Can anyone be truly herself - or truly in love - in a language that's not her own? Sixteen-year-old Josie knows a lot of languages- she speaks High School, College, Friends, Boyfriends, Break-ups, and even the language of Beautiful Girls. But none of these is her native tongue - the only people who speak that are her best friend Stu and her sister, Kate. So when Kate gets engaged to an insufferable guy, how can Josie see it as anything but the mistake of a lifetime? As battles are waged over secrets and semantics, Josie is forced to examine her feelings for the boy who says he loves her, the sister she loves but doesn't always like, and the best friend who hasn't said a word - at least not in a language Josie understands. 'A true-blue lovable weirdo, Josie is the type of character I really enjoy seeing . . . authentically herself, even when being herself gets her into trouble.' Hellogiggles

The teen-girl fascination with weddings comes to fiction in this hilarious debut, as 17-year-old Bronwen Oliver plots her escape from her family . . . by marrying into someone else's. Here Comes the Bride -- If She Can Pass Chemistry.Seventeen-yaer-old Bronwen Oliver has a secret: She's really Phoebe, the lost daughter of the loving Lilywhite family. That's the only way to explain her cold, manipulative mother, distant stepfather, and good-for-nothing brother: Bronwen must have been switched at birth, and she can't wait to get back to her real family.Then she meets Jared. He's sweet, funny, everything she wants - and he has the family Bronwen has always wanted too. When he proposes fourth months after they meet, she says yes. But as the wedding day approaches, Bronwen begins to wonder if Jared is truly what she needs. And if he's not, she has to ask: What would Phoebe Lilywhite do?

"First published in the United Kingdom in 2015 by Jonathan Cape, an imprint of Vintage Publishing."

From the author of Eating the Sun, an artistic collection of more than 50 drawings featuring unique, funny, and poignant foreign words that have no direct translation into English Did you know that the Japanese language has a word to express the way sunlight filters through the leaves of trees? Or that there’s a Finnish word for the distance a reindeer can travel before needing to rest? Lost in Translation brings to life more than fifty words that don’t have direct English translations with charming illustrations of their tender, poignant, and humorous definitions. Often these words provide insight into the cultures they come from, such as the Brazilian Portuguese word for running your fingers through a lover’s hair, the Italian word for being moved to tears by a story, or the Swedish word for a third cup of coffee. In this clever and beautifully rendered exploration of the subtleties of communication, you’ll find new ways to express yourself while getting lost in the artistry of imperfect translation.

"Kudos (Greek), encomiums (Latin), and accolades (French) to the authors for their enlightening and amusing lexicon, a testament that English is the most cheerfully democratic and hospitable language ever cobbled together."-Richard Lederer, author of The Miracle of Language From angst to zydeco, the ultimate guide to foreign terms and phrases This handy, practical, and browsable A-to-Z reference tells you all you need to know to understand, pronounce, and appreciate the nearly 2,000 foreign words and phrases commonly used by speakers and writers of English. The Browser's Dictionary covers a wide variety of subject areas and includes loan-words from more than sixty languages around the world, such as: Latin (desideratum) * the romance languages (rapprochement, macho, imbroglio) * German (gestalt) * Russian (gulag) * Hebrew (shibboleth) * Yiddish (shtick) * Persian (tambura) * Hindi (purdah) * Arabic (loofah) * Hawaiian (kanaka) * Creole French (zydeco) * and Japanese (netsuke) In addition, each entry provides: * A guide to pronunciation using easy-to-understand transcriptions from ordinary English * Comprehensive literal and idiomatic definitions * The word's source language, as well as its literal meaning The Browser's Dictionary of Foreign Words and Phrases is sure to become a favorite reference for anyone with an interest in words and language.

"Originally published as an ebook in 2015 by Paper Lantern Literary, The Studio"--Copyright page.

Crossing countries and continents, this narrative follows a son lost for words over the death of his father. Unable to write the phrase "My father is dead" in either his native Greek or his adopted French, he heads for Africa to undertake the learning of Sango. Traveling across both borders and time, he examines his past, his family history, and the colonial and political ties of his homelands. While at first he does not know why learning a new and uncommon language has become vital to him, he comes to discover that the new language enables him to easily write of his father's passing. But as he truly experiences Sango--meets its speakers, travels where it emerged and has struggled to survive--his intimacy with it grows, and he is once again unable to utter the telling phrase. Meditating on language, loss, and the power of words to express or constrain human emotion, this tale of speaking, living, and letting go is filled with delicate suspense, humor, and honesty.

In this wide-ranging cultural and political history of Filipinos and the Philippines, Vicente L. Rafael examines the period from the onset of U.S. colonialism in 1898 to the emergence of a Filipino diaspora in the 1990s. Self-consciously adopting the essay form as a method with which to disrupt epic conceptions of Filipino history, Rafael treats in a condensed and concise manner clusters of historical detail and reflections that do not easily fit into a larger whole. White Love and Other Events in Filipino History is thus a view of nationalism as an unstable production, as Rafael reveals how, under what circumstances, and with what effects the concept of the nation has been produced and deployed in the Philippines. With a focus on the contradictions and ironies that suffuse Filipino history, Rafael delineates the multiple ways that colonialism has both inhabited and enabled the nationalist discourse of the present. His topics range from the colonial census of 1903-1905, in which a racialized imperial order imposed by the United States came into contact with an emergent revolutionary nationalism, to the pleasures and anxieties of nationalist identification as evinced in the rise of the Marcos regime. Other essays examine aspects of colonial domesticity through the writings of white women during the first decade of U.S. rule; the uses of photography in ethnology, war, and portraiture; the circulation of rumor during the Japanese occupation of Manila; the reproduction of a hierarchy of languages in popular culture; and the spectral presence of diasporic Filipino communities within the nation-state. A critique of both U.S. imperialism and Filipino nationalism, White Love and Other Events in Filipino History creates a sense of epistemological vertigo in the face of former attempts to comprehend and master Filipino identity. This volume should become a valuable work for those interested in Southeast Asian studies, Asian-American studies, postcolonial studies, and cultural studies.

Winner of the Overseas Press Club of America's Cornelius Ryan Award • Finalist for the Pulitzer Prize in Nonfiction A New York Times Book Review Notable Book • Named a Best Book of the Year by New York Magazine and The Progressive "A deeply honest and brave portrait of of an individual sensibility reckoning with her country's violent role in the world." —Hisham Matar, The New York Times Book Review In the wake of the September 11 attacks and the U.S.-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.” Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.