Little owl Mo is in for a surprise when his baby cousin Bibi comes to stay. She seems cute enough. But will there be enough of Grandma’s love to go around? Written and illustrated by the award-winning Jane Chapman (Squish Squash Squeeze!, No More Cuddles), Love Enough for Twois a fantastic sequel to the bedtime favourite, I’m Not Sleepy! This heart-warming and gently humorous tale is perfect for big brothers, sisters or cousins who are learning to welcome new additions to the family.

The capstone and crowning achievement of the Future History series, from the New York Times bestselling Grand Master of Science Fiction... Time Enough for Love follows Lazarus Long through a vast and magnificent timescape of centuries and worlds. Heinlein's longest and most ambitious work, it is the story of a man so in love with Life that he refused to stop living it; and so in love with Time that he became his own ancestor.

My, "Special Understandings" are my philosophies and lessons I've learned while advancing in life. "Visions" are visual sights of nature as well as outlooks towards the future. Submerge yourself and enjoy.

Two additional books have followed; Window: A Poets Journey details the spectrum of life and, like her first book, has a cover photo of an art piece in another medium. This time, a painting Sonja completed while in high school; it expresses a journey we take through life. Sonja once again returned to the theme of love in Is Love Enough? In this collection, her cover photo portrays the many colors of love expressed in relationships. Sonja currently lives in Ashburn, Virginia, busy in her career and college studies. She continues to express her zest for life through poetry.

Once a good girl goes bad, she’s gone forever... After a job gone wrong, two fates are left hanging in the balance, one being Outlaw’s oldest brother and the other an innocent child. Although Outlaw knows that things often happen beyond his control, he can’t help but to think that he’s partly to blame for putting Chloe in a situation that has led to Isaiah fighting for his life. With a wife and child of his own, his outlook has greatly changed and it’s affecting him in ways that he’s never experienced before. When he finds himself in a situation that he never intended and takes things with Chloe beyond a simple platonic relationship, he realizes that the only woman he should be worried about is the one whom he gave his last name. But by then, will he have lost everything? From the looks of things, Janelle is a shoe-in to become the next District Attorney of New York City but the level of scrutiny and criticism of the decisions she’s made in her personal life have her wondering if this new career path is one that she really wants to take. All of her life, she’s followed in the footsteps of her father, the man she has looked up to since she was a little girl, but a series of events turns her life upside down and she’s left confused. Are the career choices she’s made really part of her dream or someone else’s? In this final chapter of the Bad Boys series, tragedy strikes in multiple ways forcing Janelle and Outlaw to come to terms with who they really are. With infidelity in the mix, Janelle’s bitterness becomes her best friend and she’s consumed with her need to take revenge on everyone who played a part in destroying her picture-perfect life. Will vengeance be enough or will it only lead to more misery in the end?

The sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here - June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In these pages, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.

Hoot loves adventures. Olive does not. But as long as they're together, they can accomplish anything.

New York Times Bestselling and Goncourt Prize-Winning Author of The Anomaly Any man—or woman—who wants to hear nothing—or no more—about love should put this book down. Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna, meeting Yves has brought a flurry of excitement to her life and made her question her values, her reliable husband, and her responsibilities to her children. For Louise, a successful career woman in a stable and comfortable marriage, her routine is uprooted by the youthful passion she feels for Thomas. Thought-provoking, sophisticated, and, above all, amusing, Enough About Love captures the euphoria of desire through tender and unflinching portraits of husbands, wives, and lovers.

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

“A beautifully written and well-researched cultural criticism as well as an honest memoir” (Los Angeles Review of Books) from the author of the popular New York Times essay, “To Fall in Love with Anyone, Do This,” explores the romantic myths we create and explains how they limit our ability to achieve and sustain intimacy. What really makes love last? Does love ever work the way we say it does in movies and books and Facebook posts? Or does obsessing over those love stories hurt our real-life relationships? When her parents divorced after a twenty-eight year marriage and her own ten-year relationship ended, those were the questions that Mandy Len Catron wanted to answer. In a series of candid, vulnerable, and wise essays that takes a closer look at what it means to love someone, be loved, and how we present our love to the world, “Catron melds science and emotion beautifully into a thoughtful and thought-provoking meditation” (Bookpage). She delves back to 1944, when her grandparents met in a coal mining town in Appalachia, to her own dating life as a professor in Vancouver. She uses biologists’ research into dopamine triggers to ask whether the need to love is an innate human drive. She uses literary theory to show why we prefer certain kinds of love stories. She urges us to question the unwritten scripts we follow in relationships and looks into where those scripts come from. And she tells the story of how she decided to test an experiment that she’d read about—where the goal was to create intimacy between strangers using a list of thirty-six questions—and ended up in the surreal situation of having millions of people following her brand-new relationship. “Perfect fodder for the romantic and the cynic in all of us” (Booklist), How to Fall in Love with Anyone flips the script on love. “Clear-eyed and full of heart, it is mandatory reading for anyone coping with—or curious about—the challenges of contemporary courtship” (The Toronto Star).