2020 — Ruth Benedict Prize – Association for Queer Anthropology, American Anthropological Association 2020 — Gloria E. Anzaldúa Book Prize – National Women’s Studies Association 2020 — Honorable Mention, Sara A. Whaley Book Prize 2021 — Best Book in Social Sciences – Mexico Section, Latin American Studies Association (LASA) Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers. Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current Mexico-US border crisis.

Having followed Mexico's cartels for years, border security expert Sylvia Longmire takes us deep into the heart of their world to witness a dangerous underground that will do whatever it takes to deliver drugs to a willing audience of American consumers. The cartels have grown increasingly bold in recent years, building submarines to move up the coast of Central America and digging elaborate tunnels that both move drugs north and carry cash and U.S. high-powered assault weapons back to fuel the drug war. Channeling her long experience working on border issues, Longmire brings to life the very real threat of Mexican cartels operating not just along the southwest border, but deep inside every corner of the United States. She also offers real solutions to the critical problems facing Mexico and the United States, including programs to deter youth in Mexico from joining the cartels and changing drug laws on both sides of the border.

From the author of The Summer Prince, a novel that's John Grisham's The Pelican Brief meets Michael Crichton's The Andromeda Strain set at an elite Washington D.C. prep school. Emily Bird was raised not to ask questions. She has perfect hair, the perfect boyfriend, and a perfect Ivy-League future. But a chance meeting with Roosevelt David, a homeland security agent, at a party for Washington DC's elite leads to Bird waking up in a hospital, days later, with no memory of the end of the night.Meanwhile, the world has fallen apart: A deadly flu virus is sweeping the nation, forcing quarantines, curfews, even martial law. And Roosevelt is certain that Bird knows something. Something about the virus--something about her parents' top secret scientific work--something she shouldn't know.The only one Bird can trust is Coffee, a quiet, outsider genius who deals drugs to their classmates and is a firm believer in conspiracy theories. And he believes in Bird. But as Bird and Coffee dig deeper into what really happened that night, Bird finds that she might know more than she remembers. And what she knows could unleash the biggest government scandal in US history.

The New York Times Bestseller What if everything you think you know about addiction is wrong? Johann Hari's journey into the heart of the war on drugs led him to ask this question--and to write the book that gave rise to his viral TED talk, viewed more than 62 million times, and inspired the feature film The United States vs. Billie Holiday and the documentary series The Fix. One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realized he had addiction in his family. Confused, not knowing what to do, he set out and traveled over 30,000 miles over three years to discover what really causes addiction--and what really solves it. He uncovered a range of remarkable human stories--of how the war on drugs began with Billie Holiday, the great jazz singer, being stalked and killed by a racist policeman; of the scientist who discovered the surprising key to addiction; and of the countries that ended their own war on drugs--with extraordinary results. Chasing the Scream is the story of a life-changing journey that transformed the addiction debate internationally--and showed the world that the opposite of addiction is connection.

This graphic novella presents a critical history of the U.S. War on Drugs, using a modernized parody of the Charles Dickens classic "A Christmas Carol" as a story framework.

The first history of tacos developed in the United States, now revised and expanded, this book is the definitive survey that American taco lovers must have for their own taco explorations. “Everything a food history book should be: illuminating, well-written, crusading, and inspiring a taco run afterwards. You’ll gain five pounds reading it, but don’t worry—most of that will go to your brain.”—Gustavo Arellano, Los Angeles Times “[Ralat] gives an in-depth look at each taco’s history and showcases other aspects of taco culture that has solidified it as a go-to dish on dinner tables throughout the nation.”—Smithsonian Magazine “A fascinating look at America’s many regional tacos. . . . From California’s locavore tacos to Korean ‘K-Mex’ tacos to Jewish ‘deli-Mex’ to Southern-drawl ‘Sur-Mex’ tacos to American-Indian-inspired fry bread tacos to chef-driven ‘moderno’ tacos, Ralat lays out a captivating landscape.”—Houston Chronicle “You’ll learn an enormous and entertaining amount about [tacos] in . . . American Tacos. . . . The book literally covers the map of American tacos, from Texas and the South to New York, Chicago, Kansas City and California.”—Forbes “An impressively reported new book . . . a fast-paced cultural survey and travel guide . . . American Tacos is an exceptional book.”—Taste

"An important and timely book. The authors capture the dynamics of drug debate with uncanny accuracy. Too often, treatment and prevention get the short end of the stick in Congress, and this book explains why. Drug War Politics makes a compelling case for bringing public health principles to bear on the drug epidemic, and is essential reading for serious students of the drug issue."—Senator Edward M. Kennedy "A thoughtful analysis of the most fundamental and troublesome social problem in America. It reaches behind rhetoric and starts making sense about how we can go about saving ourselves from two addictions: the terrible affliction of drugs and the easy talk that makes the rest of us feel good but does not deal with the problem."—Kurt Schmoke, Mayor, City of Baltimore "This well-informed book shows how political expediency and a punitive conventional wisdom have combined over the past decades to support a national drug policy that fills our prisons, depletes our budget, and destroys our poor. This is a wonderfully sane analysis of what has become a major form of national insanity."—Frances Fox Piven, City University of New York "We've needed a new way of thinking about the drug problem for a long time. Now we have it. Drug War Politics is one of the best efforts to reconceptualize a major aspect of crime, especially victimless crime, that I have seen since Morris and Hawkins' The Honest Politician's Guide to Crime Control of nearly 30 years ago."—Theodore J. Lowi, Cornell University "A compelling analysis of our failure. The provocative public health solutions it proposes to the drug-related crime, violence, and despair that ravage many of our inner cities show that we can give people a chance—a chance to fight addiction and build better lives."—Congressman John Lewis "We will never be able to arrest, prosecute, or jail our way out of the drug problem. To understand why, read this book. The evidence is overwhelming: we need a radical change in the mission and mandate of drug control."—Nicholas Pastore, Chief of Police, New Haven "This is the smart citizens' guide to the drug policy debate—to why we spend so much time and money on things that don't work, and to where we can look for guidance for things that do."—Barbara Geller, Director, Fighting Back, New Haven

A myth-busting, 100-year history of the Mexican drug trade that reveals how an industry founded by farmers and village healers became dominated by cartels and kingpins. The Mexican drug trade has inspired prejudiced narratives of a war between north and south, white and brown; between noble cops and vicious kingpins, corrupt politicians and powerful cartels. In this first comprehensive history of the trade, historian Benjamin T. Smith tells the real story of how and why this one-peaceful industry turned violent. He uncovers its origins and explains how this illicit business essentially built modern Mexico, affecting everything from agriculture to medicine to economics—and the country’s all-important relationship with the United States. Drawing on unprecedented archival research; leaked DEA, Mexican law enforcement, and cartel documents; and dozens of harrowing interviews, Smith tells a thrilling story brimming with vivid characters—from Ignacia “La Nacha” Jasso, “queen pin” of Ciudad Juárez, to Dr. Leopoldo Salazar Viniegra, the crusading physician who argued that marijuana was harmless and tried to decriminalize morphine, to Harry Anslinger, the Machiavellian founder of the American Federal Bureau of Narcotics, who drummed up racist drug panics to increase his budget. Smith also profiles everyday agricultural workers, whose stories reveal both the economic benefits and the human cost of the trade. The Dope contains many surprising conclusions about drug use and the failure of drug enforcement, all backed by new research and data. Smith explains the complicated dynamics that drive the current drug war violence, probes the U.S.-backed policies that have inflamed the carnage, and explores corruption on both sides of the border. A dark morality tale about the American hunger for intoxication and the necessities of human survival, The Dope is essential for understanding the violence in the drug war and how decades-old myths shape Mexico in the American imagination today.

Though pillage, profit, and plunder have been a mainstay of war since pre-colonial times, there is little contemporary focus on the role of finance and economics in today's "Drug Wars"—despite the fact that they boost US banks and fill our prisons with poor people. They feed political campaigns, increase the arms trade, and function as long-term fixes to capitalism's woes, cracking open new territories to privatization and foreign direct investment. Combining on-the-ground reporting with extensive research, Dawn Paley moves beyond the usual horror stories, beyond journalistic rubbernecking and hand-wringing, to follow the thread of the Drug War story throughout the entire region of Latin America and all the way back to US boardrooms and political offices. This unprecedented book chronicles how terror is used against the population at large in cities and rural areas, generating panic and facilitating policy changes that benefit the international private sector, particularly extractive industries like petroleum and mining. This is what is really going on. This is drug war capitalism. Dawn Paley is a freelance journalist who has been reporting from South America, Central America, and Mexico for over ten years. Her writing has been published in the Nation, the Guardian, Vancouver Sun, Globe and Mail, Ms. magazine, the Tyee, Georgia Straight, and NACLA, among others.

"Assassin of Youth" is a lyrical, digressive, funny, and ultimately riveting quasi-biography of a little known man: Harry J. Anslinger, the first commissioner of the Federal Bureau of Narcotics. The J. Edgar Hoover of pot busts, Anslinger played a major role in the creation of America s prohibitionist drug policy and the racist and ineffective carceral state that resulted. But Anslinger himself was dull, ordinary, a square. How then does Alexandra Chasin write his biography? Her treatment of Anslinger, his times, and the mentalities that arose and prevailed around and through him is part cultural history, part lyrical meditation, and only part biography. Each of her short chapters is anchored in a historical document a piece of legislation, a court decision, snatches of popular literature and the chapters engage with the voices, presumptions, insights, and blind spots of those documents to illuminate Anslinger and his world. "Assassin of Youth" is as riotous and loose a history of drug laws as can be imagined and yet, it is rooted in very close attention to language and context. Today, even as marijuana is slowly being legalized, we have not yet fully reckoned with the haze of influences and mentalities that have enabled our long embrace of severe punishments for drug possession and use. Alexandra Chasin here shows us the deep, twisted roots of our love and hatred of drugs of all sorts."