fire that destroyed the original location in 1934 and historic civil rights protests in the early 1960s, Loveman's proved to be an enduring name through many eras of change until finally closing its doors in 1980. Now, Birmingham historian Tim Hollis chronicles the sterling history of this celebrated store's commitment to excellence.

A micro-biography of horror fiction’s most influential author and his love–hate relationship with New York City. By the end of his life and near financial ruin, pulp horror writer Howard Phillips Lovecraft resigned himself to the likelihood that his writing would be forgotten. Today, Lovecraft stands alongside J. R. R. Tolkien as the most influential genre writer of the twentieth century. His reputation as an unreformed racist and bigot, however, leaves readers to grapple with his legacy. Midnight Rambles explores Lovecraft’s time in New York City, a crucial yet often overlooked chapter in his life that shaped his literary career and the inextricable racism in his work. Initially, New York stood as a place of liberation for Lovecraft. During the brief period between 1924 and 1926 when he lived there, Lovecraft joined a creative community and experimented with bohemian living in the publishing and cultural capital of the United States. He also married fellow writer Sonia H. Greene, a Ukrainian-Jewish émigré in the fashion industry. However, cascading personal setbacks and his own professional ineptitude soured him on New York. As Lovecraft became more frustrated, his xenophobia and racism became more pronounced. New York’s large immigrant population and minority communities disgusted him, and this mindset soon became evident in his writing. Many of his stories from this era are infused with racial and ethnic stereotypes and nativist themes, most notably his overtly racist short story, “The Horror at Red Hook,” set in Red Hook, Brooklyn. His personal letters reveal an even darker bigotry. Author David J. Goodwin presents a chronological micro-biography of Lovecraft’s New York years, emphasizing Lovecraft’s exploration of the city environment, the greater metropolitan region, and other locales and how they molded him as a writer and as an individual. Drawing from primary sources (letters, memoirs, and published personal reflections) and secondary sources (biographies and scholarship), Midnight Rambles develops a portrait of a talented and troubled author and offers insights into his unsettling beliefs on race, ethnicity, and immigration.

The bright lights of Birmingham's theater and retail district have shone over the Magic City for nearly one hundred years during the good times and the bad. During the early 1900s, small businesses, largely founded by immigrants who arrived in Birmingham with almost nothing, exploded into immensely popular shopping and entertainment destinations. The stories of entrepreneurs and immigrants like Louis Pizitz and his business rival, Adolph Loveman, exemplify the kind of rags-to-riches tales that make up much of the city's character. The theaters in the district, some with themed restrooms, inspired the head of Paramount Pictures to dub Birmingham's Alabama Theatre the "Showplace of the South." Author Tim Hollis celebrates and revives the spirit of the beloved department stores and famous theaters from the era of silent movies to the days of integration and change to today.

The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare. 2017.

was so easy to make, Clifford thought of the strange dramas that had their beginnings in the Grand Alcazar and establishments of its kind. Thus much had the dancing craze, though now receded from its earliest frenzy, and the practice of dining and eating midnight suppers in the showy restaurants, achieved: it had brought all sorts of persons, so long as they were well dressed, under the same roof and had set them down at the same or adjoining tables. Hardly since time began had that important requisite of great drama been so nearly perfect as in these restaurants—for people of different ideas and interests and moral standards to meet naturally upon a common ground.... A little man, swart of face, his mustache tightly waxed, and in the smartest evening dress that convention permits the male, paused and spoke to Clifford—a gentleman whom most of the patrons of the place knew, if they knew him at all, as Monsieur Le Bain. Though the master of this ornate pleasure palace, he spoke obsequiously....FROM THE BOOKS.

This volume attempts an objective reassessment of the controversial works and life of American horror writer H. P. Lovecraft. Ignoring secondary accounts and various received truths, Gavin Callaghan goes back to the weird texts themselves, and follows where Lovecraft leads him: into an arcane world of parental giganticism and inverted classicism, in which Lovecraft's parental obsessions were twisted into the all-powerful cosmic monsters of his imaginary cosmology.