A CBA Bestselling Author -- Meg Jorgenson wants a fresh start away from the city and a failed relationship. She takes a teaching position in tiny Miracle, Kentucky, and vows to steer clear of men. Before long Meg is smitten -- by eight-year-old girl. Cammy Bayer has spent much of her life in a wheelchair, but firmly believes God will heal her someday. Her widowed father is delighted by Meg's attention. But will they see eye-to-eye about an experimental procedure that might help Cammy?

"A former Marine is no match for the spunky Sam Sinclair. Bryce Stone has returned to his hometown of North Pole, Alaska and he's not very happy about it. The Town Where It's Christmas All Year Long does not appeal to the self-admitted scrooge. What's worse, Bryce must postpone his dream of opening a furniture shop when his Aunt Olive retires and leaves him to manage the family's cluttered Christmas boutique. Bryce hires a petite and inexperienced young woman to run the store, figuring that if she fails, he can sell the place! But Bryce underestimates Sam, who grew up with seven rowdy brothers and is out to prove her mettle in the frozen north. It's a battle of wills and the two soon find that they're fighting for more than just the shop. After all, love takes as many forms as the snowflakes that blanket the streets of North Pole." - Taken from cover p.4.

Bestselling author Barbara Kingsolver returns with her first nonfiction narrative that will open your eyes in a hundred new ways to an old truth: You are what you eat. "As the U.S. population made an unprecedented mad dash for the Sun Belt, one carload of us paddled against the tide, heading for the Promised Land where water falls from the sky and green stuff grows all around. We were about to begin the adventure of realigning our lives with our food chain. "Naturally, our first stop was to buy junk food and fossil fuel. . . ." Hang on for the ride: With characteristic poetry and pluck, Barbara Kingsolver and her family sweep readers along on their journey away from the industrial-food pipeline to a rural life in which they vow to buy only food raised in their own neighborhood, grow it themselves, or learn to live without it. Their good-humored search yields surprising discoveries about turkey sex life and overly zealous zucchini plants, en route to a food culture that's better for the neighborhood and also better on the table. Part memoir, part journalistic investigation, Animal, Vegetable, Miracle makes a passionate case for putting the kitchen back at the center of family life and diversified farms at the center of the American diet. "This is the story of a year in which we made every attempt to feed ourselves animals and vegetables whose provenance we really knew . . . and of how our family was changed by our first year of deliberately eating food produced from the same place where we worked, went to school, loved our neighbors, drank the water, and breathed the air." Includes an excerpt from Flight Behavior.

At a campsite in Snowball, Arkansas, Lucy bungles everything she attempts as she tries to impress Justin.

This final volume finishes off the talk of the doctrine of soteriology and the work of Christ and the Holy Spirit within the Bible. The next session deals with the topic of the church and its place within the world and the teachings of scripture about how the church is to be united with Christ when, in the final section, the eschaton happens and the world is renewed to a sinless state with Christ's return. Also covered is the topic of the intermediate state and what happens when we die.

With The Tempest’s Caliban, Shakespeare created an archetype in the modern era depicting black men as slaves and savages who threaten civilization. As contemporary black male fiction writers have tried to free their subjects and themselves from this legacy to tell a story of liberation, they often unconsciously retell the story, making their heroes into modern-day Calibans. Coleman analyzes the modern and postmodern novels of John Edgar Wideman, Clarence Major, Charles Johnson, William Melvin Kelley, Trey Ellis, David Bradley, and Wesley Brown. He traces the Caliban legacy to early literary influences, primarily Ralph Ellison, and then deftly demonstrates its contemporary manifestations. This engaging study challenges those who argue for the liberating possibilities of the postmodern narrative, as Coleman reveals the pervasiveness and influence of Calibanic discourse. At the heart of James Coleman’s study is the perceived history of the black male in Western culture and the traditional racist stereotypes indigenous to the language. Calibanic discourse, Coleman argues, so deeply and subconsciously influences the texts of black male writers that they are unable to cast off the oppression inherent in this discourse. Coleman wants to change the perception of black male writers’ struggle with oppression by showing that it is their special struggle with language. Black Male Fiction and the Legacy of Caliban is the first book to analyze a substantial body of black male fiction from a central perspective.