A LOS ANGELES TIMES BESTSELLER In the face of systemic racism and state-sanctioned violence, how can we metabolize our anger into a force for liberation? White supremacy in the United States has long necessitated that Black rage be suppressed, repressed, or denied, often as a means of survival, a literal matter of life and death. In Love and Rage, Lama Rod Owens, coauthor of Radical Dharma, shows how this unmetabolized anger--and the grief, hurt, and transhistorical trauma beneath it--needs to be explored, respected, and fully embodied to heal from heartbreak and walk the path of liberation. This is not a book about bypassing anger to focus on happiness, or a road map for using spirituality to transform the nature of rage into something else. Instead, it is one that offers a potent vision of anger that acknowledges and honors its power as a vehicle for radical social change and enduring spiritual transformation. Love and Rage weaves the inimitable wisdom and lived experience of Lama Rod Owens with Buddhist philosophy, practical meditation exercises, mindfulness, tantra, pranayama, ancestor practices, energy work, and classical yoga. The result is a book that serves as both a balm and a blueprint for those seeking justice who can feel overwhelmed with anger--and yet who refuse to relent. It is a necessary text for these times.

“The more I make love, the more I want revolution; the more I make revolution, the more I want to make love.†? In Paris, in May of 1968, revolution, and love are very much in the air. The barricades are going up, the students of the Sorbonne are taking to streets alive with the graffiti of revolt, and the Odeon is ablaze with speechmaking. For Annie, a young American painter, and Julian, her Portuguese lover, a banker and anarchist, the events of that Paris spring form the backdrop against which their love affair is played. Annie sees the world through an artist's eyes; she is reckless in her passions, wanting and needing love with other people. There is none of this fanciful nonsense for Julian, an anarchist disdainful of the entire human race, who thinks even the enraged students storming the streets of Paris with their posters proclaiming “open the windows of your heart†? and “revolution is the ecstasy of history†? to be hopelessly naïve and sheeplike. Ferlinghetti charts the progress of love unfolding against those heady and momentous days when the pampered children of the bourgeoisie tried to find common cause with workers who despised them, “when Julian and Annie were in the heat of their love and reason.†?

Poor women's lives and stories of the street, etched into a narrative of the heart.

It is the 1970s in LA, and Jacaranda Leven - child of sun and surf - is swept into the dazzling cultural milieu of the beautiful people. Floating on a cloud of drink, drugs and men, she finds herself adrift, before her talent for writing, and a determined literary agent, set her on a course for New York and a new life. Sex & Rage is a recently re-discovered classic from author Eve Babitz, herself a muse to many an artist, writer and musician in the 1970s. A semi-autobiographical novel, it charts the highs and lows of a life lived at the limits, and transports the reader to a sunnier, dreamier, more reckless time and place.

Igniting a long-overdue dialogue about how the legacy of racial injustice and white supremacy plays out in society at large and Buddhist communities in particular, this urgent call to action outlines a new dharma that takes into account the ways that racism and privilege prevent our collective awakening. The authors traveled around the country to spark an open conversation that brings together the Black prophetic tradition and the wisdom of the Dharma. Bridging the world of spirit and activism, they urge a compassionate response to the systemic, state-sanctioned violence and oppression that has persisted against black people since the slave era. With national attention focused on the recent killings of unarmed black citizens and the response of the Black-centered liberation groups such as Black Lives Matter, Radical Dharma demonstrates how social transformation and personal, spiritual liberation must be articulated and inextricably linked. Rev. angel Kyodo williams, Lama Rod Owens, and Jasmine Syedullah represent a new voice in American Buddhism. Offering their own histories and experiences as illustrations of the types of challenges facing dharma practitioners and teachers who are different from those of the past five decades, they ask how teachings that transcend color, class, and caste are hindered by discrimination and the dynamics of power, shame, and ignorance. Their illuminating argument goes beyond a demand for the equality and inclusion of diverse populations to advancing a new dharma that deconstructs rather than amplifies systems of suffering and prepares us to weigh the shortcomings not only of our own minds but also of our communities. They forge a path toward reconciliation and self-liberation that rests on radical honesty, a common ground where we can drop our need for perfection and propriety and speak as souls. In a society where profit rules, people's value is determined by the color of their skin, and many voices—including queer voices—are silenced, Radical Dharma recasts the concepts of engaged spirituality, social transformation, inclusiveness, and healing.

Love & Rage is a book about children, both the child in those of us who are chronologically adult, as well as the children we may be interacting with. It takes a reader for a journey into their inner world of intense, raging emotions which often goes unheeded by the outside adult world. With the trained ear of a child psychotherapist, the author listens to children's stories as they emerge in her consulting room, through word and play, and translates them for adults. Supported by the author's own personal associations and a bedrock of psychodynamic theory, the book throws light on what comes into a psychotherapist's consulting room, and demonstrates that it is not unusual, bizarre or crazy. Instead, it is the ordinary stuff of everyday life, taking place in every family. That sometimes we all carry the pain of complex feelings within ourselves for all of our lives-love and rage towards the people we are closest to. This book is essential reading for anyone close to children-parents and parents-to-be, teachers, school counsellors-but also for anyone looking to attend to the child within them.

In this "relentlessly gripping, brilliant" epic fantasy (James Islington), an ousted queen must join forces with a young warrior in order to reclaim her throne and save her people. Tau and his Queen, desperate to delay the impending attack on the capital by the indigenous people of Xidda, craft a dangerous plan. If Tau succeeds, the Queen will have the time she needs to assemble her forces and launch an all out assault on her own capital city, where her sister is being propped up as the 'true' Queen of the Omehi. If the city can be taken, if Tsiora can reclaim her throne, and if she can reunite her people then the Omehi have a chance to survive the onslaught. "This gritty series set in a South African–inspired fantasy world is an intense reading experience, and the second book is just as phenomenal as the first."—BuzzFeed News "The Fires of Vengeance is epic fantasy at its finest."—Winter Is Coming The Books of The Burning Series The Rage of Dragons The Fires of Vengeance The Lord of Demons

The Anthropology of Love and Anger questions the very foundations of western sociological thought. In their examination of indigenous peoples from across the South American continent, the contributors to this volume have come to realise that western thought does not possess the vocabulary to define even the fundamentals of indigenous thought and practice. The dualisms of public and private, political and domestic, individual and collective, even male and female, in which western anthropology was founded cannot legitimately be applied to peoples whose 'sociality' is based on an 'aesthetics of community'. For indigenous people success is measured by the extent to which conviviality, (all that is peaceful, harmonious and sociable) has been attained. Yet conviviality is not just reliant on love and good but instead on an even balance between all that is constructive, love, and all that is destructive, anger. With case studies from across the South American region, ranging from the (so-called) fierce Yanomami of Venezuela and Brazil to the Enxet of Paraguay, and with discussions on topics from the efficacy of laughter, the role of language, anger as a marker of love and even homesickness, The Anthropology of Love and Anger is a seminal, fascinating work which should be read by all students and academics in the post-colonial world.

Writing about murder mysteries for over twenty-five years, Bruce Rubenstein gives us a collection of Minnesota crimes in Greed, Rage, and Love Gone Wrong. Whether the killer is greedy and devoid of human compassion, desperate about money or love, or simply filled with bottled-up rage, this book puts the reader at the scene of the most notorious murders in the state. Bruce Rubenstein is a writer who specializes in true crime and legal stories. His work has appeared in many publications, including City Pages, Mpls/St. Paul Magazine, and Chicago Magazine. He is the recipient of the Chicago Bar Association’s Herman Kogan Media Award.

This memoir is both David Morgan's final farewell to Iris Murdoch and his loving preservation of her memory. They met while he was studying at the Royal College of Art in London in the 1960s when, he says, something clicked . It was an unlikely alliance: he was a rebel from Birmingham who had been hospitalized against his will at 17 and was now a fierce autodidact; she was a famous writer who had come to London as grandee from Oxford to teach philosophy to a wilder bunch of students than she had ever encountered before. But their friendship was to endure for more than thirty years. A deep mutual affection transcended both the liberties and confines that the 1960s imposed on them: they loved art, literature and words; she was seduced by his charm, touched by his vulnerability, and encouraged the best in him; he was flattered by her attention, intrigued by her brilliance, and relished her fascination for him. This painful, funny and irreverent account of their friendship vacillates between disrespect and homage, between hilarity and tears, and between love and rage on both sides. It is not only a story about two remarkable individuals; it is about the bohemian London of the 1960s, and also a story about how art is made. For Morgan's reminiscences covertly reveal how far Murdoch was aware that her most intimate relationships would inevitably inform her art. When linked with her novels they provide a unique insight into how she wrought it out of truthful human experience without betraying those she loved. Interest in revelations about the life of any writer can only be justified by the light they shed on art and its creators and this fresh invitation into the hidden recesses of Iris Murdoch's life will enable a better insight into the writer herself, her novels and, most importantly, the mind that shaped them.