“Readers looking for a light beach read will enjoy the engaging writing and compelling plot.”—Library Journal “A great romp of a read”—Candace Bushnell, New York Times bestselling author of SEX AND THE CITY Bright lights, big trouble… Dana Barry has nothing against rules. She just knows they’re meant to be bent. So it’s no wonder the single, twentysomething, aspiring actress loses her day job. Now her life is a mess… until she hears the Shopping Channel is auditioning. Relying on her knack for knowing what makes people tick, she lands a gig on air. But before she can say office politics, Dana is caught in the biggest drama of her life. The star host—a diva who terrorized the entire staff—is found dead. Dana knows the prime suspect is innocent. The heat is on, and Dana thinks she’s ready for it…until she tangles with the tall, dark and smoldering detective in charge. It’s more fuel than she needs right now as she’s trying to launch her career. But Dana’s never been afraid to take chances…even when a single spark could ignite everything.

“Readers looking for a light beach read will enjoy the engaging writing and compelling plot.”—Library Journal “A great romp of a read”—Candace Bushnell, New York Times bestselling author of SEX AND THE CITY Bright lights, big trouble… Dana Barry has nothing against rules. She just knows they’re meant to be bent. So it’s no wonder the single, twentysomething, aspiring actress loses her day job. Now her life is a mess… until she hears the Shopping Channel is auditioning. Relying on her knack for knowing what makes people tick, she lands a gig on air. But before she can say office politics, Dana is caught in the biggest drama of her life. The star host—a diva who terrorized the entire staff—is found dead. Dana knows the prime suspect is innocent. The heat is on, and Dana thinks she’s ready for it…until she tangles with the tall, dark and smoldering detective in charge. It’s more fuel than she needs right now as she’s trying to launch her career. But Dana’s never been afraid to take chances…even when a single spark could ignite everything.

From internationally bestselling author Kate Long, a perceptive, vivid, and painfully funny novel about family ties and growing up On the eve of her eighteenth birthday, Katherine wants only three things: a smidge of social grace, the body of Courteney Cox, and two parents. What she has instead is an almost complete lack of friends, a pudgy figure, and one extremely eccentric, nearly blind grandmother named Poll. Since Katherine’s father died and her mother disappeared, Poll is her only family. And not only does Poll buy all of Katherine’s clothes, but she forbids her to leave the house unless it’s absolutely necessary. Would a chance to go to Oxford count? But the bigger question is: How can she abandon her grandma? Just when Katherine has resigned herself to a lifetime of watching daytime television, sparring with Poll, and visiting the town library for “fun,” along comes a handsome, magnetic young man named Collum, who claims to be Katherine’s long-lost cousin. But as Katherine is about to learn, when it comes to family, things aren’t always as they seem. Praise for Kate Long’s The Bad Mother’s Handbook “Kate Long manages to brilliantly balance equal parts heartbreak and hilarity in a novel that you will love unconditionally.” –Sarah Bird, author of The Flamenco Academy “There is a lovely sweetness to this heartbreaking/heartwarming story.” –The Seattle Times “Funny, touching and utterly winning.” –Publishers Weekly

"A radical approach to children's TV. . . . Seiter argues cogently that watching Saturday cartoons isn't a passive activity but a tool by which even the very young decode and learn about their culture, and develop creative imagination as well. Bolstered by social, political, developmental, and media research, Seiter ties middle-class aversion to children's TV and mass-market toys to an association with the 'uncontrollable consumerism'--and hence supposed moral failure--of working class members, women, and 'increasingly, children.' . . . Positive guidance for parents uncertain of the role of TV and TV toys in their children's lives."--Kirkus Reviews "Sold Separately is about television and toys, and the various roles that they play in the lives of children and parents. In particular, Seiter examines toy advertising, both in print media and on television; TV commercials; toy-based video for girls, with an in-depth look at "My Little Pony"; action TV for boys, using "Slimer and the Real Ghostbusters" as her case study; and the stores where toys are sold, both Toys "R" Us and the more upscale shops . . . contains many provocative observations."--Women's Review of Books "Ellen Seiter has a holiday message for yuppie parents who feel guilty shopping at Toys "R" Us. The mass-produced toys that dominate the chain's shelves need not be the enemy of every right-thinking parent. "Ghostbuster" figurines and "My Little Pony" can share the toy chest with those sensible wooden blocks."--Chronicle of Higher Education "Emphasizing problems of socioeconomic class, gender, and race stereotyping, this study acknowledges the usual parental complaints about toys like Barbie and G.I. Joe, but insists that they do play an important role in children's culture, especially for working class families. A thought-provoking analysis."--Wilson Library Journal "In this thought provoking study, Seiter reasonably urges parents and others to put aside their own tastes and to understand that children's consumer culture promotes solidarity and sociability among youngsters."--Publishers Weekly "An important book for those desiring an overview of the toy industry's impact on consumer culture . . . it] presents a fair and well-balanced view of the industry."--Kathleen M. Carson, associate editor, Playthings "A refreshing, thoughtful, and insightful investigation of an enormously important subject--consumer culture for kids. . . . I can't recommend it highly enough."--Janice Radway, Duke University, author of Reading the Romance

Welcome to Divorce Towers, the Beverly Hills condo where there's more money than sense...more drama than money...and more heat than one high-rise can hold. Addison Torres has nothing left to lose in New York: no job, no fiancé, no parents to lean on. So when Uncle Arnie offers her a concierge gig in sunny California, she hops on a plane without looking back. Before it all came crashing down, Addison had a matchmaking career and handsome partner--then she got a little too cozy with a client. Digging her way out of the wreckage, she's taken a strict vow of celibacy. Unfortunately, Addison's new home is where such promises go to die. As concierge at the luxurious Beekman Towers--nicknamed "Divorce Towers" due to the constant influx of the newly single--she's in constant demand by Beverly Hills' most eligible and entitled bachelors. Like Dante, a cocksure talent agent. And Zach, an adorable tech wizard. Addison Torres thinks she's ready for anything except love. But in Divorce Towers, the world's toughest concierge may have finally met her match.

Swinging between his wife and his mistress in the sacred and profane love machine and between the charms of morality and the excitements of sin, the psychotherapist, Blaise Gavender, sometimes wishes he could divide himself in two. Instead, he lets loose misery and confusion and—for the spectators at any rate—a morality play, rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love.

“Laugh-out-loud funny and deadly serious… Do yourself a favor: READ THIS BOOK!” —David Henry Sterry, bestselling author of Master of Ceremonies Only one thing stands in the way of Laurel Applebaum’s happiness…Doug Applebaum. In this darkly comic novel about a wife whose rope is so frayed it’s about to snap, Laurel gets a call that her husband has been in an accident. She imagines the worst. But as she is on the way to the ER, another emotion seizes her. Relief. Doug’s death could solve all her problems. No more catering to his incessant demands. Then there’s the insurance money. Laurel’s dreams seem so close. There’s just one problem: Doug is very much alive. Now Laurel has to decide if she is going to do something about it. Subversive, irreverent and surprisingly poignant, Take My Husband probes the dark corners of a marriage and emerges to find the light. For anyone who’s spent a little too much time with a significant other and thought, One of us has got to go.