No Strings Attached was Parker Christensen's motto. After surviving heartbreak two years prior, she vowed never to travel down that rabbit hole again. Her suave and mysterious nature earned her the name Casanova. After a one night stand with a masked beauty, she begins to reconsider her path in life. Jocelyn Ortiz is the total package. Beautiful, smart, and persistent; she challenges Parker to be better than the person she had become. Just as Parker begins to feel whole again, someone from her past makes a surprise visit. Now she must choose between who she was and who she wants to be...

An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer

""My soul magnifies the Lord, and my spirit has rejoiced in God my Savior."" Luke 1:46 & 47 We live in a world where life often seems to have no rhyme or reason. There is so much discord, hatred and confusion. With this lack of harmony, we may ask ourselves, ÒWhere is the Lord our Divine Composer?Ó Then, above all the chaos in the stillness of your heart, there are words so loud you need to listen; there may even be a desire to write them down. It is not the volume I describe, but the intensity of awareness that comes with God's Òstill small voiceÓ which billows, ÒYou are not alone.Ó His Voice is incomparable, for it permeates with His Love. God's Love like a mighty wave saturating your soul, like a rolling flame consuming your heart. And to His Love we all must respond...

She’s a wife, a sister, a daughter…but she remembers nothing. Now she must ask herself who she is and choose which stories—and storytellers—to trust. One of only two survivors of a plane crash, Nell Slattery wakes up in the hospital with no memory of it, or who she is, or was. Now she must piece together both body and mind with the help of family and friends who have their own agendas. Although Nell can’t remember all that came before, something just doesn’t sit right with the versions of her history given by her mother, her sister, and her husband. Desperate for a key to unlock her past, she filters through photos, art, music, and stories, hoping that something will jog her memory, and soon, in tiny bits and pieces, Nell starts remembering. . . . From the New York Times bestselling author of Time of My Life comes a novel that asks: Who are we without our memories? How much of our future is defined by our past?

The poems in Songs of Praise were written while sitting in the choir stand and listening to Rev. Frank Calloway preach. Every Sunday he said something that inspired me and opened my mind to writing a poem. I started writing these poems in 1974 and didn’t stop. In 1995 I decided I had enough poems for a book. I still added more poems to this collection, and I’m still being inspired everyday to continue to write inspirational poetry.

It is not another book on global idealism only, rather is a visionary book of realistic global balance of human hearts and minds to expand human happiness. It refines the concepts of heartfelt happiness to fulfill dreams and desires in a harmonic coordination with the rest of the world, may it be anything ranging from birth to death, desires to spirituality, food to sex, education to occupation, love affairs to flirtness, family to politics, science to the God etc. Human happiness needs human ways of happiness, not only the idealistic guidelines. The basic fundamental strategy is to widen the comfort zone of human to the maximum range by raising the freedom to highest possible levels and reducing the responsibilities to minimum possible limits. the book gives a common humanistic base to all of the idealistic standards of the world and declares the actual human behavior, capacities and limitations as a minimum criteria to be followed to achieve human happiness. My dear friends! Million Wings supports, motivates and guides every human being on the earth to fly with a smile in the sky of his dream life.

A New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist

In this ANTHOLOGY II, Leader Olumba Olumba Obu's identification as the Promised Comforter, and Supernatural Teacher; and His teachings on Love, His Mission, His Characteristics, The Holy Spirit, The Word, The Trinity, Baptism, Brotherhood of the Cross and Star, Vegetarianism, Humility, Forgiveness and Mercy, Watch and Pray, Holy Thursday, Dry Fasting, and Feast; are amply recorded and documented.

Philosophers have long been interested in love and its general role in morality. This volume focuses on and explores the complex relation between love and justice as it appears within loving relationships, between lovers and their wider social context, and the broader political realm. Special attention is paid to the ensuing challenge of understanding and respecting the lovers’ personal autonomy in all three contexts. Accordingly, the essays in this volume are divided into three thematic sections. Section I aims at shedding further light on conceptual and practical issues concerning the compatibility or incompatibility of love and justice within relationships of love. For example, are loving relations inherently unjust? Might love require justice? Or do love and justice belong to distinct moral domains? The essays in Section II consider the relation between the lovers on the one hand and their broader societal environment on the other. Specifically, how exactly are love and impartiality related? Are they compatible or not? Is it unjust to favor one’s beloved? Finally, Section III looks at the political dimensions of love and justice. How, for instance, do various accounts of love inform how we are to relate to our fellow citizens? If love is taken to play an important role in fostering or hindering the development of personal autonomy, what are the political implications that need to be addressed, and how? In addressing these questions, this book engenders a better understanding both of conceptual and practical issues regarding the relation between love, justice, and autonomy as well as their broader societal and political implications. It will be of interest to advanced students and scholars working on the philosophy of love from ethical, political, and psychological angles.