A daughter tells her father that she loves him like salt. What does she mean? Early readers will be captivated by this heartwarming version of a classic folk tale. Kindergartners will increase early reading skills and reading comprehension through sight words, repetitive words, and simple phrases. This 12-page guided reading book is ideal for kids ages 3-5.

CHOSEN BY MAGGIE O'FARRELL IN THE GUARDIAN AS ONE OF HER BEST BOOKS OF THE YEAR 'It's a slice of a life . . . a complex, intelligent, beautiful, thoughtful, rather lyrical book' -Cathy Rentzenbrink, author of The Last Act of Love 'A moving treatise on inheritance, not just of a disease like cystic fibrosis, but of our attitudes to living and loving, our sense of cultural and familial landscape, and how these intangibles pass down through generations. Stevenson picks apart her life like a strand of DNA to uncover just how we become the sum of our parts' Daily Telegraph 'A beautiful memoir . . . [Stevenson] is a novelist and a translator and her memoir is about translation in the larger sense. Translating the world is what we all do but she reminds us that one can hope - with a mind as intricately well read and original as hers - to translate misfortune; to absorb and see beyond it . . . Stevenson makes of poetry, fiction and philosophy a protective shawl for her story . . . Although intense she has a carefree wit' Kate Kellaway, Observer 'Love Like Salt is a human triumph ... Ultimately, Love Like Salt follows in the hallowed footsteps of Helen MacDonald's brilliant H is for Hawk or Cathy Rentzenbrink's The Last Act of Love. These are not misery memoirs but reminders that life comes in all shades - that in the darkest moments, beauty and humour can be found' Francesca Brown, Stylist 'Did Clara taste salty when I kissed her? She did. She tasted of mermaids, of the sea.' Love Like Salt is a deeply affecting memoir, beautifully and intelligently written. It is about mothers and daughters, music and illness, genes and inheritance, writing and story-telling. It is about creating joy from the hand you've been dealt and following its lead - in this case to rural France, where the author and her family lived for seven years. And back again. 'I had always written, and until the birth of Clara I wrote for a living. Once I knew the Cystic Fibrosis gene had unfolded itself in our daughter's body, like a paper flower meeting water, I felt that to write, even if I had had time, or been able, would have been to squander a kind of power which was needed for tending and nurturing. Every moment became a moment in which I protected my baby. Some of it I did in secret, like a madwoman muttering spells. I thought of her as a candle, cupping my hand around her. A beautifully written memoir, in the vein of H is for Hawk and The Last Act of Love, about motherhood, music and living the best life you can, even in the shadow of illness.

A sensational tale of obsession and murder from a wonderful writer. ‘An outstanding novel, fresh and unusual [with] all the dirt, stink, rasp and flavour of the time.’ Daily Telegraph

When Amy Andrews and Jessica Mesman Griffith met in a creative writing class in graduate school, they both confessed to writing about God. They bonded one night while reading the Book of Ruth and came to truly understand the unlikely friendship of Ruth and Naomi. In these two Old Testament women, they witnessed a beautiful spiritual friendship and a way of walking with one another toward God. But how could they travel this path together when they would be separated by distance and time and leading busy lives as they established marriages and careers? They decided to write letters to each other—at first, for each day of Lent, but those days extended into years. Their letters became a memoir in real time and reveal deeply personal and profound accounts of conversion, motherhood, and crushing tragedy; through it all, their faith and friendship sustained them. Told through the timeless medium of letters—in prose that is raw and intimate, humorous and poetic—Love & Salt is at its core the emotional struggle of how one spiritual friendship is formed and tested in tragedy, tempered and proven in hope.

Poems.

Ariana Reines, author of Mercury, said: "Sonya Vatomsky's Salt Is For Curing is many things: a feast, a grimoire, a fairy tale world, the real world. It's also too smart for bullshit and too graceful to be mean about the bullshit: a marvelous debut. I love it." Salt Is For Curing is the lush and haunting full-length debut by Sonya Vatomsky. These poems, structured as an elaborate meal, conjure up a vapor of earthly pains and magical desires; like the most enduring rituals, Vatomsky’s poems both intoxicate and ward. A new blood moon in American poetry, Salt Is For Curing is surprising, disturbing, and spookily illuminating. Juliet Escoria, author of Black Cloud, said: "Imagine bodies within bodies eating a feast, spilling over with their own secrets and hopes and dreams and fears and brutality and witchery. That is the party you will find in this book—a modern-day, literary equivalent of a Bosch painting." Mike Young, author of Sprezzatura, said: "These poems melt the hard fat of life into tallow candles, then they reach up and light themselves."

Against the backdrop of Isla Negra — the sea and wind, the white sand with its scattering of delicate wild flowers, the hot sun and salty smells of the Pacific — Nobel laureate Pablo Neruda sets these joyfully sensual poems in celebration of his love. The subject of that love: Matilde Urrutia de Neruda, the poet's "beloved wife." As popular in the Hispanic world as the poet's renowned Twenty Love Poems and a Song of Despair,One Hundred Love Sonnets has never before been published in its entirety in English translation. The reason for this astonishing neglect may lie in the historical circumstances that surrounded Neruda's "discovery " by English-speaking readers. In the United States he came to popularity during the turmoil of the sixties, when Americans needed a politically committed poet, and much of Neruda's canon answered that need. But, in his native Chile and throughout Latin America, Neruda has always been cherished as dearly for the earthly sensuality and eroticism of his love poetry as for his statements of political belief. To know this work, then is to understand the poet's art more thoroughly.

A banished princess must show her father what she meant when she told him he was as "dear to her as salt is to meat."

This stunning new book of poems from internationally renowned poet Lorna Goodison opens in Spain and Portugal, conjuring up a new history of the Caribbean and a new way of setting up its heritage. The title sets the tone for poems about backgrounds and outlines and shadows and sources of light. This extraordinary book—"a wide lotus on the dark waters of song"—is filled with surprises at every turn, as a Moorish mosque becomes a cathedral in Seville, a country girl dresses in Sunday clothes to visit a Jamaican bookmobile, and a bear appears suddenly, only to slip away silently into the trees on a road in British Columbia. The heartache of Billy Holliday singing the blues, the burden of Charlie Chaplin tramping the banana walks of Jamaica's Golden Cloud, and the paintings of El Greco, the quintessential stranger, come together on the poet's pilgrimage to Heartease, guided by a limping angel and inspired by the passage-making of Dante; the book ends with a superb version of the first of his cantos, translated into the poet's Jamaican language and landscape with the gift of love.