"Love Lust Licentiousness" As the name suggests, the book delicately delineates LOVE'S necessity and points out the poisonous part of 'lust' and 'licentiousness'. It contains beautiful poetries, articles and short stories on this topic. It is not just a conglomerate of writings, but, something more than that. It is a collection of writings from INTERNATIONAL WRITERS. Writers from around the world have expressed their feelings regarding this issue. It teaches people what's moral and immoral but in an innovative way. It teaches people to raise their voice against the "DARK SIDE OF SEXUALITY" and depicts the fruits of love, selfless love and why LOVE is really necessary in our lives. It's not just an anthology, rather a heaven of voices from around the world.

Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots. In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space.

This book examines the question of the repression of LGBT people through psychiatry during the fascist regime in Italy, a subject that has not been investigated until now. It draws together the substantial archival record of patients, doctors and fascist authorities to reconstruct intricate behind-the-scenes dialogue, and to document one of the ways in which the regime repressed LGBT lives in this period. Italian Fascism's Forgotten LGBT Victims focusses on three different psychiatric hospitals in three parts of the country - Rome, Florence and the small Calabrian town of Girifalco, which had different attitudes and therapeutic approaches. Archive research results are contextualised within the psychiatric theory of the time, highlighting the existing discrepancies between theory and daily routine practice of mental health institutions in Italy during the regime. Using a variety of sources, Gabriella Romano expands current knowledge of the history of Italian psychiatry, and, in doing so, she also touches a number of crucial issues of medical history, history of Fascism and queer history. Most importantly, this original and well-documented study sheds light on the life stories of ordinary LGBT individuals and their families under the fascist regime, a topic that is still mostly unexplored.

"LOVE IS LOVE" is a dream book which is compiled by LGBTQIA+ activist and famous International Author RISHAV BANERJEE in collaboration with International Author and Social Activists LIV SMITH and ANCY ZERA HUNT EVERT STANLEY, representing the USA and FRANCE respectively & also with WAYNE ADAM CUTFORTH from the UNITED KINGDOM, DAVID STORDAL, JANESSA ROSE from the CANADA & ANASTASIA DIK from Russia. Love experienced in any form shall one day overcome the hate and oppression exercised on the rainbow-hued wings of many such individuals. "LOVE IS LOVE" is just a stepping stone to a portal of beautiful stories and verses bloomed within the extraordinary writers that took part in it. The seven compilers are proud to present the ethereal creation that has taken from in the form of this anthology as an ode to all those who struggle with gender identities, sexualities and acceptance of oneself.

This book details the differences between a false Christianity led by an antichrist named Chri$ whose god is prosperity and success as seen in the dollar sign in his name. The book compares the false Christ identified as Chri$ with the true Christ of Christianity, their personalities, body, spirit, and soul, heart, and mind. It focuses on the centrality of Chri$, signified by the dollar sign, and compares him with the centrality of Christ which was his cross represented by the "t" in his name which is found missing in the name of Chri$. The book asks readers to self-examine themselves to determine who they are really following and what image and likeness they want their lives to become. Finally, the book also discusses the ultimate outcome upon ones' death in modelling ones' life after these two leaders.

The Delusional Dandelions is a delightful and dreamy anthology. The theme of this anthology is DREAM. Fifty wonderful writers have written in this anthology. The compiler-author of this anthology is Abhinaba Dutta.

Licentious Gotham, set in the streets, news depots, publishing houses, grand jury chambers, and courtrooms of the nation's great metropolis, delves into the stories of the enterprising men and women who created a thriving transcontinental market for sexually arousing books and pictures. The experiences of fancy publishers, flash editors, and racy novelists, who all managed to pursue their trade in the face of laws criminalizing obscene publications, dramatically convey nineteenth-century America's daring notions of sex, gender, and desire, as well as the frequently counterproductive results of attempts to enforce conventional moral standards. In nineteenth-century New York, the business of erotic publishing and legal attacks on obscenity developed in tandem, with each activity shaping and even promoting the pursuit of the other. Obscenity prohibitions, rather than curbing salacious publications, inspired innovative new styles of forbidden literature--such as works highlighting expressions of passion and pleasure by middle-class American women. Obscenity prosecutions also spurred purveyors of lewd materials to devise novel schemes to evade local censorship by advertising and distributing their products through the mail. This subterfuge in turn triggered far-reaching transformations in strategies for policing obscenity. Donna Dennis offers a colorful, groundbreaking account of the birth of an indecent print trade and the origins of obscenity regulation in the United States. By revealing the paradoxes that characterized early efforts to suppress sexual expression in the name of morality, she suggests relevant lessons for our own day.

In this pathbreaking work, Dagmar Herzog situates the birth of German liberalism in the religious confl icts of the nineteenth century. During the years leading up to the revolutions of 1848, liberal and conservative Germans engaged in a contest over the terms of the Enlightenment legacy and the meaning of Christianity-a contest that grew most intense in the Grand Duchy of Baden, where liberalism fi rst became an infl uential political movement. Bringing insights drawn from Jewish and women's studies into German history, Herzog demonstrates how profoundly Christianity's problematic relationships to Judaism and to sexuality shaped liberal, conservative, and radical thought in the pre-revolutionary years.In particular, she reveals how often confl icts over the private sphere and the"politics of the personal" determined larger political matters.