I NOW PRONOUNCE YOU . . . DEAD After a tough breakup with her boyfriend, Lucy Kincaid needs a different kind of break. So she heads west to join her brother, an ex-cop, for a long weekend of skiing in the mountains. At a picturesque lodge tucked high in the Sierra Nevada, Lucy finds just what she’s looking for: a peaceful retreat undisturbed by Internet, television, and cell phone distractions. She also finds an unexpected group of newlyweds seeking their own idyllic getaway. But finding one of her fellow guests dead wasn’t in the brochure. And neither was the overnight snowstorm that leaves the lodge cut off from the outside world. When Lucy’s brother suspects the honeymooner’s death was foul play, he’s mysteriously stricken ill. Now, to keep him and herself alive, it’s up to aspiring FBI agent Lucy Kincaid to figure out which of the lovebirds trapped in the lodge is really a bird of prey. BONUS: This edition includes an excerpt from Allison Brennan’s upcoming novel Kiss Me, Kill Me as well as an exclusive excerpt from an FBI interview with Lucy Kincaid!

Prepare for heart-racing suspense in this original collection by thirty of the hottest bestselling authors and new voices writing romance suspense today. Go on vacation with Allison Brennan's Lucy Kincaid, where she saves a man from drowning, only to discover he is in far greater danger on land. Meet Roxanne St. Claire's 'bullet catcher' -bodyguard Donovan Rush - who may have met his match in the sexually charged "Diamond Drop." Debut author William Simon shows us what happens when the granddaughter of the president of the United States is kidnapped. And Lee Child's pitch-perfect 'I Heard a Romantic Story' puts a whole new spin on Love Is Murder. Bodyguards, vigilantes, stalkers, serial killers, women (and men!) in jeopardy, cops, thieves, PIs, killers - these all-new stories will keep you thrilled and chilled late into the night. LOVE IS MURDER is the third Thriller anthology written exclusively by members of International Thriller Writers, Inc. With original short stories from Lori Armstrong, Jeff Ayers, Beverly Barton, William Bernhardt, Allison Brennan, Robert Browne, Pamela Callow, Toni McGee Causey, Lee Child, JT Ellison, Bill Floyd, Cindy Gerard, Heather Graham, Laura Griffin, Vicki Hinze, Andrea Kane, Julie Kenner, Sherrilyn Kenyon, Dianna Love, Jon Land, D.P. Lyle, James Macomber, Carla Neggers, Brenda Novak, Patricia Rosemoor, William Simon, Alexandra Sokoloff, Roxanne St. Claire, Mariah Stewart, and Debra Webb, you won't want to miss this!

Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.

Exposes how ex-gay and postabortion ministries operate on a shared system of thought and analyzes their social implications.

A staple of the culture wars, the struggle between Christian conservatives and progressives over sexuality and reproductive rights continues. Focusing on ex-gay ministries geared to helping same-sex attracted people resist their sexuality and postabortion ministries dedicated to leading women who have had an abortion to repent that decision, Cynthia Burack argues that both are motivated and characterized by a strain of compassion that is particular to Christian conservatism rather than a bias and hatred toward sexual minorities and sexually active women. This compassion reproduces the sexual ideology of the Christian right and absolves Christian conservatives from responsibility for stigma and other forms of harm to postabortive and same-sex attracted people. Using the democratic theory of Hannah Arendt, the popular fiction of Ayn Rand, and the psychoanalytic thought of Melanie Klein, Burack studies the social and political effects of Christian conservative compassion.